Sentences with phrase «figure painting in oil»

Sharon Sprung teaches Contemporary Realism figure painting in oil from the model.

Not exact matches

He studied oil painting, figure drawing and palette mixing at the Boulder Academy of Fine Arts in 2002 and 2003.

In this oil painting by James Willis, we have a very busy street scene, populated with numerous figures, either on the move or engaged in conversatioIn this oil painting by James Willis, we have a very busy street scene, populated with numerous figures, either on the move or engaged in conversatioin conversation.

New oil paintings on view are filled with dynamic figures that span reality (an upside down figure on a roller coaster) and a sense of surrealism (a figure lounging on the beach in red flips flops, atop clouds, with some body parts replaced by shapes).

PAGES 28 - 29: From left, «Three Figures,» 1966 (oil on canvas) by Emma Amos and «It Takes Two to Integrate (Cha Cha Cha),» 1961 (painted dolls, dried fish, glass in wooden box) by Edward Kienholz.

These playful fantasy realms are upon closer inspection macabre theaters of politics and war: watercolor paint bloodies the canvas, and sinister global machinations play out in abstracted landscapes populated by faceless figures and dominated by oil refineries and labyrinthine pipelines.

John Hartley Much as David Levinthal's War Games series depicts combat through staged photographs of toy soldiers, the Fort Worth - based Hartley draws from his interest in toy collecting and the human figure to create oil paintings that explore militaristic, religious and social themes.

Much as David Levinthal's War Games series depicts combat through staged photographs of toy soldiers, the Fort Worth - based Hartley draws from his interest in toy collecting and the human figure to create oil paintings that explore militaristic, religious and social themes.

We placed Philip Guston's important 1977 oil painting Black Coast and a very important drawing from Guston's coveted series of sleeping figures, done in the 1970s.

In «Dimensions Variable» Gortner hand sculpts each surface using wood, foam, staples, canvas and acrylic paint before using oil paint to realistically render the figure.

The depicted figures are not defined beforehand and then simply executed in oil painting, but are gradually developed in several layers, which are repeatedly sanded and painted over directly on the canvas.

Lining the lower levels are academic paintings in the newly introduced technique of western oil painting — portraits, figure studies, landscapes, still lifes.

In the large - scale work Hebron (1998 - 2001), Petlin utilizes chalk and oil on unprimed linen to create outlines of figures and smears of red paint and chalk, indicating bloodshed.

Tim Eitel's nearly 9» tall oil on linen, Schwarzer Sand (2004) and two paintings (both 9-7/8» x 7-7/8») of solitary male figures in sand dunes: Landeinwarts (Upcountry) and Sand, are also on view.

Painted in a palette of bright hues to deep blacks, Brown's works are centered on the human figure, built with layers of vibrating oil paint.

LeWitt's work from the early «60s, works on canvas coated with thick gestural oil paint, each featured one of Muybridge's figures in motion.

Included were various groups of sketches, watercolours on wood and oil paintings of everything from intimate portraits of family members and scenes of the Red Army engaged in historic battles, to sites along the route of the Long March, which took place in the mid-1930s, and local figures and landscapes in Tibet.

On view in the current show are large oil paintings, including PieFace (2008), Travellers (2008), Figure in Interior (2008), Snowman (2008), Reclining Nude (2009), The Smoker (2008), Pond (2007), among others, in addition to small oil paintings, including Figure in Landscape (2008) and Chrissy (2009).

The Two Francis Bacon paintings displayed in this exhibition are: «Paralytic Child Walking on All Fours (from Muybridge)» 1961 oil on canvas, and «Seated Figure» 1989 oil on canvas - which has been on loan to the Gemeentemuseum from the Estate of Francis Bacon for their dedicated Bacon room since 2008.

My favorite piece was Chrystie 31, a more challenging oil on paper that returns to Johns and Motherwell, with a substantial corner of a blue rectangle balancing a sweeping light figure in thin paint, wash upon wash that takes the tone down to near the paper's white.

By concentrating on three palettes within oil painting — the grisaille, the controlled palette and the full color palette — students will be guided to proficiency in conveying gestural vitality, proportional order, tonal comprehension, planar cohesion, structural anatomy and color harmony in their depictions of the human figure and portrait from direct observation.

Join us for a workshop in art history, color theory, drawing from the figure, drypoint etching, figure drawing, the monoprint, oil painting, photography, plein air painting, still life drawing, watercolor, the white line print, and exploring your creative expression.

Her paintings are built up of light layers with oil paint to create a washed down effect, setting figures in both abstract and interior environments.

Working in oil paint, mixed media, sculpture, and installation, Ye's works have been well - received internationally, especially her montaged sticker works that explode with animals, flora, and figures, or shape meditative Buddhist mandalas.

Painter, sculptor, poet, and musician Larry Rivers was an established figure in the New York School, recognized for creating large paintings merging abstract and narrative elements, as in Washington Crossing the Delaware (1953), where the general leads his men through a space defined by murky oil washes and broad gestural brushwork.

In the 1920s, Yoshida Hiroshi — the key figure of this exhibition — turned to printmaking from his original oil - painting training and created a series of naturalistic prints that attracted domestic and international collectors.

Drawing + Painting Anatomical Figure Drawing Beginning Water - based Media Color Theory for Painters + Designers Color Theory for the Painter Contemporary Figuration Contemporary Techniques for Figurative Painting Continuing the Indirect Method of Oil Painting Creating Innovative Comics Drawing + Painting the Figure Drawing for Comics Drawing Fundamentals Drawing in Color Drawing Outside in RVA Drawing with Ink, Charcoal + Wax Resist Exploring Water - based Media Figure Drawing Intensive Impressionism, Mark - making + Your Sketchbook Intermediate Classical Drawing Intermediate Drawing Intermediate Pastel Drawing Intermediate to Advanced Watercolor Introduction to Acrylic Painting Introduction to Children's Book Illustration Introduction to Classical Drawing Introduction to Oil Painting Introduction to Painting with Gouache Introduction to Pastel Drawing Introduction to the Figure Introduction to Watercolor Mixed - Media Drawing + Painting Mixed - Media Image Transfers Painting the Still Life + Figure in Oil Pen + Ink Drawing The Expressive Figure The Portrait in Oil The Traveling Sketchbook Value Into Color Visual Storytelling Through Illustration Watercolor + the Figure

In particular, Regionalist paintings are characterized by their realistic depiction of scenes, architecture and figures from the American Midwest, exemplified by Grant Wood's masterpiece American Gothic (1930, oil on beaverboard, Art Institute of Chicago) and The Midnight Ride of Paul Revere (1931, oil on masonite, Metropolitan Museum, NYC).

He is known for his colorful and messy canvases, often blending splatters of oil paint with slashes of marker to create figures and shapes rarely situated in any tangible scenery.

Oil paint is the most fantastically malleable substance: once you've figured out how not to turn everything into a sludgy grey, oil paint remains wet long enough for endless changes of mind, and because of the way the pigment is held in the oil, it is beautifully luminesceOil paint is the most fantastically malleable substance: once you've figured out how not to turn everything into a sludgy grey, oil paint remains wet long enough for endless changes of mind, and because of the way the pigment is held in the oil, it is beautifully luminesceoil paint remains wet long enough for endless changes of mind, and because of the way the pigment is held in the oil, it is beautifully luminesceoil, it is beautifully luminescent.

Blending splatters of oil paint with traces of marker he creates a messy surface with figures and shapes rarely situated in any perceivable scenery.

Selected Exhibitions 2009 Zenith Gallery, Washington, DC, For Real, group exhibit 2008 Zenith Gallery, Washington, DC, What Remains: The American Landscape Portfolio Edition, solo exhibit Zenith Gallery, Washington, DC, Trees of Life, 30th Anniversary Show, group exhibit 2007 Zenith Gallery, Washington, DC, What Remains: The American Landscape, solo exhibit 2006 Zenith Gallery, Washington, DC, 28th Anniversary Exhibition, group exhibit 2005 Zenith Gallery, Washington, DC, Into the Minds of Nine, group exhibit Zenith Gallery, Washington, DC, La vie quotidienne: Scenes from Paris to Provence, solo exhibit Francesca Anderson Fine Art, Portraits North, Lexington, MA, 22nd Annual Portrait Show 2004 Land Trust of Virginia, Middleburg, VA, Vanishing Landscapes 2004, group exhibit Parker Gallery, Washington, DC, Beyond Brittany: 1977 - 1979, group exhibit Francesca Anderson Fine Art, Portraits North, Lexington, MA, 21st Annual Portrait Show Zenith Gallery, Washington, DC, Zenith Style: Art & Craft for Home & Office, group exhibit Zenith Gallery, Washington, DC, This Land is Your Land, This Land is My Land, group exhibit 2003 Bermuda National Gallery, Hamilton, Bermuda, Inside & Out, House & Home, group exhibit Zenith Gallery, Washington, DC, Near and Far: Recent Landscape Paintings, solo exhibit Francesca Anderson Fine Art, Portraits North, Lexington, MA, 20th Annual Portrait Show 2002 Land Trust of Virginia, Middleburg, VA, Vanishing Landscapes Zenith Gallery, Washington, DC, The Dog Days of Summer Zenith Gallery, Washington, DC, New Artists... New Space, Summer Show 2002 2002 Hilligoss Galleries, Chicago, IL, Oil Painters of America, Eleventh Annual National Juried Exhibition of Traditional Oils Francesca Anderson Fine Art, Portraits North, Lexington, MA, 19th Annual Portrait Show 2001 National Park Academy of the Arts, Jackson Hole, WY, Arts for the Parks Top 100 Tour Northern Virginia Fine Arts Association, Alexandria, VA, Contemporary Realism: A Survey of Washington Area Artists Zantman Art Galleries, Palm Desert, CA, Oil Painters of America, Tenth Annual National Juried Exhibition of Traditional Oils Howard / Mandville Gallery, Kirkland, WA, Paintings of the American Landscape Francesca Anderson Fine Art, Portraits North, Lexington, MA, 18th Annual Portrait Show 2000 National Park Academy of the Arts, Jackson Hole, WY, Arts for the Parks Top 100 Tour Rock Creek Gallery, Washington, DC, Studio 310 Reunion Francesca Anderson Fine Art, Portraits North, Lexington, MA, 17th Annual Portrait Show Spectrum Gallery, Washington, DC, Spectrum Plus Howard / Mandville Gallery, Kirkland, WA, Paintings of the American Landscape Zenith Gallery, Washington, DC, Zenith Gallery at 22 1999 National Park Academy of the Arts, Jackson Hole, WY, Arts for the Parks Top 100 Tour, recipient of the Steven L. Aschenbrenner Collector's Award Zenith Gallery, Washington, DC, New Works for the Millenium Francesca Anderson Fine Art, Portraits North, Lexington, MA, 16th Annual Portrait Show Howard / Mandville Gallery, Kirkland, WA, Paintings of the American Landscape 1998 Byrne Gallery, Middleburg, VA, Lightmotifs, solo exhibit Mystic Maritime Gallery, Mystic, CT, 19th Annual International Marine Art Exhibition Francesca Anderson Fine Art, Portraits North, Lexington, MA, 15th Annual Portrait Show Howard / Mandville Gallery, Kirkland, WA, Paintings of the American Landscape Howard / Mandville Gallery, Kirkland, WA, Paintings of the American Landscape 1997 Arts Club of Washington, Washington DC, Luminous Journeys, solo exhibit Ballantyne & Douglass Fine Art Gallery, Cannon Beach, OR, featured artist The Artists» Museum, Washington, DC Francesca Anderson Fine Art, Portraits North, Lexington, MA, 14th Annual Portrait Show Morgan Peyton Fine Arts, Charleston, WVA, Journeys through the Virginias, solo exhibit Dimock Gallery, George Washington University, Washington, DC, faculty exhibit Howard / Mandville Gallery, Edmonds, WA, Paintings of the American Landscape 1996 Howard / Mandville Gallery, Kirkland, WA, Pleasures of the Garden Francesca Anderson Fine Art, Portraits North, Lexington, MA, 13th Annual Portrait Show Howard / Mandville Gallery, Edmonds, WA, 2nd Annual Paintings of the American Landscape Gallery 4, Alexandria, VA, Landscapes Cudahy Gallery, Richmond, VA, 15th Anniversary Celebration Charles County Community College, La Plata, MD, Landscapes, solo exhibit 1995 Cudahy Gallery, Richmond, VA, Landscapes 1994 Hollis Taggart Gallery, Washington, DC, Portraits Montgomery County College, Rockville, MD, George Washington Faculty Exhibit DeMatteis Gallery, Annapolis MD, The Figure Fine Arts Gallery, Georgetown University, Washington, DC, Portraiture, co-curator 1993 Dimock Gallery, George Washington University, Washington, DC, faculty exhibit 1992 Fine Arts Gallery, Georgetown University, Washington, DC, faculty exhibit Dimock Gallery, George Washington University, Washington, DC, faculty exhibit 1991 Fine Arts Gallery, Georgetown University, Washington, DC Dimock Gallery, George Washington University, Washington, DC, faculty exhibit 1989 Plum Gallery, Kensington, MD, Capital Image 1989 Cudahy Gallery, Richmond, VA, National Portrait Exhibit Dimock Gallery, George Washington University, Washington, DC, faculty exhibit 1988 Fine Arts Gallery, Georgetown University, Washington, DC, Images of Georgetown, A Bicentennial Celebration 1986 Dimock Gallery, George Washington University, Washington, DC, Alumni Juried Exhibition 1985 Gallery 4, Alexandria, VA, Washington Landscapes Plum Gallery, Kensington, MD, The Capitol Image Today 1985 The Times Journal Co., Springfield, VA, In and Around Washington 1984 St. Petersburg Historical Society, St. Petersburg, FL 1984 Dimock Gallery, George Washington University, Washington, DC, Alumni Juried Exhibition Strathmore Hall, Rockville, MD, Metro Art Fairfax County Council of the Arts, Fairfax, VA, juried exhibit curated by Michael Botwinick, director, Corcoran Gallery of Art, Washington, DC World Bank Art Society, Washington, DC 1983 Arlington Arts Center, Arlington, VA, Areawide Painting Exhibition, juried by Frederick Brandt, curator, Virginia Museum of Fine Arts, Richmond, VA American Artists Professional League, New York, NY, Juried Grand National Exhibition Twentieth Century Gallery, Williamsburg, VA

Scanning the table of contents is like flipping through a course catalog: do you want to take Naomi Campbell's «Working Large in Watercolor,» James McElhinney's «Journal Painting and Composition,» Sharon Sprung's «Figure Painting from Life in Oil,» or Ellen Eagle's «Poetic Realism in Pastel»?

Chen Yifei was the most significant figure in the development of Chinese oil painting and one of the most prominent contemporary painters until his death.

The auction record for a work by Daniel O'Neill was set in 2008, when his oil painting entitled Reclining Figure was sold at Sotheby's, in London, for # 216,500.

Simultaneously, if somewhat less famously, he started to «cut out» his figure paintings in order to carry the surface quality of his depictions to the extreme — first in oil on wood, later in aluminum.

The exhibition will contain 15 figure studies in oil on panel or linen, various tapestry «test pieces» as well as other paintings by Nava.

One of Kruglyanskaya's regular devices is to paint a preparatory drawing into a painting, as in Puppeteers with a Big Face (2015), where the drawing is reproduced in oil stick, held up by two black - clad figures on either side.

Segalman's romantic figurative realist paintings, largely executed in watercolor, oil, or pastel, feature anonymous figures in domestic settings, on beaches or before city architecture whose emotions are evoked by their physical positioning or clothing.

The oil paintings, «Autumn Leaves» and «Figure Study,» are selected for inclusion in the China National Exhibition of Oil Paintinoil paintings, «Autumn Leaves» and «Figure Study,» are selected for inclusion in the China National Exhibition of Oil Ppaintings, «Autumn Leaves» and «Figure Study,» are selected for inclusion in the China National Exhibition of Oil PaintinOil PaintingsPaintings.

A silicone - and - wax oil puddle by Virgile Ittah and Kai Yoda becomes a lonely island, a familiar childhood cartoon slits and sketches across the picture plane until it is barely recognizable in a piece by Antoine Donzeaud, «[a] memory is cast in a foggy figure on the brink of evaporation» in Henry Chapman series of abstract paintings.

Using watercolor and colored pencil as the soft foundation upon which Jones» figures manifest, oil paint and wax pastels are then layered upon the main subject in a more intuitive manner.

In Brown's oil paintings, hybrid figures painted in intricate swirls reveal the sumptuous potential of oil painIn Brown's oil paintings, hybrid figures painted in intricate swirls reveal the sumptuous potential of oil painin intricate swirls reveal the sumptuous potential of oil paint.

Robert Henri's life - sized oil painting Figure in Motion (1913) may have been created in contrast to Duchamp's and Matisse's nudes, as a sort of rebellious manifesto to challenge the Armory Show organizers.

«My emphasis in Fine Art is in «exploring the expression of emotion» in oil or acrylic via conceptual art, landscapes, figure painting, portrait art, and still life paintings.»

In Flemish old master oil painting, the alternation of paint and transparent glaze gives the illusion of light trapped in the painting, coming from behind the figureIn Flemish old master oil painting, the alternation of paint and transparent glaze gives the illusion of light trapped in the painting, coming from behind the figurein the painting, coming from behind the figures.

Marcil moved to Paris in 1952, where he embraced the longstanding European traditions of large abstract oil paintings and figure drawings.

These theoretical references were also the lodestars of a dominant anti-essentialist discourse on how the female and the feminine were socially constructed and you couldn't address Murray's work without dealing with how engaged she was with the basic components of painting — figure and ground, oil on canvas and support, and this was in the dangerous territory of the essentialism of painting itself.

Around 1980, a generation of artists who had been involved in the radical strategies of the»70s rediscovered the possibilities of painting on stretched canvas, and working with oil paint, figure / ground relationships, applying paint with a brush instead of spraying or folding or pouring or staining.

In her lush oil paintings, British artist Lynette Yiadom - Boakye, a 2013 Turner Prize finalist and one of the most renowned painters of her generation, conjures elegant figures that appear both quotidian and otherworldly.