By this rationale, a well - educated, professional woman is not to be as sympathetic
a figure as a waitress or factory worker who presumably works to make ends meet.
Not exact matches
Johnson writes her character well enough, though the film's general dearth of women characters — there are three, two of them serve mostly
as Mother
figures (and, in Perabo's case,
as a hooker), and the other is a
waitress — is something I hope he takes note of.
LaVona, a chain - smoking, foul - mouthed alcoholic in Gillespie's film, takes her young daughter to
figure skating lessons while working
as a
waitress.
Quinn's return to an area of Queens where at least one diner
waitress remembers him
as «Johnny» is confounding, in a good way, challenging viewers to
figure out the timeline of Quinn's flashback in the titular safe house.