Sentences with phrase «film gone baby»

Before I get into this, I want to preface it by saying that I'm a huge fan of Affleck's first film Gone Baby Gone, it's one of my personal all - time favorites, I loved it through and through.

Live by Night is both written and directed by actor / filmmaker Ben Affleck, who directed the films Gone Baby Gone, The Town and Argo previously.

Put it this way, have you heard of the films Gone Baby Gone, Mystic River, Shutter Island, The Drop and the recently released Live By Night?

Not exact matches

«I wake up every single day at 6 a.m., and go to the gym, and get my daughter up, feed my baby, film all day, sometimes don't finish until 8 or 9 p.m., and that's every single day, six days a week, for five months straight.»

This woman went undercover to rescue a baby chimp and filmed the whole thing — the baby's so happy now she can't stop laughing

This approach would call foul on all sorts of things: Moses wielding a sword but not a staff; Moses being chatty but Aaron having almost no lines; Moses killing lots of people and fighting in the Egyptian army; no «staff - to - snake» scene; no repeated utterances of «let my people go»; no «baby Moses in the Nile» scene; and every other deviation the film takes from the narrative in Exodus 1 - 14.

Armed with these warnings, go forth and consider one (or more) of these 15 film - centric baby names!

Please do consider going to see this film regardless of whether you have been personally affected by Baby Loss.

Going Gaga is a baby friendly showing of first run films with a heavy bent toward indie and art house films.

Armie Hammer and Timothée Chalamet apparently went straight to first base when they started rehearsals for their film «Call Me By Your Name Call Me Maybe by Carly Rae Jepsen (MattyBRaps & Cimorelli) Don't Call Me Baby Cover

Davis» was opposed to the casting, insisting that Buono was «grotesque,» but after filming finished the actress went up to Buono and apologized for her earlier attitude; even more gratifying to Buono was his Oscar nomination for Baby Jane.

I can't even describe what happens in the scenes he has with the mystery - baby in a non-profane way, but when that kid grows up he's going to be either really embarrassed or totally popular for having been in this film.

Like «Gone, Baby, Gone,» the French film Polisse succeeds by shifting the focus from the victims to the vigilant protectors.

When Wiseau and Sestero clash — the baby - faced actor becomes the de facto voice of reason on the film's chaotic set, thanks to every disastrous decision Wiseau makes — The Disaster Artist reveals itself as a nuanced portrait of the jealousies that arise when the creative process goes haywire.

The actor made his film debut in the Mary Steenburgen drama One Magic Christmas in 1985 and went on to do supporting work in a variety of films that included Francis Ford Coppola's Gardens of Stone (1987), Some Kind of Wonderful (1987), Coppola's Tucker: The Man and His Dream (1988), and She's Having a Baby (1988).

Ben Affleck's third film as director (following Gone Baby Gone 72 and The Town 74) is already generating deafening best picture buzz.

This devastating film is buoyed by Dequenne's bravura willingness to go all out; she's a baby - faced kid when the camera focuses full on and an exceptionally beautiful young woman in profile.

When Ben Affleck's directorial debut GONE BABY GONE was released, the real life tragedy of Madeline McCann was at the peak of a media frenzy, and it was practically impossible to view that film outside of the cultural context in which it fell.

Although there have been many films about pregnancy and the fears involved in having a baby, there are angles here not often taken before in comedy, including what goes through a man's mind when having sex with a pregnant woman («I don't want that to be the first thing the baby sees», etc.) that is funny (because it probably actually does go through a man's mind).

Affleck is no different and only recently through his directing films like Gone Baby Gone, The Town and Argo helped the actor pull himself out of acting - jail from piece - of - shit movies like Gili and.

Adapted by esteemed crime writer Dennis Lehane from his short story «Animal Rescue,» the movie doesn't have the same cynicism as past adaptions of the author's work («Mystic River,» «Gone Baby Gone»), but it's a grimy little crime drama that harkens back to the great Sidney Lumet films of the 1970s.

The December release date (no film since 2004's Million Dollar Baby has been a December release Best Picture winner) is going to be an easier one to overcome.

This modern rehash of Eastwood's Play Misty for Me would go on to be the second highest - grossing film of 1987 in the US (bested narrowly by 3 Men and a Baby).

A fine piece of genre film making, The Town is Ben Affleck's follow - up directorial effort to Gone, Baby, Gone.

The movie could be summarized as «Rosemary's Baby if Rosemary were the head of the cult,» but while Roman Polanski's 1968 masterpiece is a rich, nuanced film that works (and disturbs) on multiple levels, Hungry Hearts never goes any further than preying on some pretty basic fears.

Weaver went on to TV fame as Chester on the Western series Gunsmoke, while Chapman prospered as a film character actor, playing such roles as Roy in East of Eden (1955), Rock in Baby Doll (1957), and Deke Carter in Hitchcock's The Birds (1963).

Such inadequacies would be acceptable, if not expected, in any of Affleck's prior disposable action flicks, but as a newly minted director of superior films (Gone Baby Gone), and being that The Town vaguely aims for something higher, the result is a disappointment.

Gone Baby Gone will alienate those viewers who want pat answers provided to them by movies or who won't ponder the story's deeper meanings beyond their own knee - jerk emotional reaction to the film's ending.

Prior to joining Sundance, Putnam was President of Production at Miramax films, a division of the Walt Disney Company, where she oversaw Acquisitions, Development, Production, Post-Production and Production Finance and made or acquired films including The Coen Brothers» No Country for Old Men, Paul Thomas Anderson's There Will be Blood, Ben Affleck's directorial debut Gone Baby Gone, Stephen Frears» The Queen, Greg Mottola's Adventureland and Julian Schnabel's Diving Bell and the Butterfly.

Ben Affleck makes his feature film directing debut with Gone Baby Gone, based on a novel by Mystic River author Dennis Lehane that Affleck adapted with co-screenwriter Aaron Stockard.

As he did in his first two sturdy efforts behind the camera, the Boston - set crime dramas Gone Baby Gone and The Town, Affleck exhibits admirable restraint in creating the moral landscape of this film, and he aids himself by working with actors who are adept with the subtleties of sighs and flinches, who can stumble into patches of either light or darkness with equal ease.

Affleck has turned in superb performances in that film, as well as Gone Baby Gone, The Assassination of Jesse James by the Coward Robert Ford and Out Of The Furnace, and he stars in The Finest Hours, the Coast Guard rescue tale which Disney opens Friday.

It also pretty much reconfirms Affleck's talent as a director — following his excellent Gone Baby Gone which remains one of my favorite films from the last couple of years.

He made his directorial debut with the excellent Gone Baby Gone and while that film didn't set the box office on fire, it did show his skill behind the camera.

Gone Baby Gone is a praiseworthy film with standout performances, very good use of authentic slang and regional dialogue, and a thought - provoking argument at the core of the film about child welfare and well being.

Gone Baby Gone is amazing, The Town is solid, and Argo is fun, but Live by Night is his most ambitious film yet.

Gone Baby Gone is also about decision - making; but unlike the Academy's five nominees, it is a film that from the first to the last frame never forgets what it's about, and remains unrelentingly faithful to its theme throughout.

Gone Baby Gone isn't exactly the same story, though, since Patrick already knows, from the first words and the first frame of the film, that he is a product of the choices he didn't make.

Unfortunately, trouble comes in paradise, when — inevitably — Ashley goes to the hospital to have her baby and the film switches gears into straight - faced drama, leaving behind all the funny and delightful quirkiness it went to such trouble to establish.

Fincher for his precision and unflinching gaze into darkness, Eastwood for his economical yet perfectly focused character direction and Ben Affleck, who's my favorite new director of the last 20 years, he's heir to Eastwood for me and Gone Baby Gone is a flat out masterpiece (although the Boston bank robbery greatness of The Town is my favorite film of his.)

We're Going On A Bear Hunt (2016) Based on the bestselling bedtime story book written by Michael Rosen and illustrated by Helen Oxenbury — which has sold over 11 million copies globally — the animated film follows siblings Stan, Katie, Rosie, Max, the baby, and Rufus the dog, who decide one day to go on an adventure through whirling snowstorms, oozing mud, and dark forests in search of bears.

Ben Affleck [also directed Gone Baby Gone] will be directing his second feature length film, The Town, which is based on the novel «Prince of Thieves» written by Chuck Hogan.

Affleck's writing credits are best known with such films as GONE BABY GONE, THE TOWN, and his Oscar - winning screenplay for GOOD WILL HUNTING.

Based on Dennis Lehane's novel of the same name, the film marks the second collaboration between the author and director following 2007's Gone Baby Gone and sees Affleck starring alongside Elle Fanning, Brendan Gleeson, Chris Messina, Sienna Miller, Zoe Saldana, -LSB-...]

The actor - turned - director seemed shockingly confident and assured in his first feature, 2007's marvelous Gone Baby Gone, but as The Playlist reminded us this week, his first film (pre-Good Will Hunting, even) was a 1993 short inventively titled I Killed My Lesbian Wife, Ηung Ηer on a Μeathook & Νow I Have a Three - Picture Deal with Disney.

I would have gone to see this movie at its premiere, but it conflicts with Baby Driver which is the World Premiere screening of the latest Edgar Wright film that will only be playing once at the festival.

Since, of course, The Lords of Salem is essentially a horror movie, it will ultimately go the way of genre and privilege the supernatural over the rational, but before that happens, much like the films that it so lovingly apes — Stanley Kubrick's The Shining, Roman Polanski's Rosemary's Baby and The Tenant, William Friedkin's The Exorcist — it will flex and stretch its ambiguities to uncanny breaking point.

The guy has made three terrific films since launching his directing career with Gone Baby Gone, and Argo's status as an Oscar frontrunner puts him right into the thick of the Best Director race.

For the last twenty years, Affleck has consistently turned heads with sometimes subtle, sometimes vociferous performances in films that include: «To Die For,» «Good Will Hunting,» «Gerry,» «Gone Baby Gone,» «The Killer Inside Me,» «Out of the Furnance,» and his career - best, «The Assassination of Jesse James by the Coward Robert Ford» — for which he received an Academy Award nomination for Supporting Actor (2007).

It may be hard to wrap one's head around all the connections going on behind the scenes in Hell Baby, a film that feels as lightweight as the different podcasts almost everyone in the film has participated in.