Sentences with phrase «figure compositions from»

large, figure compositions from my imagination and also small collages.

Not exact matches

It analyzed the planet's composition with an instrument called a reflectance spectrometer, which collects light and then splits that light into its component wavelengths to figure out which elements the light was reflected from.

Figuring out the composition of dark earth and how it was formed offers a way to improve soil fertility for today's small farmers and also curb carbon emissions from the fires that these farmers set to clear the forest.

The machine offered Remo his best hopes for figuring out how the X-rays from a nuclear blast would interact with, and possibly deter, incoming asteroids of varying compositions.

[Response: The AR4 results in the figure are from constant - 2000 composition, not any of the scenarios, which of course warm up significantly more.

I had to remind myself what medium chain tryglyc -... what medium chain triglycerides were, and I got a composition, fatty acid composition of coconut oil from a government website and figured out what were the medium chain fatty acids and what percentage of coconut oil was medium chain fatty acids, and it was about almost 60 %.

To me, this J.Brand Vanity denim series (since material composition can vary widely from style to style) is the perfect pair of black jeans — figure - flattering, slimming, holds in the tummy if you choose the higher waist style, and most importantly does NOT stretch out throughout the day.

The staff composition of Catholic schools has similarly been turned on its head, from some 90 percent female religious in the»50s to less than 5 percent today (see Figure 1).

Soldiers at rest give themselves up to portraiture, while figures captured in mid-battle compositions recognizable from classic war photojournalism somehow possess the qualities of a dream.

The range is fantastic, and I think indicative of contemporary trends within the medium: angular figures and aggressively colorful compositions in a New Objectivity vein from very young, non-German artists including Anna Navasardian (Armenian but New York - based, showing with Galerie Andreas Binder, Munich) and Pawel Sliwinski (Polish, showing with Beers Contemporary, London); representational works in thick, gestural impasto, both in Kim Dorland's grand, en plein air style (Angell Gallery, Toronto), and in Bobby Mathieson's intimately scaled portraiture (Lyons Wier Gallery, New York); and abstraction both super-reductive (like Clare Grill, showing with FRED.GIAMPIETRO, New Haven) and cosmically colorful (Jennifer Lefort, showing with Patrick Mikhail Contemporary, Ottawa); plus every conceivable style in between.

His early work passed though the styles of impressionism, Orphism, Dada, Surealism, and verbal and visual collagel his later art extended from composition that superimpose linear painted figures upon one another (and, sometimes, several of those on apinted ground), to painting based on pinup nudes and commercial illustrations and, finally, to coarse, heavily textured canvases that depict totems, masks and shields.

From left, Lot 77, «Untitled (Three Figures Seated at a Table),» circa 1946 - 47 (watercolor, brush and ink on cream wove paper) by Romare Bearden and Lot 78, «Untitled (Abstract Composition),» 1947 (oil on wood panel) by Norman Lewis.

The collages gradually grew larger and more ambitious and eventually I found that they were exploring the same ideas from my figure compositions.

These drawings, heavily layered with red and white oil stick on thick paper, range dramatically in scale from three - inch - high stick figures to enormous multi-panel compositions.

She spent seven and a half years in Spain (1963 - 1970), where her work «gradually developed from broad gestural and spatially referenced painting to compositions of a somewhat surreal figure / ground composition... (her) highly saturated brilliant color separated (her) paintings from the leading Spanish artists whose work was darker, grayer and Goyaesque.»

«Out of Sight» then proceeds chronically to present art from 1962 to 1978 and concludes by exhibiting four wooden sculptures and a series of seven vivid painting from her Days of the Week series by way of revealing Herrera's continued experimentation with figure / ground relationships and the architectural underpinnings of many of her compositions.

Lauded painter Lynette Yiadom - Boakye assembles images from scrapbooks, drawings, and her imagination into lush compositions of human figures.

More interested in light and gesture than in narrative, Drumheller takes a democratic approach to his figures, constructing them from matrices of small touches and generalizations set in light - infused compositions.

His figures always hinge on abstraction, while his use of color, composition, and deadpan humor balance the discomfort that comes from the voyeurism inherent in his gaze.

In traditional Japanese composition, from Ukiyo - e prints from the Edo period to current Manga illustrations, figures and objects exist on a single plane of depth focusing on vertical and horizontal relationships to portray dimensionality.

These compositions give shape to Quinn's memories, the figures from his past finding their way from the subconscious to the paper.

Ultimately the figures become so distorted that it is virtually impossible to disentangle torsos and limbs from the background... The female figure, although still the theme of the painting, no longer dominates its composition.

By spreading the pigment from thick to thin with every stroke of his brush and using the entire canvas, Lee Ufan creates an infinite array of shades and figures within his never - ending composition.

Come to Beverley Street Studio School and choose that day to be inspired from the figure or an interesting still life composition.

I've made figure compositions that were very ambitious and difficult, trying to invent everything from scratch and then I have also always made these little collages.

The 24 lessons take you from starting to draw (balancing the figure, foreshortening) to picture making (composition, drapery, cropping).

The show will examine his understanding of form and light in the composition of formal portraits, still lifes and figurative works that celebrate the sensual quality of nature and the human body.The works relate strongly to the museum's permanent collection of fine art that includes portraits from the eighteenth and nineteenth centuries, Dutch old master still lifes and studies of the nude and human figure, a staple of western art dating back to the classical forms of Greek sculpture.

Throughout his career, Howard Mehring was a leading figure in the group of artists known as the Washington Color School, though he differed from them in his preference for using geometric forms in his compositions.

Still, it is undeniable that many artists outside Japan have drawn inspiration from the mastery of the Japanese print; the precise use of fluid line, the command of composition and the sumptuous complexity of the textiles intertwined amongst the reclining figures.

In Vietnamese Women, for example, Spero transformed a single image taken from a photograph of a war survivor into a veritable cadre of figures intently striding across the 14 - foot length of the composition.

Organized by Chief Curator Emeritus Douglas Dreishpoon, this exhibition will flesh out the full spectrum of Feeley's creative output: early Abstract Expressionist - inspired paintings from the mid-1950s, organic figure - ground compositions from the late 1950s and early 1960s, and the diagrammatical compositions that preoccupied him from 1962 until 1966.

Sir Michael Sadler bought Seated Figure from Hepworth's joint exhibition with Nicholson in 1933 (Alex Reid & Lefevre, invoice 3 Nov. 1933 as «Carving by Barbara Hepworth «Composition» (Lignum vitae)», Sadler papers, TGA 8221.1.3).

The uniform composition of the braid, suspended above exercise mats within the grid - like structure of the gallery, refers to the figure of the masochist, who operates within confined boundaries, and for whom a strict schema acts as a refuge from trauma.

Over more than five decades, she has made paintings (politically electric Pop compositions incorporating collaged figures from movie poster and newspaper images isolated in bold, graphic space) and penned multiple plays, novels, and articles.

Foreword by James Rosenquist vii Preface by Ira Goldberg viii Acknowledgments x Introduction: Miracle on 57th Street 1 Part 1: Lessons and Demos 15 Henry Finkelstein: On Painting, with a Critique 17 Mary Beth McKenzie: Painting from Life 27 Ephraim Rubenstein: Painting from Observation 39 Thomas Torak: A Contemporary Approach to Classical Painting 59 Dan Thompson: Learning to Paint the Human Figure from Life 75 Sharon Sprung: Figure Painting from Life in Oils 91 Frederick Brosen: Classic Watercolor Realism 107 Naomi Campbell: Working Large in Watercolor 123 Ellen Eagle: Poetic Realism in Pastel 135 Costa Vavagiakis: The Evolution of a Concept 148 Part 2: Advice and Philosophies 165 William Scharf: Knowing that Miracles Happen 167 Peter Homitzky: Inventing from Observation 181 Charles Hinman: Painting in Three Dimensions 193 Deborah Winiarski: Painting and Encaustic 203 James L. McElhinney: Journal Painting and Composition 213 Part 3: Interviews 229 Frank O'Cain: Abstraction from Nature 231 Ronnie Landfield: On Learning and Teaching 251 Knox Martin: Learning from Old and Modern Masters 269 Concours: Painting and the Public at the Art Students League by Dr. Jillian Russo 282 Index 286

Scanning the table of contents is like flipping through a course catalog: do you want to take Naomi Campbell's «Working Large in Watercolor,» James McElhinney's «Journal Painting and Composition,» Sharon Sprung's «Figure Painting from Life in Oil,» or Ellen Eagle's «Poetic Realism in Pastel»?

Traveled to Nasher Sculpture Center, Dallas The Future Demands Your Participation: Contemporary Art from the British Council Collection, Minsheng Art Museum, Shanghai Grand National: Art from Britain, Vestfossen Kunstlaboratorium, Norway The Contemporary Figure, Donald Young Gallery, Chicago 2009 Accrochage, Galerie Max Hetzler, Berlin Classified, Tate Britain, London DLA Piper Series: This is Sculpture, Tate Liverpool Donald Young Gallery, Chicago British Council Collection: The Third Dimension, Whitechapel Gallery, London 2008 The Vincent Award 2008, Stedelijk Museum CS, Amsterdam Origins, Hudson Valley Center for Contemporary Art, Peekskill, NY Martian Museum of Terrestrial Art, Barbican Art Gallery, London Donald Young Gallery, Chicago 2007 Five Works in Bronze: Darren Almond, Robert Gober, Ellsworth Kelly, William de Kooning, Rebecca Warren, Matthew Marks Gallery, New York Unmonumental: The Object in the 21st Century, New Museum, New York The Third Mind, Palais de Tokyo, Paris Makers and Modelers, Gladstone Gallery, New York No Room for the Groom, Herald St. London 2006 Turner Prize Exhibition, Tate Britain, London Tate Triennial 2006: New British Art, Tate Britain, London Toutes Compositions Florales, Counter Gallery, London Anne Chu, Gary Hill, Martin Puryear, Rebecca Warren, James Welling, Donald Young Gallery, Chicago flutter, The approach, London If it didn't exist you'd have to invent: a partial Showroom history, The Showroom, London China Art Objects Galleries, Los Angeles 2005 The British Art Show 6, Hayward Gallery (catalogue) Trumpets of Justice, Counter Gallery, London Body: New art from the UK, Vancouver Art Gallery (1995); The Ottawa Art Gallery (2006); Oakville Galleries (2006); Edmonton Art Gallery (2006)(catalogue) 2004 Strange, I've seen that face before, Gallery of Modern Art, Glasgow, Scotland Sculpture: Precarious Realism between the Melancholy and the Comical, Kunsthalle Wien, Vienna Collage, Bloomberg Space, London 2003 Rachel Harrison, Hirsch Perlman, Dieter Roth, Jack Smith, Rebecca Warren, Matthew Marks Gallery, New York Still Life, Museo Nacional de Bellas Artes, Santiago, Chile.

Mann is also showing mixed - media works mounted on board, including «Figures de mémoire» («Memory Figures,» 2013); several grid - format, multi-component tableaux; and larger - format works in whose expansive compositions her lines and abstract forms loosen up and spread out in what appear to be topographic maps from other worlds.

In the dialogue between the figure's cadmium red belt, her peach coloured shirt and the earthy glow emanating from her skin and hair, Yiadom - Boakye infuses the composition with a deep sense of warmth.

For two years, Centre Pompidou - Metz presents Beacons, an extended exhibition showcasing monumental works from the collections of Centre Pompidou, Musée national d'art moderne, including Pablo Picasso's stage curtain for the ballet Mercure, Composition with Two Parrots by Fernand Léger, Figures and Birds in the Night by Joan Miró as well as Palombe by Frank Stella and Survivor (s) by Yan Pei - Ming.

Comprising choreography for three dancers and a musical composition for two pianos, Bachzetsis's performance positions the female body as a technological form caught between animism and automatism, with a physical and visual vocabulary drawn from tarantism, classic Northern Soul dancing, Dada and Surrealism, and the movements of pioneering figures in dance, including Trisha Brown and Simone Forti.

Home (Man) and Composició amb figures (Composition with Figures), both from 1945, are perhaps the two most figurative works in the efigures (Composition with Figures), both from 1945, are perhaps the two most figurative works in the eFigures), both from 1945, are perhaps the two most figurative works in the exhibit.

Presentations include a series of in - gallery Events, site - responsive collages of Cunningham repertory performed by dancers from the final company as well as new commissions from leading figures in contemporary choreography and composition, including Charles Atlas / Rashaun Mitchell / Silas Riener, Beth Gill, Maria Hassabi, and John King, among others.

Comprising choreography for three dancers and a musical composition for two pianos, Alexandra Bachzetsis's performance positions the female body as a technological form caught between animism and automatism, with a physical and visual vocabulary drawn from tarantism, classic Northern Soul dancing, Dada and Surrealism, and the movements of pioneering figures in dance, including Trisha Brown and Simone Forti.

Greeting the viewer at the door, Jon Pylypchuk's sculpture «allright I guess I can't be sincere to you anymore» is simply the sum of its parts: a figure on a pedestal made with tennis rackets and lightbulbs for eyes; Keith Edmier's «Medea» is cast from pink dental stone and rises from the exploded kiln of the late artist Lowell Grant; Sean Landers» casts a beautifully menacing god Pan; Heimo Zobernig «s take on the classical contrapposto is a 3D composition of three sculptures; bulky, elegant and graceful, Georg Herold's «Brown Betelgeuze is a beautifully imagined bronze of the second - brightest star of Orion.

Aside from a few magnificent landscapes and a couple of smaller cityscapes, his new billboard - like compositions examine multiple figure configurations; either full - scale or in variations of his signature cropped face format.

In Step Out (2016), Semmel doubles the image as a means of expanding both the background and foreground of her compositions so that her figures appear to simultaneously enter and draw back from the viewer's space.

Turning the perspective of her compositions to her own body as subject, she began painting the nude female figure, shifting the point of view from outside of the canvas as the viewer, to a simultaneous observer and subject.

In the midst of these all - over geometric compositions, Ofili has inscribed figures in charcoal, which range from detailed portraits to shadowy semi-abstractions.

Doris paints a variety of subject matter ranging from plein air landscapes to figure, portrait, and still life compositions.