Not exact matches
The latter
film stars Patrick Wilson and Vera Farmiga as paranormal investigators Ed and Lorraine Warren (the real - life couple who looked into the Amityville Horror case), who get called to a remote Rhode Island farmhouse to help a family terrorized by the
spirit of a long -
dead witch.
But Assayas also refers specifically to Hilma af Klint (1862 - 1944), a recently rediscovered Swedish pioneer
of abstract art who claimed that her paintings were directly dictated by
spirit forces, and to 19th - century French literary titan Victor Hugo, who practiced «table turning» sessions to contact the
dead (Assayas fabricates an «extract» from an apocryphal French TV
film of the 1960s, featuring actor - singer Benjamin Biolay as a solemn Hugo).
In the
Dead Sea
of Hollywood formula, their
film is a distinct delight, brimming over with
spirit and surprise.
First, a seven - minute piece called «The
Spirit of the Ride» has the director and various other cast and crew discussing how they drew on the amusement park ride for ideas and general atmosphere for the
film; the 14 - minute mini-documentary «
Dead Men Tell No Tales» (also available in the DVD - ROM content in the two - disc edition) gives a history
of the «Pirates
of the Caribbean» ride, complete with lots
of behind - the - scenes looks at the animatronic pirates and nostalgia - inducing footage from the ride itself.
Strangely reminiscent
of the 1945
film «Blithe
Spirit» (albeit with a slight twist), «Over Her
Dead Body» doesn't have a single original idea throughout its mercifully short 93 - minute runtime.
The
film introduces a parent who Po the orphaned panda presumed was
dead, a litter
of baby pandas and a beast from another dimension - released from his
spirit kingdom and threatening to destroy all
of the above.
Sitting with the creative team behind new indie «The One I Love,» genial actor - producer - writer - director - cool - guy Mark Duplass says
of his breakthrough
film, «My first movie [«The Puffy Chair»] was shot on VHS - C with a
dead pixel in the middle
of it, and it looked and sounded like shit, but it went to Sundance because
of the
spirit.
The developers have long been fans
of the 1994 independent
film, and Randal seems to invoke the laid - back and free -
spirited Randal Graves, considered to be «master
of his own destiny» as well as a «danger to the
dead and the living.»