Sentences with phrase «film a day while»

Not exact matches

While Fandango did not release specific figures for Black Panther «s first day of advance ticket sales, the film's fast start should put it on the path toward a blockbuster box - office debut next month.

A fascinating new documentary film by Alex Gibney called «Zero Days» that premieres on Friday tells the story of Stuxnet, along with the frightening takeaway that, while this was the first cyber weapon, it will certainly not be the last.

(Avnet said the studio created a real website to build a mythology for the film's titular «Sickhouse,» a fictional home they gave a frightening backstory, while encouraging the movie's stars to casually drop mentions of the fake legend in the days leading up to the Snapchat release.)

It's proving to be an exceptionally busy day for the 40 - year - old: He's already attended four fashion shows; later, he'll give a talk at NYU's Stern School of Business, and attend another show and a swanky after - party, all while a film crew from New York magazine buzzes around him for an online video piece.

Still, while Guardians of the Galaxy has vaulted past its summer of 2014 competition, the movie is still barely inside the top 20 grossing Disney films of all - time and it entered Labor Day weekend slightly behind Captain America: The Winter Soldier for the company's (and the industry's) best - performing film of the year.

«Dunkirk» director Christopher Nolan, for instance, called Netflix's film strategy «mindless» last year, while praising Amazon Studios for instituting a 90 - day theatrical release window for films that it will later stream.

While he had a great time as the superhero, he says it took over three hours each day to do the makeup for the film.

It had two films gross more than $ 200 million domestically (X-Men: Days of Future Past and Dawn of the Planet of the Apes), while How to Train Your Dragon 2 brought in $ 172 million.

While Black Panther rode a huge wave of critical acclaim and fan excitement to the biggest opening weekend ever for the month of February (and the fifth - largest of all - time), raking in more than $ 426 million worldwide, a small number of Internet trolls still did what they could to dampen the good vibes surrounding the trailblazing film, which features Marvel's first African - American director (Ryan Coogler) and a cast led by black actors such as Chadwick Boseman and Lupita Nyong» o. Starting last week, in the first few days of Black Panther «s highly - anticipated theatrical release, some Twitter accounts started trying to spread false accounts of attacks at screenings of the movie.

While each film sheds its own unique light on TPS, a single unifying message comes through: simple improvements in day - to - day operations have a huge impact, to the point where even skeptics have become believers.

«10 Years Later» takes place in 1991, while the original 2001 film, and the first Netflix series «First Day at Camp,» take place in 1981.

It's difficult to critique this in a spoiler - free way, but to use the example of A New Hope, while the Death Star was a looming, terrifying presence throughout, the big threat to our heroes in this film seems to appear quite late in the day, and seems more important as a plot device to bring key characters together than a genuinely gripping menace.

In the film Toback, who has known the fighter for 23 years, intersperses footage from the days when Tyson seemed scared of nothing with clips from an emotional interview done while Tyson was undergoing drug and alcohol treatment last year.

This ended 1 - 1 but all I can remember from the trip into the badlands is that it was the same day that Michael Jackson's hair caught fire while filming a Pepsi commercial.

In an Austrian study, participants wore pads that collected their sweat while watching scary films first, and then neutral films the next day.

While filming X-Men: Days of Future Past, a speck of blood appeared on actor Hugh Jackman's nose.

While filming The Wolverine (2013), they sometimes had to juggle the schedule and make this a heavy training day.

I know haha it's hard for me to keep my IG feed consistent because sometimes I'll want bright and cheery while other days I want more of that film look.

So while working on the set of The X-Files guarding the honey wagons (while this can be interpreted as some sort of honey filled cart and while a search for this will give you a suction-esque type of machinery that literally sucks up human excrement but instead in reality is just a simple nice way of saying a trailer for actors and actresses) he was fired for following his dreams; writing out scripts in hopes that one day he would be able to put that film degree to good use.

While, yes, the film is a comedy about the end of days led by a marvelously subdued Steve Carell, it is also a romance about finding what — and who — is really important to you.

Jack hands off one of his stories early in the film for his brothers to read and while hints to its plot are dropped, only later does it manifest itself into one of the few scenes in the film that felt not merely fresh to me but touching; briefly, we glimpse an event from the day of the funeral, awkward and uncomfortable, with the kind of details that only siblings might later recall.

His wife (Julie Christie) is a burned out actress who had a child by another actor while married to Nick, of course one day during an arrugment she brings up the fact that the child who is now 15 is not his, major mistake child hears runs away and so is the story line of our film.

Reservoir Dogs: Bloody Days by Big Star Games is a third - person top - down shooter with few connections to Quentin Tarantino's film other than it being about gangsters with color - coded names; and yet Bloody Days partially succeeds in its aspiration to revive a classic for crime and gangster films, while offering a time - rewind mechanics that helps the game distinct itself from the pool of titles in the top - down shooter category.

While Day - Lewis gave a dramatic, and at times humorous, portrayal of Lincoln, several of the film's supporting cast, including Tommy Lee Jones, James Spader and John Hawkes, also gave the movie emotional support and comedic relief.

The film was obviously shot in one day, but the cast and crew rehearsed for months to time their movements precisely with the flow of the camera while capturing the complex narrative, with elaborate costumes from different periods, and several trips out to the exterior of the museum.

Another positive note is that while Wolverine was made the obvious focus of the flick, it's outstanding to see that the climax of the film required the teamwork of all four X Men and the combined use of their powers to win the day.

While Training Day is a violent film, its brutality takes place in a believable moral universe and isn't just tossed in to give us a thrill.

Honestly, while Samantha Isler gives a great performance in the lead role, I just didn't find the «modern day» stuff (in quotation marks since the film takes in 1977) to be all that interesting to be honest.

The film makes use of some kick - ass cinematography (colorful imagery of the summer, and a picture that reflects childhood innocence), while the story sheds light on poverty, and the bad things that come along with it, and how it affects childhood, and for me, that is what pop culture nowadays would describe as «woke», because not a lot of films these days shed light on those important issues.

Steven Spielberg's sturdy, gripping film is about the «Pentagon Papers,» a secret history of the Vietnam War which the government compiled, laying out the schemes, blunders and lies to cover all that up, and which that government never wanted to see the light of day — especially not while the national nightmare of Vietnam was still going on.

The two kids in the film (Shelton Dane and Jean Malone) have big parts that they fill admirably and Frances McDormand adds a nice touch as the concerned mechanic who Robbie meets one day while skipping school.

His screenplay for the 1959 film version of Tennessee Williams» Suddenly Last Summer was the most overt example of out - of - the - closet cinema of the fifties, while his contributions to the screenplay of Ben Hur (1959) were intended to suggest that Judah Ben Hur and Messala enjoyed more than just a warm friendship (Ben Hur star Charlton Heston bristles to this day over Vidal's claiming responsibility for the tone and texture of the screenplay; Heston insists that director William Wyler rejected Vidal's script suggestions after a single cold reading).

While this film might be the lesser of Hiromasa Yonebyashi's films, it still show he's one of the brightest minds working in anime in this day and age.

And, while I'm growing a bit weary of her, I enjoyed Leslie Mann as the mother of some of these girls, and she nails the modern day new - age philosophy of parenting «these type» of girls to a T. All in all this is a glossy and fun film that will satisfy, but doesn't leave a strong legacy like the kind the characters aspie to have, Regardless, I dug it and think you should check it out.

For a while, the film cuts back and forth between his track - and - field glory days and his time in the U.S. Air Force, where he worked as a bombardier on a B - 24.

While most films these days are about nothing, this film seems to be about everything that's plaguing the human spirit in a relentlessly globalizing world.

While the beginning of the film feels like it's setting the audience up for a somewhat boring lesson on drone warfare (I'm looking at you, Good Kill), Hood — still wiping the sting of X-Men Origins: Wolverine off with Ender's Game and now this — excellently threads the needle of tension and, before you know it, the thriller aspect of the film becomes abundantly clear as the series of events play out in semi-real time over the course of one day.

Seeing it in the middle of film festival while recovering from a flu that knocked me flat for a day cerainly didn't help my comprehension, I confess, but it's also the nature of the beast.

One of the more interesting conversations I had while covering the red carpet at the Saturn Awards in Los Angeles last night was with Dean Devlin (there to receive the Dr. Donald A. Reed Award for career achievement), the writer / producer who collaborated with director Roland Emmerich on three»90s films that enjoyed varying degrees of success: 1994's Stargate, a modest international hit; the 1996 mega-blockbuster Independence Day; and the critically - reviled / commercially under - performing (though still profitable) Godzilla in 1998.

Rosamund Pike stuns in a white gown while hitting the red carpet at the premiere of her latest film 7 Days in Entebbe held during the 2018 Berlin International Film Festival at Berlinale Palast on Monday (February 19) in Berlin, Germany.

While I agree that 28 Days Later and 28 Weeks Later are good films I have never considered them zombie films because they aren't zombies.

While word from Venice — where the film closed the festival before heading to TIFF — was good, the question to be answered was whether or not Stillman's style and cinematic persona would stand up in a filmmaking landscape that has changed immensely since «Last Days of Disco.»

7 Days in Entebbe by George Wolf A film that sells the importance of negotiation while it details a harrowing plan of action, 7 Days in Entebbe gets caught in... read more →

Yeah, it's another film where the white guy has to save the day while being cheered by minorities.

Daniel Bruhl is dapper in a suit while hitting the carpet at the premiere of his latest film 7 Days In Entebbe held at the Metrograph on Monday (March 12) in New York City.

While Majid Majidi's «The Song of Sparrows» featured several poetic, and surprisingly funny sequences and Dorris Dorrie's emotional «Cherry Blossoms» made me want to run out of the theatre and call me parents to tell them that I love them (incidentally, Film Movement's, and more importantly, Sheboygan, WI native Meghan Wurtz is raving about the film over my shoulder right now), Fatih Akin's latest ruled my day.

While it's about a young child facing her father's fading health and an impending environmental disaster (not to mention a herd of prehistoric monsters migrating ominously towards them) in a fictional part of the U.S. called «The Bathtub,» the emotionally rousing «Beasts of the Southern Wild» is simply an inspiring and celebratory look at love, loss and life that's moving and passionate in the way few films are these days (read our review).

I was mildly surprised, the other day, to realize that Batman Begins made almost exactly the same amount of money as Superman Returns — yet, the Batman film is regarded as a huge hit, while Superman Returns is regarded as a flop.

And then, there were a decent number of auteurs who appeared at the Cannes Market who should (hopefully) pop up in Venice, such as Lido regular Benoit Jacquot with his adaptation of Don DeLillo's The Body Artist, apparently retitled Never Ever, while Wim Wenders could be a contender with The Beautiful Days of Aranjuez (though he may hold out for Berlin 2017, the same guess we'd wage for a new film from Volker Schlondorff, Return to Montauk).

While we wait for answer, it seems Jason Reitman is a fan, casting actor Tom Lipinski in his upcoming film «Labor Day.»