Sentences with phrase «film the front page»

10:00 pm — TCM — His Girl Friday This is a remake of the 1931 film The Front Page about newspaper buddies who go after a major story — Howard Hawks takes it to a whole new level by turning one of the men into a woman, and setting reporters Rosalind Russell and Cary Grant as a former couple, now divorced who can't seem to stay apart, either personally or professionally.

Not exact matches

We have a few Sensitive film - makers, journalists and novelists to thank for not allowing us to forget completely some of the atrocities hidden from the front pages.

Quinn's, for example, include Vogue editor Anna Wintour, film producer Harvey Weinstein and celebrity chef Mario Batali (who landed on the front page of the Post today for taking drastic steps to fight what he called overzealous health inspectors from the city).

It's a good - looking film (inevitable with Ridley Scott directing), and the leads have a Front Page type of relationship, with Russell Crowe playing the Walter Burns to DiCaprio's Hildy Johnson.

When Clarke died in 1992 at age 81 most classic film fans remembered her as the woman who gets a grapefruit smashed in her face by James Cagney during THE PUBLIC ENEMY (1931) or they might have recalled her daring leap from a window to protect the man she loves in THE FRONT PAGE (1931).

«The film forces the viewer to ask why others didn't try to do what Oskar Schindler managed,» the daily Frankfurter Allgemeine Zeitung observed in a front - page editorial.

4:00 pm — TCM — His Girl Friday This is a remake of a 1931 film called The Front Page about newspaper buddies who go after a major story — Hawks took it to a whole new level by turning one of the men into a woman, and setting reporters Rosalind Russell and Cary Grant as a former couple, now divorced who can't seem to stay apart, either personally or professionally.

The second movie version of the Ben Hecht play «The Front Page,» the film pits reporter Rosalind Russell and editor Cray Grant against a crooked city and state administration, as politics swirl around the fate of a mild - mannered prisoner about to be hanged.

The great Ben Hecht (The Front Page, Twentieth Century, Gunga Din, Notorious, Kiss Of Death, and a whole lot of uncredited work on some of the best films of the 40s and 50s) wrote the screenplay.

The film follows the legendary and secretive author through his life — from his rebellious youth to the the bloody front lines of World War II, experiencing great love and terrible loss, a life of rejection, his writing in the pages of The New Yorker, and the PTSD - fueled writer's block that led to the birth of his iconic novel The Catcher In The Rye.

A big part of the reason why comes from the film playing more like a comical character study with a world events backdrop, letting us see the craziness that would be front page headlines through the filtered and skewed view of a man whose own political views stemmed more through favors and paybacks than through heartfelt convictions.

This year's winner is Henry Bumstead (born 1915), one of Hollywood's greatest art director / production designers, whose astonishing catalog of films includes VERTIGO, TO KILL A MOCKINGBIRD, TOPAZ, THE STING, HIGH PLAINS DRIFTER, THE FRONT PAGE (74), THE WORLD ACCORDING TO GARP, CAPE FEAR (91), MYSTIC RIVER, and MILLION DOLLAR BABY.

On a scale of one to 15, Valerie only netted about eight minutes of fame; although the film studiously avoids any mention of it, the assassination of Bobby Kennedy within a day of Solanas» attack, bumped her off the front page.

Now with The Fifth Estate, the subject of film itself has barely left the front page.

than The Front Page, the film — buoyed by a consistently light screwball tone unfortunately only occasionally matched by neo-screwball dialogue — nonetheless has a few unexpectedly funny moments.

The release from Criterion is also stacked with special features, including an entirely different film, 1931's «The Front Page,» based on the same source material, a radio adaptation, and fantastic interviews and featurettes.

The menus for both discs are animated, set to jazzy music, and feature film clips melded together with front page newspaper headlines.

But that film was itself the remake of an adaptation of Hecht and MacArthur «s stage play «The Front Page,» with the genders knocked around.

Angel of History is a long - term ongoing project that includes an animated film (2013), a series of black / white prints Black Noise (2008), and a series of prints from the front page of The New York Times.

In the 1970s and»80s, the Pictures artists reworked Marlboro ads, Hollywood - film motifs, Walker Evansphotographs, and the front page of the New York Times.

David Walsh, Elizabeth Pearce, Jane Clark 2013 ISBN 9780980805888 Lindsay Seers, George Barber, Frieze, January 2013 One of Many, Adrian Dannatt, Artist Comes First, Jean - Marc Bustamante (ed), Toulouse International Art Festival (exhibition catalogue), June 2013 All the World's a Camera: Notes on non-human photography, Joanna Zylinska, Drone ISBN 978 -2-9808020-5-8 (pg 168 - 172) 2013 Lindsay Seers, Artangel at the Tin Tabernacle - Jo Applin, ArtForum, December 2012 Lindsay Seers, Martin Herbert, Art Monthly, October 2012 Exhibition, Ben Luke, Evening Standard, (pg 60 - 61) 20 September 2012 Lindsay Seers @ The Tin Tabernacle, Sophie Risner, Whitehot Magazine, September 2012 Artist Profile: Lindsay Seers, Beverly Knowles, this is tomorrow, 12 September 2012 Dream Voyage on a Ghost Ship, Richard Cork, Financial Times, (pg 15) 11 September 2012 Nowhere Less Now, Amy Dawson, Metro (pg 56) 7 September 2012 Voyage of Discovery, Helen Sumpter, Time Out, (pg 42) 6 - 12 September 2012 Nowhere Less Now, Rachel Cooke, The Observer, (pg 33) 2 September 2012 Divine Interventions, Georgia Dehn, Telegraph Magazine, 25 August 2012 Eine Buhne fur das Ich, Annette Hoffmann, Der Sonntag, 25 March 2012 Das Identitätsvakuum - Dietrich Roeschmann, Badische Zeitung, 27 March 2012 Ich ist ein anderer - Kunstverein Freiburg - Badische Zeitung, 21 March 2012 Action Painting - Jacob Lundström, FLM NR.16, March 2012 Dröm - fabriken - Peter Cornell, Kultur, 21 February 2012 Vita duken lockar Konstnärer - Fredrik Söderling, Dagens Nyheter (pg 4 - 5) 15 February 2012 Personligen Präglad - Clemens Poellinger, SvD söndag, (pg 4 - 5) 12 February 2012 Uppshippna hyllningar till - Helena Lindblad, Dagens Nyheter (pg 8 - 9) 9 February 2012 Bonniers Konsthall - Sara Schedin, Scan Magazine, (pg 48 - 9) Febuary 2012 Ausstellungen - Monopol, (pg 120) February 2012 Modeprovokatörer plockas up par museerna - Susanna Strömquist, Dagens Nyheter (pg 8 - 9) January 2012 Promosing in Kabelvåg - Seers» «Cyclops [Monocular] at LIAF, Kjetil Røed, Aftenposten, 10 September 2011 Reconstructing the Past - Lindsay Seers» Photographic Narrative, Lee Halpin, Novel ², May / June 2011 Lindsay Seers, Oliver Basciano, Art Review, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Townsend.

Black - and - white photos in history books, documentary films, and microfilm of front - page newspaper stories shaped my understanding of the period, suggesting a more or less linear sequence of events.