Not exact matches
Thijs van Overveld at Doñana Biological Station in Seville, Spain, whose team
filmed the behaviour, says this has a great effect on the appearance of these otherwise
white birds, but it's not yet clear what it might be signalling (Ecology, doi.org/b644).
Two big hits in 2014 (the franchise - starter, Divergent; YA phenomenon The Fault in Our Stars), a hotly - anticipated indie (Gregg Araki's
White Bird in a Blizzard) about to roll - out, and the lead in the new Oliver Stone
film locked in, Woodley is on track for super-stardom.
This universal rite of passage inspired her screenplay for Lady
Bird, which she started crafting in 2011, soon after shooting scenes for her title role in the
film Frances Ha at the Sacramento airport, at her childhood home in River Park, where her parents still live, and at Burr's Fountain, a frequent haunt in Gerwig's youth for its hot dog sandwiches on
white bread and ice cream frosts.
Similar to the way Baumbach's use of black and
white in Frances Ha underscored the urbanness of New York, so too does Gerwig's switch to a «crunchier, inkier»
film stock for Lady
Bird's arrival in the Big Apple.
The central motif, played gently at first on a harp and then far more disconcertingly on a scratchy, Scandinavian hardanger fiddle, is the perfect accompaniment for the opening of the
film: the snow -
white screen, on which we gradually make out a
bird in flight, and then the approaching car, framed by vertical telephone poles (another inverse nod to The Third Man)?
As stated above, the
film is heavy on style, favoring a washed - out look most of the time that makes things like Tonto's
bird and even the Lone Ranger's
white hat really pop.
Like that 2004
film, widely considered his best,
White Bird in a Blizzard is adapted from a novel and tackles content perhaps deserving of a smidge more sensitivity than is his M.O..
I caught Kumiko the Treasure Hunter, Kate Barker - Froyland's Song One with Anne Hathaway, the Nick Cave doc 20,000 Days on Earth, Gregg Araki's
White Bird in a Blizzard and midnight sci - fi
film The Signal at 11:45 PM to end my night.
What I can commend is those heightened touches of abstract beauty that emerge from the
film's evocation of nature: the green glow of fireflies in a blue night, the swirls of waving grass, a dash through a field of
white wading
birds.
Greta Gerwig and Jordan Peele's Best Director nominations for Lady
Bird and Get Out are also significant, not only because they're both debut
films, but because this marks only the fifth time a (
white) woman and a black man have been nominated for the award, respectively.
Stop freaking out about Lena Dunham; The cheapening of independent
film; In defense of Renee Zellweger; Undervalued strengths of «
White Bird in a Blizzard»; How big media shot itself in the foot.
It's the sort of performance movies exist to present, a career - defining turn at 21 for an actor with a
white hot future (his other major role of 2017 is in Lady
Bird, giving him the distinction of starring in quite possibly the two most celebrated
films of the year).
Originally shot in
film it shows a sequence of pigeons flying in and out of the image frame; sometimes perched on its bottom edge for a moment, only to be pushed off by another
bird; sometimes hurled into the
white background.