Sentences with phrase «film day after tomorrow»

To add an extra dose of comic opera to the whole thing, the image that accompanies Carroll's article is borrowed from the 2004 film The Day After Tomorrow, in which the effect of global warming is demonstrated by showing New York City covered in snow.

It sounds paradoxical when one thinks of the shock - freeze scenario of the Hollywood film The Day After Tomorrow: a study by Duchez et al. (2016) shows that cold in the North Atlantic correlates with summer heat in Europe.

The consequences of a large reduction in ocean overturning would look nothing like the Hollywood film The Day After Tomorrow.

The New York Public Library flash frozen after global warming turns cold in the film The Day After Tomorrow.

Every time they release a new Author Earnings report filled with charts and graphs and actual information culled over countless hours at the computer, I remember the scene from the film Day After Tomorrow when Jake Gyllenhaal's character pleads with the people to not go out into the storm, begging them to save themselves and warning them they will die if they go out there.

This follows on from the first «carbon neutral» film The Day After Tomorrow, which director Roland Emmerich paid for out of his own pocket.

Sutton emphasises that this does not mean the current is about to shut down entirely — as in the apocalyptic film The Day After Tomorrow.

Even if the near future doesn't unfold like the 2004 climate - gone - haywire film The Day After Tomorrow, scientists need to be able to produce accurate models of what abrupt change (more likely spanning hundreds or thousands or years, rather than days) would look like and why it might occur, explains Zhengyu Liu, lead author of the study and director of the University of Wisconsin — Madison's Center for Climate Research.

Not exact matches

Probably the only film in recent months that has been even a little bit consciously political was the environmental disaster flick The Day After Tomorrow.

After these notable performances, Mihok continued to create memorable and diverse roles in such films as THE DAY AFTER TOMORROW, DARK BLUE, BASIC, CONNIE AND CARLA, director Shane Black's KISS KISS BANG BANG, 10TH & WOLF, HOLLYWOODLAND, SEX AND DEATH 101, THE LONGSHOTS, Marvel's PUNISHER: WAR ZONE, and the unsettling motion - capture performance of the Alpha Male creature that went toe - to - toe with Will Smith in I AM LEAfter these notable performances, Mihok continued to create memorable and diverse roles in such films as THE DAY AFTER TOMORROW, DARK BLUE, BASIC, CONNIE AND CARLA, director Shane Black's KISS KISS BANG BANG, 10TH & WOLF, HOLLYWOODLAND, SEX AND DEATH 101, THE LONGSHOTS, Marvel's PUNISHER: WAR ZONE, and the unsettling motion - capture performance of the Alpha Male creature that went toe - to - toe with Will Smith in I AM LEAFTER TOMORROW, DARK BLUE, BASIC, CONNIE AND CARLA, director Shane Black's KISS KISS BANG BANG, 10TH & WOLF, HOLLYWOODLAND, SEX AND DEATH 101, THE LONGSHOTS, Marvel's PUNISHER: WAR ZONE, and the unsettling motion - capture performance of the Alpha Male creature that went toe - to - toe with Will Smith in I AM LEGEND.

Other film credits include Warner Bros.» BEAUTIFUL CREATURES, DARE alongside Zach Gilford, DRAGONBALL: EVOLUTION, POSEIDON, THE DAY AFTER TOMORROW with Jake Gyllenhaal, and director Clint Eastwood's drama MYSTIC RIVER.

Although it wants to be an important film, raising an important issue, The Day After Tomorrow is undone by its own ineptitude.

In advance of the nationwide release of After Earth, the highly anticipated film in theaters May 31, Columbia Pictures is teaming up with Google for a live «After Earth Day» Google + Hangout tomorrow, April 23 - the day after EarthAfter Earth, the highly anticipated film in theaters May 31, Columbia Pictures is teaming up with Google for a live «After Earth Day» Google + Hangout tomorrow, April 23 - the day after EarthAfter Earth Day» Google + Hangout tomorrow, April 23 - the day after Earth DDay» Google + Hangout tomorrow, April 23 - the day after Earth Dday after Earthafter Earth DayDay.

Anonymous is directed by Roland Emmerich, the schlockmeister behind such films as Independence Day, the Godzilla remake, The Day After Tomorrow, 10,000 B.C., and the stupid, stupid end - times fantasy 2012.

Since then, she's starred in big event films like «The Day After Tomorrow,» «Poseidon» and the film adaptation of «The Phantom of the Opera.»

It's true that his last film, 10,000 BC, was pretty awful, and The Day After Tomorrow wasn't much better, and yet, there's still something about a new Roland Emmerich flick that feels like an event.

- The original title of the movie was «Tomorrow Never Comes» - Anthony Hopkins was cast as Elliott Carver and joined the production, but dropped out after three days because filming was disorganized and chaotic and there was no completed shooting script - First Bond film since Diamonds Are Forever to have a running time of less than two hours.

For other film about surviving against all odds, check out The Poseidon Adventure, (or the 2006 re-make called Poseidon), The Day After Tomorrow, and Gravity — or one based on a true story, The Impossible.

The Pitch: Emmerich, director of such «I thought Michael Bay did that» films as «Godzilla,» «Independence Day,» and «The Day After Tomorrow,» hops into the Wayback Machine for some prehistoric action.

Reading The Day After Tomorrow as a 9/11 film, in fact, adds another level of polemical discussion in that the film's Vice President Becker (Dick Cheney ringer Kenneth Welsh) emerges as the «I don't believe you» villain endemic to disaster movies and, in this way, at least partly responsible for the number of casualties suffered on behalf of his myopia.

San Andreas actually apes The Day After Tomorrow so closely that at times, it feels like Cuse just took the latter film's script, cut - and - replaced all instances of «storm» with «earthquake» and «runs from cold» with «runs from opening fissures,» and called it a day — like Tomorrow, the film centers on a father's unlikely determination to cross a disaster zone to save an adult child, with only a minimal idea of where his kid might be in a city approaching a population of 1 milliDay After Tomorrow so closely that at times, it feels like Cuse just took the latter film's script, cut - and - replaced all instances of «storm» with «earthquake» and «runs from cold» with «runs from opening fissures,» and called it a day — like Tomorrow, the film centers on a father's unlikely determination to cross a disaster zone to save an adult child, with only a minimal idea of where his kid might be in a city approaching a population of 1 milliday — like Tomorrow, the film centers on a father's unlikely determination to cross a disaster zone to save an adult child, with only a minimal idea of where his kid might be in a city approaching a population of 1 million.

We assume that she and Jack are divorced because of the poignancy ascribed to a late profession of love, but The Day After Tomorrow isn't interested in wives and mothers when, throughout (but especially in the film's latter half), it's pathologically interested in fathers and sons.

2012 is a film in keeping with such formulaic disaster films as Independence Day, Godzilla and The Day After Tomorrow.

In his latest film, The Day After Tomorrow he subjects the Big Apple to a new Ice Age as enormous tidal waves flood the city and then freezes over.

Whether he's showing us an alien invasion in «Independence Day» or the destruction of the world in «The Day After Tomorrow» or «2012,» I really dig his films.

Earthquake doesn't have the grandiosity of the Irwin Allen films or even a recent disaster epic like The Day After Tomorrow.

Past film credits include SAVING PRIVATE RYAN (earning him Academy Award and BAFTA nominations and a Golden Globe win for Best Picture), 2012, THE DAY AFTER TOMORROW, SPEED, SOURCE CODE, THE MESSENGER and THE PATRIOT.

But with his latest film, The Day After Tomorrow, Emmerich has asked us to suspend disbelief to an unprecedented degree: The vice president of the United States, modeled closely on Dick Cheney, is overruled on a policy question by the president.

An inconsistent but mostly interesting disaster flick, The Day After Tomorrow demonstrates the usual strengths and weaknesses seen in the films of Roland Emmerich.

Some people have been calling The Day After Tomorrow a throwback to the Irwin Allen disaster films of the 1970s (The Poseidon Adventure, The Towering Inferno), but in reality, it is more of a throwback to the disaster films of the 1990s (Armageddon, Deep Impact).

Having busied himself with matters of the apocalypse for the better part of two decades in films like «Independence Day,» «The Day After Tomorrow» and «2012,» it's fair to say few would expect him to have -LSB-...]

The film is directed by Roland Emmerich who has graced the big screen with such hits and misses like Independence Day, 2012, The Day After Tomorrow, Universal Soldier, Star Gate, and Godzilla.

Irmgard Emmelhainz writes in her 2015 e-flux essay «Conditions of Visuality Under the Anthropocene»: «films about the end of the world [in the last decade] have been characterized by a doomsday narrative that may end with moral redemption» citing World War Z (2013) and The Day After Tomorrow (2004), where the capacity for action is always propelled by the hope for new life.

He gained widest fame for his warning, derived from studies of past climate fluctuations, that great flows of fresh water from melting ice sheets could disrupt Atlantic Ocean currents and cause regional cooling (such an idea was caricatured in the Hollywood disaster film «The Day After Tomorrow «-RRB-.

Echoing the sermon at the end of the 2004 Sci - Fi disaster film, The Day After Tomorrow, Randy laments: «Stan, I'm afraid us adults just let you children down.

Readers who found the Hollywood stories of films such as The Day After Tomorrow, Waterworld or An Inconvenient Truth scary, might like to note that the mean average value of +1.0 mm / yr is not quite as dramatic.

Natural activist and The Guardian feature writer George Monbiot called The Day After Tomorrow an incredible film and lousy science.

We're not in the virtual world (bollocks) of the film «The Day after Tomorrow».

The three films discussed were The Age of Stupid, An Inconvenient Truth, and The Day After Tomorrow.

The 2004 film «The Day After Tomorrow» imagined a world in which the complete collapse of a climate - regulating Atlantic Ocean current triggered catastrophic sea - level rise and extreme weather events in the U.S.

A Met Office study in Britain also rules out the shutdown of the Atlantic Ocean's conveyor belt, which would trigger Arctic winters in Britain like those seen in the film «The Day After Tomorrow», reports the Daily Mail.

Joining the productions of «Syriana», «An Inconvenient Truth» and «The Day After Tomorrow» in climate - neutrality, indepedent film «Sweet Land» has offset the carbon emissions caused by the films» production.

The scenario painted in the film «The Day After Tomorrow» seems extremely unlikely, even to most climate change advocates, but one could easily make a far more convincing version, based not on the effects of climate change, but the efforts of some crackpot to «save the world» from same by implementing some well meaning scheme that could all too easily lead to a disaster far more immediate and possibly far more destructive than anything a few degrees of temperature rise could produce.