Sentences with phrase «film face in the crowd»

Alex Prager's three films Face in the Crowd, La Petite Mort, and Despair are to be screened during SOLUNA's Opening Performance on 6 May, with their scores performed live by an orchestra; the following day sees the opening of Prager's solo exhibition of three video installations and a new body of photographs (in their USA debut) at the Goss - Michael Foundation.

With the release of her film Face in the Crowd (2014), an examination of crowd dynamics and the individual, Prager solidified her standing as an auteur whose ominous, experimental works conjure feelings of anxiety, apprehension, and dread, while simultaneously offering the viewing pleasure and intrigue of a Hollywood movie.

Whereas Prager's large - scale photographs of crowd scenes expose the disconnection between individuals in society, her new film Face in the Crowd explores the unspoken connections among individuals and is a reminder that we are part of something larger than oneself.

Not exact matches

A bit more suspense would have gone a long way here, and while director David Gelb, whose prior experience had been in the crowd - pleasing documentary Jiro Dreams of Sushi, has turned in a slick - looking feature for one with such a small budget (reportedly, only $ 5 mil), it really can't compete with better films out there in terms of quality, while it's too straight - faced in execution to at least give us some choice b - movie thrills.

Elia Kazan's A Face in the Crowd (1957) showed how a down - home country boy (Andy Griffith in his film debut as Larry «Lonesome» Rhodes) could be transformed into a pop television show icon and political megalomaniac.

12:00 M — TCM — A Face in the Crowd A rare film role for homespun comedian Andy Griffith really shows his chops as he plays an Ozark hobo who becomes an overnight sensation on radio and TV; when the fame and power starts going to his head, the film shows the cynical dark underbelly of media sensations.

The magnificent centerpiece of Hunger ends with neither side convincing the other, and the prisoner, whom we now learn is Bobby Sands (Michael Fassbender), and recognize as just another face in the crowd, from earlier in the film, resigned to his plight.

Last week, the film of Lawler's choice was A Face in the Crowd, the 1957 Elia Kazan movie about a sexist radio personality who uses his power to promote one man's presidential run.

The series culminated with Face in the Crowd, a film starring actress Elizabeth Banks.

Despite Prager's self - conscious imitation of classic films from the 1940s and 1950s, Face in the Crowd speaks to very contemporary experiences of social alienation and isolation within the modern city.

Face in the Crowd was conceived as a three - channel installation, however the film will be shown as a single channel during its presentation at the Saint Louis Art Museum.

Now the artist, who has established a career making portraits of women in lonely, haunting environments — and who has shot numerous fashion campaigns and editorials, including for Bottega Veneta and W Magazine — unveils Face in the Crowd at the Corcoran Gallery in Washington, D.C., alongside a short film starring Elizabeth Banks.

At Lehmann Maupin's Chelsea location, the photographs were accompanied by Face in the Crowd, a short film projected across three adjacent screens.

The gallery's downtown location hosts large - format stills from Prager's newest film, A Face in the Crowd, alongside highly staged photographs taken from slightly different angles than those represented in the film.

Perhaps above all Prager uses photography and film to excavate the inner lives of individuals — some of whom we recognize, but most are anonymous faces in the crowd.

Alex Prager's new exhibition Face in the Crowd, showcases large - scale color photographs of elaborately - staged crowd scenes and a film by the same name that explore the notion of the individual within the masses, the boundary between public and private space and the psychological complexities of human interacCrowd, showcases large - scale color photographs of elaborately - staged crowd scenes and a film by the same name that explore the notion of the individual within the masses, the boundary between public and private space and the psychological complexities of human interaccrowd scenes and a film by the same name that explore the notion of the individual within the masses, the boundary between public and private space and the psychological complexities of human interaction.