If you look closely at the 5 second mark, you'll see
a figure facing the Death Star.
Not exact matches
I turned intentionally to a life of crime at age twelve and found myself
facing the
death penalty at age twenty for offenses including conspiracies to commit bank robberies, hijackings, and homicide, and then, after a merciful and undeserved reprieve from God, spent ten years in America's worst prison trying to
figure out, among other things, the nature of punishment — and «Saving Punishment» by Stephen Webb is certainly the best meditation I've come across on the subject.
While Max and Annie
figure out the key to extended domestic bliss (hint: heteronormative monogamy and family building), Brooks
faces a life - or -
death predicament only Max, Annie, and their gamer friends can resolve against insurmountable odds.
There's Black
Death as W'Kabi, T'Challa's head of security —
face like an anvil, agreeability of a sledgehammer — and [takes inordinately long pull from oxygen tank, ambles closer with widened eyes for dramatic effect] Forest Whitaker as Zuri, T'Challa's oldhead bodyguard - slash - confessor - slash - drunk - uncle -
figure.
Even if he is struggling to
figure out how to turn around and get out of the corner he's wandered into, and continues to attack with his
face like it's a key - lime pie on his last day on
death row.
Mr. Oliveira strayed from the human
figure from time to time but always returned, with startling intensity in works like «Standing Figure» (1970), a pink female figure turned toward the viewer with a ghostly white death mask instead of a
figure from time to time but always returned, with startling intensity in works like «Standing
Figure» (1970), a pink female figure turned toward the viewer with a ghostly white death mask instead of a
Figure» (1970), a pink female
figure turned toward the viewer with a ghostly white death mask instead of a
figure turned toward the viewer with a ghostly white
death mask instead of a
face.
With their hollow, zombie eyes, quizzical semi-squints and fingerlike ropes of flesh on their
faces, the
figures float between life and
death, pop culture and high art.
When you are trying to
figure out what you will receive in terms of
face value for the policy, the
face value is the amount of the
death benefit provided.