Sentences with phrase «figure painting course»

Not exact matches

This of course made my life much easier, because I can cut figures of musketeers out of classical paintings.

Created over the course of three years from 2012 through 2014, in collaboration with a community of artisans in Rajasthan, India, the large 2 - pole structures (each measuring some 10» x 18» x 12» high) transform MASS MoCA's signature Building 5 gallery into a kind of tent village, inhabited by painted human figures both supine and in motion, and emblematic symbols and signs both obvious and arcane.

Of course in the story of Adam and Eve, there are no other people inhabiting the earth yet, so as a viewer my role is sort of ambiguous and open, but not participatory unless I think of myself as one of the figures in the painting or as some omniscient presence.

Dacia Gallery (New York, NY) This painting intensive program will comprise of drawing and painting the figure from life, guest lecturers, a business of art course and gallery visits.

(New York, NY) This painting intensive program will comprise of drawing and painting the figure from life, guest lecturers, a business of art course and gallery visits.

The picnicking figures are swallowed up in mid-chew, vanishing into jagged grey pigment like so much painted flesh, which is, of course, all that they are.

Other highlights of the exhibition include her Neverland series from 2002, where she photographed objects, either alone or in groups, on fields of color; Figure Drawings from 1988 - 2008, featuring an installation of 40 framed images of the human figure; Objects of Desire from 1983 - 1989, where she made collages of found photographs and rephotographed them against bright background of red, blue, green, yellow, and black; Renaissance Paintings from 1991, featuring individual figures and objects from disparate Renaissance paintings isolated and re-photographed against monochrome backgrounds; Doubleworld from 1995, where the artist transitioned from collaging and re-photographing found images to creating stylized arrangements for the camera; Stills from 1980, where the artist compiled and re-photographed over 70 clippings of press photos that capture people falling or jumping off tall buildings; Available Light from 2012, incorporating many of her techniques utilized over the course of her career; and Modern History from 1979, in which she has re-photographed the front page of the newspaper with the text redFigure Drawings from 1988 - 2008, featuring an installation of 40 framed images of the human figure; Objects of Desire from 1983 - 1989, where she made collages of found photographs and rephotographed them against bright background of red, blue, green, yellow, and black; Renaissance Paintings from 1991, featuring individual figures and objects from disparate Renaissance paintings isolated and re-photographed against monochrome backgrounds; Doubleworld from 1995, where the artist transitioned from collaging and re-photographing found images to creating stylized arrangements for the camera; Stills from 1980, where the artist compiled and re-photographed over 70 clippings of press photos that capture people falling or jumping off tall buildings; Available Light from 2012, incorporating many of her techniques utilized over the course of her career; and Modern History from 1979, in which she has re-photographed the front page of the newspaper with the text redfigure; Objects of Desire from 1983 - 1989, where she made collages of found photographs and rephotographed them against bright background of red, blue, green, yellow, and black; Renaissance Paintings from 1991, featuring individual figures and objects from disparate Renaissance paintings isolated and re-photographed against monochrome backgrounds; Doubleworld from 1995, where the artist transitioned from collaging and re-photographing found images to creating stylized arrangements for the camera; Stills from 1980, where the artist compiled and re-photographed over 70 clippings of press photos that capture people falling or jumping off tall buildings; Available Light from 2012, incorporating many of her techniques utilized over the course of her career; and Modern History from 1979, in which she has re-photographed the front page of the newspaper with the text Paintings from 1991, featuring individual figures and objects from disparate Renaissance paintings isolated and re-photographed against monochrome backgrounds; Doubleworld from 1995, where the artist transitioned from collaging and re-photographing found images to creating stylized arrangements for the camera; Stills from 1980, where the artist compiled and re-photographed over 70 clippings of press photos that capture people falling or jumping off tall buildings; Available Light from 2012, incorporating many of her techniques utilized over the course of her career; and Modern History from 1979, in which she has re-photographed the front page of the newspaper with the text paintings isolated and re-photographed against monochrome backgrounds; Doubleworld from 1995, where the artist transitioned from collaging and re-photographing found images to creating stylized arrangements for the camera; Stills from 1980, where the artist compiled and re-photographed over 70 clippings of press photos that capture people falling or jumping off tall buildings; Available Light from 2012, incorporating many of her techniques utilized over the course of her career; and Modern History from 1979, in which she has re-photographed the front page of the newspaper with the text redacted.

There is a painting of a reclining nude in the show, which of course is a traditional subject for figurative painting, but we nicknamed this work «Billboard,» because the figure seems to command the presence of demanding a billboard all to herself.

Our Visual Arts courses range from Drawing for Absolute Beginners, Basic Collage, Introduction to Watercolors, Acrylic Painting, Portrait Drawing and Drawing the Figure with Charcoal to How to Make a Graphic Novel and Color Theory.

I started painting from the figure directly, as a result of having to teach a course on figure drawing.

(Summer Session III)(COURSE FULL) This figure painting class will explore in depth the development of figurative imagery in art.

Like Guston's 1978 painting The Line, which depicts an aged hand descending from a cloud and making a thick mark with a piece of charcoal held between two figures — a riff, of course, on Michelangelo's hand of God — Head and Bottle denotes the single all - seeing eye of the creator.

This course will serve as a practical guide to portrait and figure painting from life, from beginning to end.

2011 - Present Workshop Instructor, Classical Drawing, Ellensburg, WA, Taught Classical Figure Drawing, Golden Mean and Visual Gravity (Spring 2011), Sight - Sizing / Classical Alterier (Summer 2011), Portraiture and Halftones (Fall 2011), Composition Visual Gravity & Asymmetric Balance (Fall 2011) 2006 - Present Affiliate Faculty, Drawing and Painting Program, Central Washington University 2009 - Present Affiliate Faculty, Art History Program, Central Washington University 2006 - Present Workshop Instructor, Eight Week Professional Practices, Foundational Drawing and Figure Drawing Workshops, Gallery One, Ellensburg, WA 2008 - Present Private Instructor, Drawing, Painting and Professional Practices for post graduate students, Ellensburg, WA 2008 - 2009 One Year replacement, Art Education Program, Central Washington University 2004 - 2005 Affiliate Faculty Metropolitan State University, St. Paul, MN, Taught Independent Study art students, Curatorial responsibilities in art gallery and Gallery / Museum Course 2000 - 2002 Affiliate Faculty, College of Visual Arts, St. Paul, MN, Foundational Drawing Class and Senior Thesis Committee 1998 - 1999 Affiliate Faculty, University of Minnesota, Undergraduate Beginning Drawing and Beginning Painting 1996 - 1997 Teaching Graduate Fellow University of Minnesota, Sole responsibility for class organization, lectures, demonstrations, discussions, and grading for Beginning Drawing (Fall 1996, Fall 1997 and Winter 1997), Advanced Drawing (Spring 1997), and Color (Winter 1997.

And of course, from New York the major two figures from New York were the De Kooning women, and Jackson Pollock's Black and White Paintings of»50 and» 51.

Of course, the way she is expressing herself goes way beyond just painting figures.»

Of course, as art historian Linda Nochlin famously observed, it was difficult for women to paint nudes when historically they weren't even allowed to attend figure - drawing classes because of the naked people necessarily present.

For over 35 years, she has taught figure - and landscape - drawing and painting courses, as well as portfolio development seminars.

Scanning the table of contents is like flipping through a course catalog: do you want to take Naomi Campbell's «Working Large in Watercolor,» James McElhinney's «Journal Painting and Composition,» Sharon Sprung's «Figure Painting from Life in Oil,» or Ellen Eagle's «Poetic Realism in Pastel»?

In due course it was Hill who introduced Dixon's artworks to the art world, thus helping Dixon to become an important figure in the history of twentieth - century Irish painting.

Courses on offer: Intensive Drawing Program, Full Time 1 Year Program (bargue, figure and cast drawing); Painting Program, Full Time Certificate for 2 years (cast & figure painting, still - life, portraiture and composition); and a Sculptural Program, 3 years including Ecorche ScPainting Program, Full Time Certificate for 2 years (cast & figure painting, still - life, portraiture and composition); and a Sculptural Program, 3 years including Ecorche Scpainting, still - life, portraiture and composition); and a Sculptural Program, 3 years including Ecorche Sculpture.

RUFA offers 3 months, 6 months, or one - year courses to international students in the following subjects: Painting - Figure Drawing, Photography (basic course) and Reportage (advanced course), Photography and Filming, Lithography, Etching, Engraving, Web Design, Sculpture, Painting on Porcelain, and History of Art.

A key figure in the British Romantic movement of the early 19th century, Constable, together with J.M.W. Turner, changed the course of European landscape painting forever.

Known primarily as a Precisionist painter, Elsie Driggs (1898 - 1992), in the course of her long career, also painted still life and the figure.

We offer a wide variety of courses including sculpture, figure drawing, landscape painting, still — life, figurative watercolor, and many more.

Over the course of three decades, York's small paintings of landscapes, flowers, cows, and figures have proven among the most quietly transcendent pictures of our time.