Sentences with phrase «film side effects»

Not exact matches

One possible side effect of the Academy's tendency to prefer smaller, more exquisite films over splashy popcorn titles has been on ratings for the Oscars broadcast.

Whether it's the collage artist who consciously dumps scraps into disorderly boxes or the film editor who prefers old - fashioned editing technology that forces him to scroll through more footage to find the clip he thought he was looking for, all these artistic greats understand that disorder has one exceptionally valuable side effect — more serendipity.

Some patients may experience side effects including elf song, barrel riding, unjust imprisonment, longevity lasting more that 4 eons, and inappropriate and ill - advised film adaptations.

By this time, the film «First Do No Harm» had been made highlighting the Ketogenic Diet, but when I questioned the doctors, again, I was told it was «Hollywood hype» and the diet really didn't work that well and that this film did not give the details of all the terrible side effects that there were with the Ketogenic Diet and once again I was told that drugs were the best option.

There were not a lot of special effects in this film but just enough to keep the story on the fantastical side.

One of the effects of the film in following a single soldier and one who appears seemingly apolitical, is to convey the chaos and the senselessness of the violence on both sides of the conflict.

Aaron Godfred's feature film debut, Little Blue Pill, is a raunchy indie comedy about a young man who accidentally takes Viagra like pills and experiences all the side - effects that comes

While the first film had a sense of newness on its side that made it somewhat effective as a straight - up shocker, we've seen all of the scary images in this sequel a few too many times to experience their original effect.

Laden with themes of accepting responsibility and accountability, the film takes all its time attempting to grow Shrek as a character and as a side effect loses most of the comedy the franchise is known for.

After featuring Glass Candy track «Digital Versicolor» in «Bronson,» Refn asked Jewel to write the music for his neon - drenched crime movie «Drive,» but allegedly against the wishes of the director, the film's backers replaced him with Cliff Martinez for the finished movie, although tracks by Chromantics and another side - project, Desire, are included in the movie to great effect.

Reason: A dark thriller about the side effects of drug deals, No Country is the Coens» first and only film to win a Best Picture Academy Award.

Sure, the first two films were able to deliver that, but the action always seemed like a nice side - effect to the story the writers wanted to tell.

The posters for both films feature a similar «broken glass» effect, and when you put the two side - by - side, the cracks line up perfectly in several spots.

The casting realm has two shining stars this week, Liv Tyler who snagged the lead in Ti West's The Side Effect and Diane Kruger who's set to join the latest Stephenie Meyer book - to - film adaptation, The Host.

The film is very briskly paced out of necessity to adhere to its heist - style narrative, but the side effect is that much of the group's history is implied.

One side effect of the film's newfound clarity is that the makeup effects can appear plastic at times — there's something to be said for the diffusing effect of inferior formats.

Whether Under the Gun will have an effect on the debate or if it will just be seen as one side's biased account is yet to be seen, but the impact of it and the other gun - related films could do for gun control what The House I Live In did for America's awareness of drug sentencing.

A pastiche of action - movie pyrotechnics (film the explosion from three angles and use all of them — in fact, show the explosion blossom and fade from the front, then again in from the side, and then again from behind), this style creates a hyperbolic effect of maximum impact, all the time.

One of the worst side - effects of 28 Days Later is everyone mimicking the way that film used its score.

The truly spectacular action sequences never falter, more seamlessly blending live - action performance and stunt work to CGI marvels: a rampaging battle staged on the side of a building and a runaway train sequence easily trounce the efforts of the first film, and Raimi's effects team (again supervised by John Dykstra) also subtly improves upon the hero's web - slinging transit high above the city streets.

One of the better two - character dramas in recent years, this David Gordon Green film revealed unexpected sides of stars Paul Rudd and Emile Hirsch, and used its gorgeous, often ravaged landscapes for metaphorical effect without making too big a deal of it.

The director will, inevitably, take some flak for making a third consecutive film about the alienating side effects of celebrity and privilege — but as with Woody Allen and Upper East Side intelligentsia, or Mike Leigh and Britain's Tetley - swilling middle classes, this is the world she knows and feels, and if she feels a responsibility to keep circling back to it in her work, then she should doside effects of celebrity and privilege — but as with Woody Allen and Upper East Side intelligentsia, or Mike Leigh and Britain's Tetley - swilling middle classes, this is the world she knows and feels, and if she feels a responsibility to keep circling back to it in her work, then she should doSide intelligentsia, or Mike Leigh and Britain's Tetley - swilling middle classes, this is the world she knows and feels, and if she feels a responsibility to keep circling back to it in her work, then she should do so.

(The film opens with a monologue from one former supervisor, played by Allison Janney, and you suspect her cigarette habit formed as a side effect of dealing with Stern.)

Check out Olivia Wilde showing her stoic side in a brand new clip from her upcoming film The Lazarus Effect, exclusively given to JustJared.com!

Release: Friday, August 18, 2017 → Theater Written by: Rebecca Blunt Directed by: Steven Soderbergh Logan Lucky represents the first film from Oscar - winning director Steven Soderbergh in four years, since he left audiences divided with a convoluted pharma - thriller whose lingering side effects included, but were not limited to, headaches, confusion and pangs of disappointment.

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Mounted side - by - side right around the exhibition space, with black sectors butted up against glowing colour, they have something of the effect of film frames.

Side effects include redness, white film over the injury, and pain.