Sentences with phrase «film places in the heart»

At the end of the film Places in the Heart, all of the characters present during the movie gather together in church, those living and those who have died.

Not exact matches

1) Back to the Future Lego: Like most children who grew up in a certain era, there's a nostalgic place in my heart for the Back to the Future films (in best to worst order, 2, 1, 3 — discuss).

Personal or Handmade Touches - Handmade invitations (made by ourselves)- Handmade place settings (made by ourselves)- Handmade Guest Book (drop frame — guests signed a wooden heart, and dropped them into a frame)(made by ourselves)- Framed pictures for table names (made by ourselves, and named after cars from Harry's favourite film)- Personalised cake topper and cupcake decoration (cake topper from Ebay, and cake made by my Aunt)- Handmade bridesmaid's posies (made by my mum)- Personalised and hand painted wedding shoes (for Bride)(done by Beautiful Moments)- Personalised champagne glasses for Bride and Groom to use for toast (bought as a present by my sister and her family)- Ushers were bought cufflinks to wear that reflected their personal interests - Bridesmaids were given personalised flat shoes to wear in the evening (personalised by me)- Handmade bridesmaids dresses - Flowers and buttonholes, and bouquet all made unique, with my bouquet including charms with pictures of my grandfathers on them.

This is one of those movies that comes with a built - in wild swing of expectations: You hope with your geeky heart of hearts that it's gonna be as awesome as the movie the awesomeness of which spawned this sequel in the first place, and you know in your geeky heart of hearts that it's absolutely impossible for a sequel to be as delightfully surprising as that first film was.

The result is a film whose heart is in the right place, even when every other piece feels basically out of alignment.

(The Dardennes») «first» film has attained a special place in the hearts of critics and other viewers.

Although Sally Field walked off with the statuette (for «Places In The Heart»), Judy's nomination can be seen as some compensation for the experience of working on the film, which was not, by all accounts, an especially happy one.

It is also an interesting political take on the chain of command in the military, lampooning the superior officers as incompetent fools, despite having their hearts in the right place, the film manages to successfully create sympathy for Col. Berman (Ed Harris) in that despite his general inability to do the job, he is actually well liked.

A consistently funny film with its heart in the right place.

Neither these nor any other performances in the film depend on self - conscious histrionics; Jones in particular portrays a crafty codger with some secret hiding places in his heart.

This film holds a special place in my heart because it was my first exposure to Werner Herzog and his films.

It is a solid film that does not quite compare to it's predecessor but all the heart is still in the right place!

Rourke earned a place for himself in Hollywood with his stellar ability to mesmerize audiences in earlier films, including Michael Cimino's Desperate Hours, Alan Parker's Angel Heart, Mike Hodges» A Prayer for the Dying, Adrian Lyne's Nine 1Ž2 Weeks, Cimino's Year of the Dragon, Stuart Rosenberg's The Pope of Greenwich Village, Barry Levinson's Diner, Lawrence Kasdan's Body Heat, Francis Ford Coppola's Rumble Fish, Cimino's Heaven's Gate and Steven Spielberg's 1941.

There's no doubt the heart and the politics of this story of sisterly affection are in the right place, and the songs are instantly iconic, the animation crisp and the voice work terrific, so as a children's film it's right up there with a lot of Classic Disney.

He and the writers can't seem to find this political films heart because they are too busy trying to sell Bullock to an audience that wouldn't buy a ticket to this in the first place.

I guess in many ways, my favorite film of the whole Blue - Tongues» film canon, is I've got a massive place in my heart for The Square.

The action is more intense and the drama is better portrayed with a closer adaptation of the original novel and while the classic westerns hold a certain place in my heart I doubt they've ever been able to portray the west as well and as beautifully as they did in this film.

Considering how important agriculture is to both families» fates, however, «Mudbound» conspicuously lacks the hardy fight against the elements so brilliantly captured in films such as «The River» and «Places in the Heart,» where determined characters take a stand to save their crop.

Obviously, the film has its heart in the right place.

I always had a special place for this film in my heart even though it has a lot of flaws and some really terrible visual effects.

I must believe Crystal Moselle's heart is in the right place — the film feels like a sincere effort to tell a story and to tell it truthfully — but the skill, or lack thereof, undermines the effort too much to be able to recommend the film wholeheartedly.

Two years ago Yorgos Lanthimos made his English language film debut with The Lobster and cemented his place in the hearts of diehard cinephiles.

With such an ambitious endeavor, it must be said that Egoyan had his heart in the right place in making this film.

Some of his films may be over the top for some, but his films have a special place in the hearts of Fantastic Fest attendees.

Nicolas Cage is on a mission to «Escape from New America» in director Rob King's (I Heart Regina) sci - fi action thriller The Humanity Bureau, and we've got a look at the first poster; check it out here... The film takes place in 2030, where global warming is wreaking havoc on the American midwest, and the -LSB-...]

It's a sharp, sandpapery characterization in a film that otherwise doesn't go in for overly complex analysis, particularly in a finale geared primarily toward placing panicked hearts in mouths, and generally letting the head slide a bit.

Most others will think the film's heart is in the right place, it's the brain that needs a transplant.

Tommy Lee Jones leads an excellent cast in In the Electric Mist, Bertrand Tavernier's first English - language film since 1986's Round Midnight (a film which will always hold a special place in the heart of film music fansin In the Electric Mist, Bertrand Tavernier's first English - language film since 1986's Round Midnight (a film which will always hold a special place in the heart of film music fansIn the Electric Mist, Bertrand Tavernier's first English - language film since 1986's Round Midnight (a film which will always hold a special place in the heart of film music fansin the heart of film music fans).

We hold a certain place in our hearts for films with «coming - of - age» qualities bathed in the narratives.

Since then, she's racked up an impressive list of some of the most beloved films in cinema: «The Big Chill,» «Body Heat,» «Places in the Heart,» «The Accidental Tourist,» «Grand Canyon,» «Benny and Joon,» «Beloved,» «The Anniversary Party,» «The Truth About Charlie,» «The Manchurian Candidate,» «Margot at the Wedding» and numerous others.

Time and nostalgia improve the reputation of every family film out there, as the kids who grew up with something secure for it a permanent fond place in their hearts.

Three films in this specific oeuvre were released that year: the aforementioned Places in the Heart, Country, and The River.

The game holds a place in many of our gaming hearts, but with the terrible track record of video - game - to - film adaptations, and the assumption that this movie will probably just be like your typical Godzilla or Cloverfield, our gaming hearts probably don't want this movie to come to fruition.

There's no better time of year for fans of classic cinema, no better place to watch classic films than movie palaces like the Chinese and Egyptian Theatres in the heart of Hollywood, and no better audiences to watch films with hundreds of people who love the classics as much as you do.

Even if, for some wild reason I can't imagine, the film turns out to be only «ok» — I can confirm without a hint of reservation that the hearts of Sam Raimi, Rob Tapert, Bruce Campbell and Fede Alvarez are in the right place.

Based on a 1996 Japanese film of the same name, «Shall We Dance» is a well - meaning feel - gooder with its heart, if not always its feet, in the right place.

It is unclear who will be playing which role and where the story wants to go, but the original film definitely holds a place in most people's hearts as a 90's treasure with two of the 90's most prominent actors in Wesley Snipes and Woody Harrelson.

The quasi-magical realist film «In Search of Fellini» has its heart in the right place but wears its studied quirks on its sleeve, leading with influences and references rather than a strong storIn Search of Fellini» has its heart in the right place but wears its studied quirks on its sleeve, leading with influences and references rather than a strong storin the right place but wears its studied quirks on its sleeve, leading with influences and references rather than a strong story.

The film, the majority of which takes place in a weed - filled Rolls Royce travelling from Seattle to Los Angeles, has as much heart as it does laughs.

I have a special affection for films and performances based on real - life mothers, especially those based on the mothers of the writers who told their stories, like Sally Field's Oscar - winning performance in Places in the Heart.

Although «Unsane» might require an unusual taste for both high and lowbrow cinema, and its approach may strike celluloid purists as anathema (fear not, Chris Nolan, there's still a place for actual film in the hearts of most movie lovers), Soderbergh's 27th film strikes as an immediate cult hit — the kind whose small budget will ensure success ad infinitum.

With such a sensitive character at its heart, all of the image manipulation both in front of and behind the cameras inevitably comes off as macho posturing — which is, this film suggests, precisely what drives the sport of boxing in the first place.

While this film does sometimes tip into realms of the naïve and the didactic, feeling more like a public service announcement than a film in its own right, there is no doubting that its heart is in the right place, with director Overton creating a genuine plea for better treatment of hearing impaired children.

Even in fine Christmas season films from the US, Santa Claus has been tarnished with a cynical brush that paints him as a rather desperate loser or out - and - out nutcase — Gene Hackman's undercover cop Santa in William Friedkin's The French Connection (1970); Dan Aykroyd's smashed Santa in John Landis» Trading Places (1983); and the one - two combination of cinema's worst shopping mall Santas, Jeff Gillen in Bob Clark's A Christmas Story (1983) and Billy Bob Thornton in Terry Zwigoff's bad - taste, big - heart classic Bad Santa (2003).

This film's heart is clearly in the right place, but to plant a marginalized character in the foreground of a narrative is not quite the same as making that character live and breathe.

It might be a bit overblown in places (the social satire doesn't really land) but the heart of the film is a touching, personal story, and in this respect the film is a rousing success.

Though, the fact that the film isn't entirely without obvious merit confuses things even further: Krauss is wryly brilliant as Krauss and delivers the film's biggest laugh with his Herzog - ian reasons for using a wheelchair; Gael Garcia Bernal has a great time as a lecherous member of Laura's delegation, spinning his suitcase with the sneering verve of a cartoon villain who twirls his mustache and gleefully acts smarmy before being felled by his own beleaguered bowels; Herzog's shots of Diablo Blanco, portrayed by Bolivia's real - life Uyuni salt flats, are among the most stunning in any film released this year; Shannon has fun in the impromptu photo shoot that takes place toward the end of the film; and as expected, there's a fascinating push and pull in the battle between human and nature at the heart of the film's central premise.

When homegrown Oscar nominee Patricia Clarkson sat down last summer to discuss an impressive spate of upcoming films in which she had a hand, one project in particular seemed to have earned a special place in her heart.

The film's heart seems to be in the right place, more or less.

With its heart so clearly in the right place, it's hard to come down too hard on Martin Duffy's same - named cinematic adaptation of Brook's text, but the film is so intent on capturing the spiritual aspects of its title character and its namesake that it gives short shrift to the tragedy of its familial disintegration, discarding subtlety, too, in its proselytizing wake.