What one is confronted with is nothing less than a procession of deeply
figured picture sequences (mostly still but often moving) that hover above a darkly articulated subject position without ever quite settling into anything simply declarative, or perhaps even enunciative.
As the film progresses, solutions become more outlandish: one might wear an invisibility cloak or «merge into a world of
pictures» — this last illustrated by a
sequence in which silhouetted
figures haunt a computer - generated image of a luxury hotel.