Sentences with phrase «figured by representation»

Not exact matches

«FTSE 100 boards should aim for a minimum of 25 percent female representation by 2015 and we expect that many will achieve a higher figure.»

Many scholars regard the figure of Jonah in this book as a symbolic representation of the people of Israel, and then the period of three days and three nights during which Jonah remained in the belly of the great fish represents the exile in which Israel was swallowed by Bel.

By contrast the Eucharist only provided «a figure and a representation» of the Passion, and so could not compete.

For him the «reality» is the detailed representation of the Passion and Death delivered to the imagination by the Good Friday liturgy, and the «figure» the distilled representation of Calvary found in the ceremonial symbols of Mass..

Measuring - Temperature and Thermometers Classifying Components of Mixtures Predicting - Surveying Opinion SAPA Part C, Directions for the Multiplication Game SAPA Part C and E, Multiplication Game SAPA Part D 1st Draft, c. 1972 The Whirling Dervish The Bouncing Ball The Effect of Liquid on Living Tissue Rate of Change Observing Growth from Seeds An Intro to Scales Forces on Static and Moving Objects Observations and Inferences Using Punch Cards to Record a Classification Using Maps to Describe Location A Tree Diary SAPA Part D 2nd Draft Observations and Inferences The Bouncing Ball Rate of Change A Tree Diary An Intro to Scales and Scaling Observing Growth from Seeds (The Bean - It Came Up) Forces on Static and Moving Objects Using Punch Cards to Record a Classification Relative Position and Motion Inferring - The Water Cycle Predicting 4 - The Suffocating Candle The Big Cleanup Campaign 2 - D Representation of Spatial Figures Using Maps to Describe Location SAPA Part D Tryout Draft, 1972 Observations and Inferences The Bouncing Ball Measuring Drop by Drop Rate of Change Predicting 4 - The Suffocating Candle Forces on Static and Movign Objects Observing Growth from Seeds Using Space / Time Relationships -2-D Representation of Spatial Figures Using Punch Cards to Record a Classification An Introduction to Scales and Scaling The Effect of Liquid on Living Tissue Inferring - The Water Cycle Relative Position and Motion Using Maps to Describe Location The Big Cleanup Campaign A Tree Diary SAPA II Module (s), c. 1973 1, Tentative Format Sample, Perception of Color 9, Sets and Their Members 6, Direction and Movement, Draft 34, About How Far?

Figure 3 illustrates the sequential progression of content filtered through technological tools to facilitate UDL by encouraging multiple means of representation, expression, and engagement.

Even a teacher who is content to use geospatial tools at the current, shallow level of representation (Figure 3) will be nudged toward more sophisticated uses, whether via student project work with geospatial tools or by adopting materials produced by teaching colleagues, curriculum support staff, or social studies education researchers.

That theme of redefining mainstream narratives of history and representation holds throughout Figuring History, an exhibition of 26 works by three successive generations of African - American artists: Colescott, Kerry James Marshall and Mickalene Thomas.

This exhibition brings together paintings and works on paper by Jane Freilicher and Jane Wilson — two notable figures in American art who emerged from the pursuit of rigorous abstraction to develop highly individual and beautifully compelling approaches to representation, fundamentally reinventing traditional definitions of landscape and still life painting.

Both spaces have been populated by groupings of sculptures made from pool noodles, colourful cylindrical flotation devices, which stand in for figures, or in this case, for representations of youthful tribes and typically American sub-cultures.

Media and culture legends are brought to life alongside representations of contemporary figures: David Beckham and Elton John are joined by plexiglass sculptures of Marilyn Monroe and Elvis Presley, all shining brightly in a red carpet - like event.

Throughout his career, Marshall has consistently sought to correct the under - representation of people of colour in Western culture by creating his own depictions of black figures (both historical and fictional) using the art - historical genres of history painting, portraiture and landscape.

Her lexicon focused on the gesturing female figure as the protagonist, moving across space and defying the strictures of linear time by mixing historical narratives, drawing equally from ancient working processes and formats with her activist orientation and an ongoing questioning of the formation and construction of memory and representation, particularly the representation of women.

Identity Shifts A companion exhibition to Posing Beauty, this collection - based display features works by African American artists who use representations of the human figure or some aspect of the body (including hair) to explore how we construct and perceive personal and cultural identity.

This collection - based exhibition features works by African American artists who use representations of the human figure or some aspect of the body (including hair) to explore how we construct and perceive personal and cultural identity.

The four largest are about 44 inches tall and feature singular, full - figure representations of young girls in the seven - to - nine year age group, all surrounded by large expanses of clean white paper.

Dehner addressed her conflicted feelings about Bolton Landing and their marriage in two series of drawings: Life on the Farm, idyllic representations of everyday life, and Damnation Series, featuring «demonic figures surrounded by vultures and bats....

In 2018, The Figure and the Ground sets the stage by thinking about representation through the formal dichotomy of figure and gFigure and the Ground sets the stage by thinking about representation through the formal dichotomy of figure and gfigure and ground.

Another acknowledged leading figure of the movement is Michelangelo Pistoletto (b. 1933), whose now iconic mirror paintings played with the representation of reality by inviting the viewer to enter the work.

The artists exhibiting further the conversation of painting in a post-historical era of art where figures and representation is not bound by historical narratives or for that matter the conceptual ideology of contemporary art.

After a period in which the medium has been dominated by process - based abstraction, the figure — and representation with it — is ascendant again.

Line is obfuscated by repetitive mark - making and then clarified in a series of accompanying drawings, figures are deformed then ultimately reconstituted, and overarching all this is a constant pull between representation and abstraction.

This figure, often fragmented, sometimes even completely abstracted, takes on various forms, from the human face, at once raw material and object of symbolic representation, as with Benglis's objectifying caresses, to the full body as place and tool of the trial and pleasure of repetition, as with Nauman's amateur choreography, bordering on the absurd, to the traces and physical prints left by the artist - creator (or the «art worker» in his service), as with the irregular random geometry of LeWitt, to the peers (Donald Judd) and tutelary figures in the history of art who inspire Flavin's evanescent structures... Now a disenchanted statement «Double Eye Poke» offers a challenge to the being of perception and thought.

«The Figure (published by Skira / Rizzoli) is an ambitious and overdue tome that fills a void: if you haven't noticed, contemporary representation is coming on strong.

What has not been mentioned is that the «Saul - into - Paul conversion theory», published by Elaine de Kooning in Art News in 1958, was not set in Willem de Kooning's studio and did not mention a «Bell - Opticon», unlike her account of 1962.13 Additionally, while the 1958 account's introduction dramatised Kline's breakthrough to abstraction as a «transformation of consciousness», or a «revelation» of Biblical proportions, invoking the example of «Saul of Tarsus outside the walls of Damascus when he saw a «great light»», the description of Kline's technical and conceptual breakthrough in this account nevertheless resembled previous accounts of Kline's development in its gradualness, uneventfulness and thoughtfulness.14 The breakthrough that Elaine de Kooning first recounted was a product of sustained technical experimentation and logical thought on Kline's part, rather than accident or epiphany: «Still involved, in 1950, with elements of representation, he began to whip out small brushes of figures, trains, horses, landscapes, buildings, using only black paint.

When pointing their phones at one of the clay statues, visitors activate an AR viewer that generates 3D computer - generated imagery (CGI) representations of what the figures may have looked like 2,200 years ago, including renderings of the bronze swords and spears that were originally held by the warriors.

«Resistance - Subjecter», enclosed in glass windows, show under the neon light that stereotype of femininity imposed by the Western consumerist world, a figure that is actually the most common representation of the woman nowadays; Hirschhorn's women literally corrode this model presenting themselves as an army of modified human beings carrying the evidence of an interior cancer crystallized on their frigid bodies.

Asad Arabi's abstracted figures demonstrate the parallel growth in representations of contemporary Syrian society, ideas that lead to the darker themes of introspection, alienation and isolation that infuse pieces by Farouk Kondakji and Fadi Yazigi.

In the black paintings as well as in the white ones, however, the geometric weave is interrupted by trims or by the transversal advance of the monochromatic background over the figure, and we are launched once again into the field of the representation delimited by the canvas.

Artists created charged works by juxtaposing disparate images sourced largely from popular media, such as Hannah Höch's 1930 photomontage Untitled (Large Hand Over Woman's Head), a work of layered images from magazines that speaks to the representation of women in popular culture, and Kurt Schwitters» Mz 426 Figures (1922), an assemblage of discarded newspaper and printed detritus, which evokes the urban environment in which he lived.

Silke Otto - Knapp (b. 1970, Germany): Silke Otto - Knapp's paintings are characterised by graphic lines and opaque surfaces with staged representations of figures and landscapes.

Made of colored cotton or camelid fibers, quipus (or «talking knots») played a crucial role in ancient Andean South American cultures as record - keeping or data - collecting devices to gather census figures, monitor tax obligations and trade payments, and mark agricultural changes in seasons; thus, they stand as a form of writing before these regions and cultures were subsumed by Spanish colonial occupation and European systems of time and representation.

The artist James Barry complained of prejudice towards the representation of the naked figure by those who regarded it as «indecent and tending to lewdness».

«I am overwhelmed by white figure representations every time I go to a museum.

Suellen Rocca's work is characterized by an ecstatic approach to representation, mixing human figures with wordplay and vernacular imagery.

The figures therefore become an extension of Impiglia's critique, acting as a representation of society, and the very act of creating beautiful works and their content are united by a singular, powerful vision.

The figures, forms, architectural elements, and space, which are constituted by layers of overlapping imagery that exist between abstraction and representation, remain active on the picture plane with their seemingly melting colors.

The inaugural exhibition will focus on the diverse representations of the figure as a vision of humanity, whether earthly or divine, by placing it within an art historical context.

The afternoon symposium, «Allies, Enemies, Citizens: Figuring Asianness in World War II America,» will focus on the visual representation of Asianness and Asian - Americanness in the United States during World War II, featuring presentations by leading scholars in the field, including Gordon H. Chang, Professor, Department of History, and Olive H. Palmer Professor in Humanities, Stanford University; Amy Lyford, Professor of Art History, Occidental College; ShiPu Wang, Associate Professor of Art History and Visual Culture, UC Merced; and K. Scott Wong, James Phinney Baxter III Professor of History and Public Affairs, Williams College.

The exhibition features a number of works presented at Tate for the first time since acquisition, such as William Orpen's meticulously detailed representations of the human figure, Anatomical Studies (1906), used by students to study anatomy during the early part of the century.

When the curves of that figure are not interpreted as PDFs but as a summary of the studies shown the figure is a basically correct representation of the evidence claimed by those studies (except for Gregory 02, which gives actually inly a lower limit).

A sentence saying that the IPCC now projects warming by 2035 to be between 0.4 and 1.0 C, which was reproduced accurately from the leaked document, has been deleted, following representations that these figures were an IPCC typographic error.