Public Enemies By 2009, Tatum was holding his own alongside such box - office heavyweights as Johnny Depp and Christian Bale, playing Pretty Boy Floyd in the biographical, Depression - era gangster
film Public Enemies.
Not exact matches
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Based on Gregory Miller's book
Public Enemy No. 1, G - Men was reissued in 1949, with an added prologue featuring David Brian as an FBI trainer who advises his students not to laugh at the old - fashioned costumes and slang in the 1935
film; seen today, it is Brian's superfluous opening comments that seem hopelessly dated, while the
film itself is as exciting and entertaining as ever.
Lee Phelps has found his way into several TV movie - compilation specials thanks to his participation in two famous
films of the early»30s: Phelps played the cowering speakeasy owner slapped around by Jimmy Cagney in The
Public Enemy (1931), and also portrayed the waterfront waiter to whom Greta Garbo delivers her first talking - picture line («Gif me a viskey, baby... etc.») in Anna Christie (1930).
That's not to say
Public Enemies is by any means a bad
film; on the contrary, it's quite engaging.
The «2 - Disc Special Edition» includes four more featurettes, including the twenty - minute overview «Michael Mann: Making
Public Enemies» and the nine - minute «Criminal Technology,» a tribute to Mann's exacting attention to period detail and the actors learning the tools of their characters» trade, plus a digital copy of the
film for portable media players.
Both
films feature in the Best Picture lineup, as does «
Public Enemy Number One,» a sprawling biopic of gangster Jacques Mesrine that has been a local box - office smash and leads all nominees with 10 bids.
This is the first in a five - part series of Moving Image Source video essays on Michael Mann, whose new
film,
Public Enemies, opens July 1.
Most of the
film is set in 1971, in Harrisville, Rhode Island, where a family of seven — parents Roger (Livingston, Game Change) and Carolyn (Taylor,
Public Enemies), and their five young daughters — have just moved in to their large country 18th - century abode.
Much as Michael Mann's
Public Enemies created a disconnect by looking like home video at certain points, the period simply requires
film, or at least it does for right now with digital photography still figuring out how to look good with the entire color spectrum.
When Clarke died in 1992 at age 81 most classic
film fans remembered her as the woman who gets a grapefruit smashed in her face by James Cagney during THE
PUBLIC ENEMY (1931) or they might have recalled her daring leap from a window to protect the man she loves in THE FRONT PAGE (1931).
«The
Public Enemy» launched a cycle of gangster
films in the early years of the Depression that also includes «Little Caesar» with Edward G. Robinson, and «Scarface» with Paul Muni.
«The
Public Enemy» made a star of its leading man, James Cagney, who in 1930 made no less than five
films.
The gangster
film saw its day once more last year with
Public Enemies.
In it, Tatum is briefly reunited with
Public Enemies» Johnny Depp, who stars in the original series and makes a cameo in the
film.
BEST: The closing credits were played over a soundtrack of
Public Enemy's «Fight the Power,» which was featured in the 1989 Spike Lee
film «Do the Right Thing.»
Michael Mann's first
film since 2009's «
Public Enemies is his best in over a decade, but received a limited release and has been a commercial flop.
The Climber (Arrow Video) is a gangster
film in the tradition of such classics as The
Public Enemy and Scarface that chronicles the rise and inevitable fall of small - time smuggler Aldo (Joe Dallesandro).
With «Heat», Michael Mann delivered one the best «cops & robbers»
films of recent times and with «
Public Enemies» and fedoras, gangsters and tommy - guns, I expected more of the same.
Most of her greatest
films have already been released on DVD — The
Public Enemy, Platinum Blonde, Red Dust, Dinner at Eight, Libeled Lady — but not all of them.
It's been six years since Michael Mann's last
film («
Public Enemies»), and more than a decade since his last good one («Collateral»), so it's not very surprising that his newest movie doesn't buck the trend, especially after Universal condemned it to a January release date.
12:30 am (2nd)-- TCM — The
Public Enemies: The Golden Age of the Gangster
Film Warner Bros. basically created the gangster
film in the 1930s with a series of great, gritty and hard - hitting (for the time) crime
films.
Directed by Brian Kirk (Luther, Game of Thrones) by a script by Ronan Bennett (
Public Enemies), the
film takes place in the 1970s and sees Dornan as a member of the IRA, whose wife is accidentally killed in Ireland.
The
films had their heyday with such works as
Public Enemy (1931) and Angels with Dirty Faces (1938).
Based on true events that occurred in Franklin County, Virginia, in the 1930s, Lawless is a period crime
film along the lines of Michael Mann's superior
Public Enemies, a
film that actually does tweak the legends it depicts, rather than just mealy mouth some random dialogue meant to give that impression.
The following
films make up this «Ultimate Gangsters Collection: Classics» — «Little Caesar (1931)», «The
Public Enemy (1931)», «The Petrified Forest (1936)», «White Heat (1949)».
The
film is about the manhunt and eventual killing of America's
public enemy No. 1 Osama bin Laden.
Sam Worthington (Avatar), David Wenham (
Public Enemies) and Timothy Spall (the Harry Potter
films) star in this gripping crime comedy about second chances.
«Down here you make
enemies for life,» spits the young
public defender who's muffed Dee's case, bristling at the questions of her ACLU attorney (Tim Blake Nelson) and the conflicted local lawyer who's signed on to represent her (Will Patton, in the
film's best performance).
12:00 M — TCM — The
Public Enemy Famous for the scene where James Cagney smashes a grapefruit into Mae Clarke's face, this is one of the gold standards of early gangster
films, along with Little Caesar and Howard Hawks's Scarface.
Now Variety says Collateral and
Public Enemies director Michael Mann is in early talks to direct the
film.
Live by Night is no exception; to this reviewer the
film almost reads as a clumsy marriage between Michael Mann's
Public Enemies, in overall style and milieu, and Miami Vice, if Colin Farrell's character was on the other side of the law.
While comparisons to The Aviator (the other megalomaniac - biopic starring Leonardo DiCaprio) and
Public Enemies (with which Eastwood's
film shares a key showdown between Hoover and Senator McKellar from 1936) seem inevitable, J. Edgar was shot and color - corrected to more closely resemble Changeling, with its patina of desaturated copper - green hues and a meticulous eye for the specific materials of the period's rooms and attire.
In the
public discourse,
films such as Waiting for Superman vilify union leaders and frame the unions as
enemies of education reform.
During the
filming of
Public Enemy Number One, James Cagney found his favorite wool cap destroyed by «dirty rats» that had inhabited his dressing room.
The non-profit that organizes the event «champions the cause of independent
films,» and though
Public Enemies with