I originally sent it to the Suns front office and
figured their head space may be «time to win now» so they draft a big and sign a 20 point scorer.
Not exact matches
The Pats have Peytons number so hard that youd need a graphing calculator and a box of adderall to
figure out exactly how much
space they have taken up inside that enormous
head of his.
In my case my first reasonably big project was to create a large mining ship that could take on a bunch of cargo and mining contracts as well as just
head out into
space and mine for valuable minerals, although
figuring out how mining works is actually a pain in the butt.
I had a general idea of where the position of the
head and
figure should be and an approximate idea of the size of the
figure in relation to the
space around it.
Published for this exhibition, Antony Gormley: For the Time Being examines recent works exploring this tension, such as the Construct series, which range from a standing male
figure with his hands at his sides and his
head turned, to a cluster of vertical blocks that could be described as post-Constructivist, and recent public commissions such as «Exposure» (2010, executed for a site in the Netherlands) and «Habitat» (2010, erected in Anchorage, Alaska), which also demonstrate this tension of mass in
space versus constellated nodes in
space.
«In her photographs, Gill often presents
spaces devoid of people; if
figures are included, their identities are usually cloaked, as in the series A small town at the turn of the century, in which the artist asked the townspeople to mask their
heads with exotic fruits.
In «Weird glamour,» a window of deep
space behind the
head and a subtle but telling diagonal descending from the upper left are enough to place the
figure in an architectural interior: an office, maybe, full of free - floating banners and awnings in orange, scarlet, magenta and teal.
Henry Moore used such
spaces in his freeform sculptures such as Recumbent
Figure in 1938, and 1952's Helmet
Head and Shoulders.
The artist's charged visual language — rooted in an exploration of identity and geography, two concepts she considers fluid — includes
figures with the
head of a tiger and the body of a woman, or others whose faces are obscured by astronaut's helmets, as they float, untethered, in
space.
Acting as surrogates for the human form, Rothenberg uses these disembodied puppet legs,
heads and arms to demonstrate how the representation of the
figure can be transformed into a study of
space and form.
As she told Haley Mellin of Garage Magazine in 2017, «Even though I am constantly trying to push the
figure into an abstract
space «I can never get the realism of where it originated out of my
head.»
The
figure is freely distorted and somewhat unsettling: the
head is twisted, the facial anatomy is askew, and the limbs and breasts appear ready to twist off and float into
space.
«It's always interesting going back and remembering where you were, or what kinds of
head spaces you were in when you were making certain things, the epiphanies that you were having at that time, and being able to retrace the logic of whole bodies of work and
figure out how they're relevant now — and also the things you've forgotten, things that can be reincorporated,» says Hancock.
The monumental larger sculpture features two life - sized
figures with long, gangly limbs and elephant
heads duking it out in the center of one of the gallery
spaces.
The team in
space doesn't seem to have the tools or time to
figure it out, so Robonaut 2 is
heading home to be fixed by its terrestrial maintenance workers.
This book takes the stress out of
figuring out margins, fonts,
spacing,
headings and gets you thinking about how best to communicate your experience.