This month I've reviewed Tsui Hark's Working Class, Michelle Yeoh in Royal Warriors and Corey Yuen's She Shoots Straight in addition to Johnnie To's third feature Seven Years Itch and a revisit of his great 2012
film Drug War.
Not exact matches
Since then, the
film argues, a variety of measures — from Jim Crow laws to President Richard Nixon's «
war on
drugs» and President Bill Clinton's «three - strikes - you're - out» legislation — have served to send increasingly large numbers of black men in prison, and several legal scholars and activists interviewed on camera suggest a profit motive at work, as well as racism.
The
film follows Emily Blunt as an idealistic FBI agent who begins to question her beliefs when she's enlisted by an elite government task force official (Josh Brolin) to aid in the violent
war on
drugs.
Niccol has clearly been inspired by
films such as Goodfellas and Boogie Nights, and initially infuses Lord of
War with a similar sensibility - complete with period - appropriate rock songs on the soundtrack (ie Eric Clapton's «Cocaine» plays during a
drug - heavy sequence).
The
film tries to paint in shades of gray with vague criticisms of the
war on
drugs, but the absurdity of its he - man Everyman plot ends up turning its moral palette a muddy brown.
Heineman, whose last
film quite literally put him in the line of fire in Mexico's
drug wars, takes his cameras to the disparate locations from which the members of RBSS do their work.
Sicario, a fall release that addressed the
war on
drugs in both the United States and Mexico, led all
films with five nominations including Best Picture and Best Director for Denis Villeneuve.
Filmmaker Matthew Heineman's Oscar - nominated
film gives a chilling depiction of how the U.S.'s growing demand for illegal
drugs helps fuel Mexico's
drug war.
From Oscar - winning producer Kathryn Bigelow comes «Cartel Land,» director Matthew Heineman's documentary
film about the Mexican
drug war and vigilantes on both sides of the US - Mexican border.
A sprawling look at life on the front lines of the
war against
drug cartels in Mexico, this gripping
film by Matthew Heineman explores the dangerous and messy moral dilemmas that arise when vigilante groups on both sides of the border take action.
His documentary
film, «Cartel Land,» which was recently nominated for an Oscar and won a prestigious George Polk Award, made us — and many self - described
drug war analysts — look like opinionated snobs.
I didn't want to be a character in the
film — I don't find myself that interesting — but I wanted you to feel like you were there, with a ground - level view of the
drug war.
But where that
film was unabashedly jingoistic, Doug Liman's
film is a more cynical satire of the
War on
Drugs and the Reagan Era.
The
war on
drugs escalates to
war under President and former ghostbuster Ernie Hudson in the 1999 straight - to - video Ice - T vehicle Stealth Fighter (less a disaster
film than a disaster).
Kathryn Bigelow «s previous
film, The Hurt Locker, opened with the statement, «
war is a
drug.»
Prolific Hong Kong action auteur Johnnie To performs a border crossing with
Drug War, his first cops - and - criminals
film shot and set in mainland China, and in some ways the filmmaker is stretching his legs with all that extra space at his disposal.
Even if the
film doesn't tell us much that we don't already know about America's
drug wars, it tells it with abundant skill.
The basic outline of this play turned
film is as such: King Cymbeline is a
drug kingpin who is at
war with a local Police Chief, Caius Lucius.
The violence shown here exceeds that in Heineman's previous
film, Cartel Land, about the Mexican
drug wars.
Sicario: This is a strong
film about the
war between
drug cartels and American government agencies, which captures the brutality of the conflict.
Like the ongoing
war on
drugs, Villeneuve's
film presents a complex landscape of violence wherein rulebooks have been forsaken - and on both sides.
Sicario (Lionsgate, Blu - ray, DVD, VOD), a violent, chaotic, adrenaline - fueled thriller set in the brutal violence of the
drug war on the American border with Mexico, is a
film that constantly seems to be spinning out of control.
Silly and therefore a step back from his serious
films like
Drug War or Election!)
This is a heartfelt essay
film that digs into several instances of trauma occasioned by Mexico's
drug war.
It's a directorial choice that some critics have questioned, but Attah never feels less than honest in those moments, even when high on
drugs and hallucinating while part of a marauding band laying waste to a village; or when the exact nature of his and The Commandant's (Idris Elba) relationship is sickeningly revealed; or even in the quiet, tiny moments at the
film's end when by the merest flicker across his face we understand how much the
war outside has been internalized.
Filmmaker Denis Villeneuve's bleak, taut thriller Sicario is one of the best
films of the year (read my full review here), but it presents a stark and candid portrait of the U.S.'s response to violence with more violence, specifically in the case of the
War on
Drugs.
BEST FOREIGN LANGUAGE
FILM Blue Is the Warmest Color
Drug War No The Broken Circle Breakdown The Hunt
Sicario: Denis Villeneuve's grimy depiction of U.S. law enforcement's any - means - necessary
war against Mexican
drug cartels is
filmed with the kind of precision and technical artistry that it's almost beside the point whether the story itself is something you care to get swept along with.
Sicario was among the best
films to premiere at Cannes earlier this year, and even naysayers (who place too much emphasis on what the
film is or isn't «saying» about the
drug war) tend to concede that it's gripping as hell.
BEST FOREIGN LANGUAGE
FILM Blue Is the Warmest Color
Drug War Museum Hours Wadjda The Wind Rises
Boasting an ensemble cast that mixed heavyweights with promising newcomers (some of whom would later gain A-list status), Soderbergh's
film is a sobering account of the failures of the «
War On
Drugs» on all levels.
Along with
war scenes and shootings, the
film contains an after - sex scene between two unmarried friends, illegal
drug use and some strong language when Carrie confronts the bureaucracy at the immigration office.
Probably not, but fans of the darkly cynical Oscar nominee, set on the front lines of a shadow
drug war, have been eagerly looking forward to the return of Del Toro's mysterious Alejandro, the attorney - turned - hitman at the center of the new
film.
Josh Brolin and Benicio Del Toro, stars of «Sicario» (2015), return,
drug wars will be fought, and if it's any good we'll know what day of the week the «day of the soldier» is by
film's end.
The
film's nihilism serves as a metaphor for the merciless death pit of Mexico's
drug war, but not much else.
The result is one of the most intoxicatingly unusual, visually entrancing and darkly funny
films of recent years.Johnnie To may be best known for ultraviolent crime thrillers like Election, Vengeance and
Drug War, but Office isn't as great a leap into the unknown as one might assume.
But whereas those earlier
films were panoramic in scope and choral in structure, «Sicario» unfolds almost entirely through the eyes of Kate, as she wades into the murky waters of an inter-agency task force assembled to give the U.S. a tactical leg up in the
war on
drugs.
Just as Nolan justified fascist ideas like decieving the population and breaking the rules to keep society stable in The Dark Knight, Villeneuve exalts secrecy by breaking of rules (torture, murder, deceit, etc.) to achieve goals — in the
film's context the
drug war.
The
film stars Emily Blunt as idealistic FBI Agent Kate Macy, who's recruited by a CIA official (Josh Brolin) to aid in the escalating
war against
drugs.
Mayor Enrique Serrano says that the
film's depiction of
drug -
war violence is out of date and will damage the reputation of a city on the road to recovery
While Traffic is essentially about the
war on
drugs in America, the
film's starting point is the almost - exclusively south - of - the - border (and nearly all Spanish language) story of Javier Rodriguez (Benicio Del Toro, doing away with his annoying tics and delivering a career performance), an average Tijuana State policeman who is given the opportunity for greater prestige by working for General Salazar's (Tomas Milian) efforts against the
drug cartels.
Several new trailers are out today, starting with the Korean
film «Believer» - a remake of Johnnie To's celebrated 2012 crime saga «
Drug War».
A follow - up to the 2015
film, Sicario, which centers around the escalating
war against
drugs along the border of the United States and Mexico.
SPECIAL JURY MENTION DEVIL»S FREEDOM (LA LIBERTAD DEL DIABLO)(d: Everardo González, Mexico 2017) JURY STATEMENT: A timely and urgent
film on the ongoing Mexican
drug war, that presents the many faces of violence without presenting any actual faces.
But I really shouldn't bury the lede: if you are going to catch The Infiltrator (and here, your Cranston fandom and / or your interest in
drug war films not starring Emily Blunt will surely factor in), you should know that you get to see Diane Kruger rock some serious fashion while nailing the tricky role of a smart and rookie undercover agent playing Bob's arm candy fiancée, you get to witness Olympia Dukakis chew scenery as Mazur's Aunt Vicki, who's not as clean - cut as her nephew, and you get to watch Amy Ryan... well, sadly not all the women could get choice roles here, now could they?
Repertoire (Alphabetical order by director) Du levande (You, the Living, Roy Andersson, 2007) En kärlekshistoria (A Swedish Love Story, Roy Andersson, 1970) Sånger från andra våningen (Songs from the Second Floor, Roy Andersson, 2000) Les ordres (Michel Brault, 1974) Jagdszenen aus Niederbayern (Hunting Scenes from Bavaria, Peter Fleischman, 1969) La faille (Weak Spot, Peter Fleischman, 1975) Proverka na Dorogakh (Trial on the Road, Aleksei German, 1971) Moy
drug Ivan Lapshin (My Friend Ivan Lapshin, Aleksei German, 1984) La Verifica Incerta (Alberto Grifi & Gianfranco Baruchello, 1965) Die linkshändige frau (The Left - Handed Woman, Peter Handke, 1978) Poison (Todd Haynes, 1990) Feng gui lai de ren (Boys from Fengkuei, Hou Hsiao - hsien, 1983) Jak zyc (How to Live, Marcel Lozinski, 1981) The savage eye (Ben Maddow / Sidney Meyers / Joseph Strick, 1960) Kundskabens træ (Tree of Knowledge, Nils Malmros, 1981) Drenge (Boys, Nils Malmros, 1977) Visita ou Memórias e Confissões (Visit or Memories and Confessions, Manoel de Oliveira, 1982/2015) De ofrivilliga (Involuntary, Ruben Östlund, 2008) Minotaur (Nicolás Pereda, 2015) La parmigiana (The Girl from Parma, Antonio Pietrangeli, 1963) Chroniques turcs (Turkish Shorts, Maurice Pialat, 1963) La gueule ouverte (Mouth Agape, Maurice Pialat, 1978) Passe ton bac d'abord (Graduate First, Maurice Pialat, 1978) La maison des bois (Maurice Pialat, 1971) Silvia Prieto (Martin Rejtman, 1999) Entrenamiento Elemental para Actores (Elementary Training for Actors, Martin Rejtman, 2009) Rapado (Martin Rejtman, 1992) Trás - os - Montes (Antonio Reis & Margarida Cordeiro, 1976) Os Verdes Anos (The Green Years, Paulo Rochas, 1963) Sagro Gra (Gianfranco Rosi, 2013) Carriage trade (Warren Sonbert, 1968) Nicht versöhnt oder Es hilft nur Gewalt wo Gewalt herrscht (Not Reconciled, Straub - Huillet, 1965) Idioterne (The Idiots, Lars von Trier, 1998) Im Lauf der Zeit (Kings of the Road, Wim Wenders, 1976) Die Angst des Tormanns beim Elfmeter (Goalie's Anxiety at the Penalty Kick, Wim Wenders, 1971) Summer in the City (Wim Wenders, 1970) Ich
war neunzehn (I Was 19, Konrad Wolf, 1968) Ljudi (U Prolazu)(People (In Passing), Lordan Zafranović, 1967) Poslihe Podne (Puska)(Afternoon (The Gun), Lordan Zafranović, 1968) Crni
film (Black
Film, Želimir Žilnik, 1971)
As one of the
film's participants puts it, the
drug war is a «never - ending story.»
Dubbed as the most expensive
war movie ever made,
filming is halted only five days into production due to a skyrocketing budget and a cast of prima donnas that include A-list action star Tugg Speedman (Stiller), Australian method actor Kirk Lazarus (Downey Jr.),
drug - addicted comedy star Jeff Portnoy (Jack Black), rapper - turned - actor Alpa Chino (Brandon T. Jackson), and rookie actor Kevin Sandusky (Jay Baruchel).
Tags: 12 Years a Slave, 2013 Year End Movies, About Time, American Hustle, best
films of 2013, best movies of 2013, Blue is the Warmest Color, Captain Phillips, Don Jon,
Drug War, Gravity, Her, Inside Llewyn Davis, Philomena, Stoker, The Hobbit: The Desolation of Smaug, The Hunger Games: Catching Fire, The Secret Life of Walter Mitty, The Way Way Back, The Wolf of Wall Street, The World's End, What Maisie Knew, World
War Z
Akira is a
film like his manga, demonstrates the violence of its population discredit the political gangs that rule and also the separation of rich and poor before the
drugs, it is a part of what happened in New York in the 1970s and 1980 in the
film set in Neo Tokyo Japan after the 3rd World
War.