Sentences with phrase «figures in the painting kompleks»

Even though I think of the figures in my paintings as specific people, I think that by obscuring their faces, their identity is a little more open.

The figures in your paintings often seem hidden in some way, whether they are cropped out of the composition, appear as a silhouette, are covered by branches, or only their hands or feet are visible.

Of course in the story of Adam and Eve, there are no other people inhabiting the earth yet, so as a viewer my role is sort of ambiguous and open, but not participatory unless I think of myself as one of the figures in the painting or as some omniscient presence.

Formally, they function as screens between the figure and the viewer or as arms that hold the figure in the painting, but I also think they play a narrative role.

The French text in the title and the shadowy figures in the painting itself suggest an homage to Picasso, even though the title refers specifically to an homage to the Berber pre-Arab tribe in North Africa.

Price: The scale of your figures in your paintings and on some of the painted objects is small.

We see it hulking behind a trio of figures in the painting Kompleks.

Meanwhile, figures in the painting claim to be out of not history, but art history, and they draw out critical clichés.

By portraying the figures in her paintings with cartoonish whimsy, she is trying to strip the male oppressors of their power by undermining the culture of machismo that pervades many societies.

For the past thirty years Sills has been noted for her life size cutout figures in painted birch plywood portraying famous characters from art history, creating over 100 of them.

The figures in her paintings are mostly black men and women, isolated against dark backgrounds.

Garabedian is humble but ambitious; the figures in his paintings are monumental but gawky — relatable heroes and heroines.

The figures in the paintings are alone, which could signal introspection.

The artist was one of the pivotal figures in the painting renaissance of the 1980s, along with Julian Schnabel and Jean Michel Basquiat, although his contributions to drawing, sculpture and printmaking should also be noted.

The show covers the last twenty or so years in the career of this leading figure in painting here and across Canada, and is the latest in the MAC's series of monographic exhibitions devoted to artists of Dorion's generation.

Williams often teaches the Portrait and Figure in Painting and Drawing class at the Hyde Park Art Center.

Like the Greek gods and goddesses, the figures in these paintings are at once larger than life and overwhelmingly human.

The figure in this painting is more androgynous than those that feature in two similar standing female nudes, Nude, 1961, and Figure Turning, 1692.

Andrew's clean style and meticulous attention to composition puts the viewer in the place of a figure in the painting.

«Before, when I did have figures in my paintings, they were sort of half - seen, or screened.

Often referencing modern icons and historical figures in his paintings, Kippenberger's Hand Painted Pictures are at once comical and tragic, serious and subverted, and some of the most important paintings in his oeuvre.

Ms. Kara's baby - blue and burgundy canvases with masklike figures are shown alongside her sculptures, which derive from marks and figures in the paintings.

BP: The way you speak about the male figure in these paintings, it's almost like he's waking up from a blackout — as if he's coming to and not quite sure of his surroundings.

Bascove writes: «The figures in these paintings are unique to the land of Native Americans, transmitting the force of its endurance.

Cedar works in figuration and abstraction: Figures in her paintings are on abstract backgrounds, creating a subtle discord.

JS: The figures in your paintings are situated in elaborate interiors.

«There are some wonderful dialogues happening between works,» May says, «such as the relationship between factuality and truthfulness in storytelling, the representation of the figure in painting, systematic oppression, and creative approaches to conversations about feminism.»

The figures in your paintings sometimes appear to be struggling between themselves for space in the frame yet some appear to be taking comfort in each other's closeness.

His looser works are almost pure explorations of colour where the figures in the paintings are secondary to the swathes of red, yellow and blue.

Rather than solely addressing the figure in painting, Mothernism challenges Greenbergian ideals of «flatness» by inviting the viewer into her painting - as - installation, a figure / ground relationship so upended as to become participatory, or relational.

The figures in your paintings seem very specific, and you articulate details like accessories and makeup.

But Marshall is best known for work that places black figures in paintings which take their cue from the European masters.

The figures in her paintings disorient us because they are simultaneously contextualized and decontextualized: they are beholden to the spatial conventions of our world, but they also appear to be from beyond it.

Belgian - born Luc Tuymans was an essential figure in the painting revival of the 1990s.

The semi-abstract figures in her paintings have nearly featureless faces.

Although it is not clear that Nijinsky was Farber's reference point, the figure in the painting could indeed be read as a detail of a «grate» or, overall, a «sloppy «g»».

Chisholm distorts and isolates the figures in his paintings until a fixed sense of time and identity are rendered ambiguous.

The poet Stephen Spender has characterized the figures in his paintings as «people who seem burdened with perhaps terrible experience... like refugees conscious of concentration camps» and he has suggested that Auerbach's fascination with building sites reflects the destruction he saw around him in his childhood.

The figures in the paintings become characters who engage in conversation with one another, with an impaired narrative unfolding.

Michael Werner Gallery, London, is pleased to present Body Shop, a group exhibition exploring depictions of the human figure in painting and sculpture.

The centerpiece of the exhibition is a pair of inverted human figures in painted cast silicone.

Each figure in paintings by Hayv Kahraman (b. 1981, Baghdad) represents the artist acting out elements of the immigrant experience, a theme informed by her own peripatetic biography.

Behind a trio of figures in the painting Kompleks for example, there is a famous apartment building from Moscow — it's a quarter of a mile long, 16 stories high, with shops on its first floor and an underground train station below.

«I just assumed that when you look at the figures in paintings, they were all white figures — but you don't think of them as white figures.

The figures in paintings by Bettina Sellmann at Derek Eller Gallery emerge from chaos like misty, gem - colored invocations of the fearful nothingness ancient cultures believed to be just outside the human realm.

But the figures in these paintings are not abject.

At just 26, the artist invites comparisons to the 61 - year - old Kerry James Marshall, and not only because they both exclusively describe the lives of black figures in their paintings.

Instead, all figures in these paintings are from her imagination or memory.

Though he could draw accurately from a life - model, and did, the figures in his paintings were subject to an expressive distortion that separates him from more journalistic painters of urban subjects such as Théodore Steinlen.

Rendered in a style that synthesises post-Cubist Picasso, Pop Art and traditional African sculpture and design, the figures in these paintings reflect the tension arising from interracial contact and the psychological substructure of racism in everyday life, a far cry from the utopian aspirations of the civil rights movement happening at the time.