Somewhat outside the purview of films that depict present and very - near - future epidemics, but nonetheless worthy of an appreciative final word, is the doom - laden 2010 British
film Black Death, set in 1348 England and starring Sean Bean, Eddie Redmayne, and Carice van Houten.
That's kind of what director Christopher Smith is offering with his new
film Black Death.
Not exact matches
When Philando Castile was shot by police during a routine roadside stop in Minneapolis, and his
death was
filmed by his girlfriend Lavish Reynolds as her daughter sat in the back seat, the footage helped galvanize protests about police violence against
blacks in the U.S.
Some employees of an international arms dealer go out into the Hungarian wildeness for a weekend company retreat, only to find themselves menaced by a group of militants who don't like having them around their territory in this modestly budgeted dark comedy / horror
film from Christopher Smith, who also directed
Black Death (with Sean Bean).
After these notable performances, Mihok continued to create memorable and diverse roles in such
films as THE DAY AFTER TOMORROW, DARK BLUE, BASIC, CONNIE AND CARLA, director Shane
Black's KISS KISS BANG BANG, 10TH & WOLF, HOLLYWOODLAND, SEX AND
DEATH 101, THE LONGSHOTS, Marvel's PUNISHER: WAR ZONE, and the unsettling motion - capture performance of the Alpha Male creature that went toe - to - toe with Will Smith in I AM LEGEND.
As the
film jumps from location to location, chyron to chyron, picking up storylines listlessly while letting others lay fallow for a while, out of sight but without any sort of urgency at their displacement, the best moments emerge as those featuring Mark Ruffalo as Bruce Banner / Hulk, conveying an ocean of regret in the delivery of the word «Nat» to his lost love,
Black Widow (Scarlett Johansson)-- or those between Paul Bettany's «Vision» and Elizabeth Olsen's «Scarlet Witch,» who share a stolen moment together in Scotland before what they believe will be their
deaths.
The
film was the product of a partnership between British studio Anglo - Amalgamated (the same studio that brought us PEEPING TOM and Roger Corman's THE MASQUE OF THE RED
DEATH) and US genre machine American International Pictures, their second after the successful Michael Gough vehicle HORRORS OF THE
BLACK MUSEUM.
HollywoodNews.com: Christopher Smith's upcoming
film,
Black Death has debuted a new movie poster depicting a lone warrior imposing himself on a gloomy atmosphere.
In
film form,
Black Panther tells the story of T'Challa, a newly - reigning king who returns to his home country of Wakanda to rule after the
death of his father.
Coupling that with a few of the points mentioned above, like the fallout from his father's
death and the disdain from his sister regarding the mantle of
Black Panther, we'd expect next year's
film to knock this one out of the park.
The Panorama section, on the other hand, clusters more recent titles making the rounds on the festival circuit, usually plucked from the A-listers such as Venice, Berlin or Cannes, in this year's case
films such as Quand on a 17 ans (Being 17, André Téchiné), 24 Wochen (24 Weeks, Anne Zohra Berrached), Heart of a Dog (Laurie Anderson), La mort de Louis XIV (The
Death of Louis XIV, Alberto Serra), Neon Demon (Nicolas Winding Refn), Sieranevada (Cristi Puiu), or the
black horse of this year's Cannes competition, Toni Erdmann (Maren Ade).
It's not every director who can show three kids (including an infant wrapped in swaddling clothes) perforated by bullets without so much as flinching, but that's Cooper's M.O., refined over the three
films since his relatively marshmallowy «Crazy Heart»: As in «
Black Mass» before this, violence packs more punch if depicted matter - of - factly, which somehow registers as «realistic» these days (although one suspects that it would be far more horrifying if his victims suffered slow, agonizing
deaths after being shot).
From March's twelve - year - old daughter Holly (Angourie Rice) spewing out lines that
Black and Anthony Bagarozzi seem to have written solely for shock value, to several grotesque scenes of head - bashing and bone - cracking, to countless inexplicable and pointless
deaths by gunfire, the
film was too extreme and thoughtless with its violence for my taste.
Some of the biggest
black entertainers in comedy today who aren't Tyler Perry come together in
Death at a Funeral, which African - Americanizes a 2007 British
film directed by Frank Oz.
Other popular sub
films include Crimson Tide (1995), The Hunt for Red October (1990), and K - 19: The Widowmaker (2002), and for those of us who are fascinated by life (and possible
death) under the sea, we gladly welcome a new entry to the sub-genre, especially one as well made and tension - packed as
Black Sea.
It's more conventional than it seems at first, opening with swipes at the phoniness of birth - to -
death musician biopics — via a
black - and - white
film - within - the -
film — before indulging in some phoniness of its own.
HollywoodNews.com: The U.S. rights to Christopher Smith's
film «
Black Death» have reportedly been acquired by the Wagner / Cuban Company's Magnet Releasing, genre arm of Magnolia Pictures.
9:35 am — Sundance — A Girl Cut in Two One of the last
films from great French director Claude Chabrol before his
death, with Ludivine Sagnier as an up - and - coming TV personality faced with choosing between two men — with Chabrol at the helm, you know there's more than that to it, and his touch for
black comedy thrillers should make this one an enjoyable watch.
Among the dead were several Avengers and most of the Guardians of the Galaxy, but given that quite a few actors still have pictures on their Marvel Studios contracts, and sequels are lined up for casualties like
Black Panther and Spider - Man, in true comic book fashion, fans have begun theorizing how these
deaths will be undone come the next
film.
Winstead has primarily been called a scream queen because of her roles in the horror
films Final Destination 3,
Black Christmas,
Death Proof, and The Thing.
Other minor problems are Stans
death - row inmate character when the
film attempts some
black humour with his diatribes.
Like countless other disease
films,
Black Death forebodingly dabbles in the supernatural.
Other well - known projects Irvine has been involved are A Night in Old Mexico, Beyond the Reach, The World Made Straight, The Woman in
Black: Angel of
Death, Stonewall, and Daniel Grigori in the
film adaptation of the young adult novel Fallen.
Presenting five poor,
black and white North Carolina preteens as they awaken to love and
death, George Washington (2000) tells a common adolescent story, yet the
film is distinguished by the poetic, ruminative style of its twenty - five - year - old...
Honored with the French Legion of Honor in 2001, the 2000 Acapulco
Black Film Festival's Best International
Film Award for Le Conte du ventre plein (aka Bellyful, 2000), the 1999 Chicago Underground
Film Festival's Lifetime Achievement Award, the 1987 Children's Live - Action Humanitas Prize for The Day They Came to Arrest the Book, a 1972 Tony Award nomination for «Don't Play Us Cheap», two 1971 Tony Award nominations for «Ain't Supposed to Die a Natural
Death», along with a Grammy Award nomination and Drama Desk Award for this earlier musical, Melvin Van Peebles is more than a one - note
film director.
The lack of mourning for the murder of Sirius
Black, Harry's idolised godfather, slain by the
Death Eaters in the previous
film felt odd.
The movie features a bevy of hot young actresses, a streak of
black comedy and more than a few grisly
death scenes that almost make up for the fact that the
film's very existence is completely unnecessary.
That movie also featured Jordan playing a
black man who became a victim of his circumstances because of the color of his skin (the
film is based on the 2009 shooting
death of an unarmed Oscar Grant at the Fruitvale BART station in Oakland, California, by a police officer).
Like Centurion, Solomon Kane and
Black Death before it, this is textbook low - budget
film - making, with an eye for character and a healthy lust for blood.
A new synopsis for the Marvel
film was also released: Marvel Studios» «
Black Panther» follows T'Challa who, after the
death of his father, the King of Wakanda, returns home to the isolated, technologically advanced African nation to succeed to the throne and take his rightful place as king.
Two horror
films, January's «Woman in
Black 2: The Angel of
Death» and February's «The Lazarus Effect,» both topped out at roughly $ 26 million domestically.
Beltrami's career began with the soundtrack of the thriller
Death Match in 1994, and he gained renown for his work on horror
films such as Mimic (1997), The Woman in
Black (2012), and all four
films in the Scream series (1995 — 2011).
and the
film wiggled into a
black - and - white flashback depicting their thoughtful reverie, I prayed for the sweet release of
death to take me.
Ultimately the
film — a pitch -
black, brutal and strangely poetic picture about a convict seeking revenge for the
death of his brother at the hands of a local crime lord — didn't move forward in that incarnation.
Directed by Destin Cretton, the
film is an adaptation of Equal Justice Initiative founder Bryan Stevenson's 2014 memoir on his first case, Walter McMillian, a young
black man sentenced to
death for a crime he didn't commit.
New
films reviewed include The Woman in
Black 2: Angel of
Death, [REC] 4: Apocalypse, A Most Violent Year and a better - late - than - never review of The Interview.
In a simplified comparison,
Black Rock is indeed like a movie such as
Death Proof, and shares qualities with those
films that influenced Tarantino's own take.
The exhibition will include some the collective's key pieces including their
film works, KI - AI 100,
Black of
Death and REAL TIMES.
Tate Liverpool In their bizarre
black - and - white
films, the Americans confront war and
death — with a boisterous, cartoonish take on Das Boot
Arthur Jafa's
film Love is the Message, the Message is
Death (2016), at Gavin Brown's cavernous West Harlem space, combined disparate video clips — from the 1963 March on Washington to footage of the 2015 murder of Walter Scott, an unarmed
black man, by a Charleston police officer — and set it to the tune of Kanye West's Ultralight Beam (2016), resulting in a kind of music video for contemporary Black Ame
black man, by a Charleston police officer — and set it to the tune of Kanye West's Ultralight Beam (2016), resulting in a kind of music video for contemporary
Black Ame
Black America.
I decided I'd capture the scene from the Brazilian
film Black Orpheus (1959) where doomed lovers Orfeu and Eurydice plummet to their
deaths.
All images courtesy of the artists and Pace Gallery.Featured images in slider: Glenn Ligon —
Death of Tom, 2008, 16 mm
black and white
film / video transfer, 23 min.; 4:3 aspect ratio, Edition AP 1 of 1.