Sentences with phrase «film a discussion between»

I invited him to Manhattan to film a discussion between himself and the author Daniel Pinchbeck for POST, the digital magazine I edit.

Not exact matches

These documents, as well as our reporting, depict a close relationship between the agency and the filmmakers, including a discussion about what should be included in the film.

(CNN)- The deaths of the U.S. ambassador and three other Americans amid protests against a film that denigrates Islam has sparked global discussion and debate about whether there is a line between free speech and hate speech and, if so, where it lies.

CNN: Reaction to anti-Islam film fuels debate on free speech versus hate speech The deaths of the U.S. ambassador and three other Americans amid protests against a film that denigrates Islam has sparked global discussion and debate about whether there is a line between free speech and hate speech and, if so, where it lies.

Brief discussions and activities on local birth resources will be featured in between the films.

You can watch the film now (or buy the DVD) on our website: http://microbirth.com The reason we made the film was to raise awareness that the seeding and feeding of the baby's microbiome is potentially vitally important for lifelong health - so as the article says, I hope that our film and this great article stimulates much more thought and discussion on the subject between birth educators, parents, midwives, doulas and doctors.

Real - estate consciousness runs through the film (as in a wonderful touch of discussion between Lee and a cab driver).

There will be a discussion between films with Susan Bernard.

EXTRAS: The Blu - ray release includes a pair of featurettes on making the film, a behind - the - scenes look at the visual effects, a tour of the park's Innovation Center, a discussion between director Colin Trevorrow and star Chris Pratt, deleted scenes and more.

It features new commentary by film historian Stephen Prince, new interviews with assistant director and restoration supervisor Kiyoshi Ogasawara and literary scholar Christopher Benfey, who discusses Lafcadio Hearn's stories, and a 1993 discussion between Kobayashi and fellow filmmaker Masahiro Shinoda, plus trailers and a fold - out insert with a new essay by Geoffrey O'Brien.

The film builds to this tension - filled finale between Sister Aloysius and Father Flynn, but instead of any real resolution, all the audience gets is the same push - and - pull discussion they just heard 20 minutes ago.

Rounding out the set is an insightful SFX featurette («Making an Actor Jump), a travel diary («Jumping Around the World»), a short discussion on the differences between the novel and the film, an animated graphic novel («Jumpstart»), and a handful of deleted scenes.

The new conversation between film historians Cari Beauchamp and Rick Jewell includes an astute discussion of the film's often reductive classification as an «anti-western,» and a variety of older odds and ends round out a diverting package.

Film Forward travels the globe and partners with local organizations and embassies to exhibit films and hold meaningful discussions, Q&A's, panels, and master classes that support an engagement between filmmakers and audiences and foster broader cultural dialogues.

Director / writer / producer Edgar Wright will be introducing his film, Scott Pilgrim Vs. the World on Friday, March 30th and will do a Q&A and discussion between two of his films, Shaun of the Dead and Hot Fuzz on Saturday, March 31st.

The film revolves around the graphic but passionless sex scenes, with banal domestic discussion in - between.

A quick overview of Craven's early career segues into a brief discussion of the origins of this film and the reaction to The Last House on the Left — a fascinating corollary between the brutal treatment of the Beane clan and the clan's own brutal behaviour reveals the roots of Craven's amazingly scholarly / satirical approach to Hills, a lot of which (the classical structure, the allusions and metaphor) survives in the final product no matter how imperfect the picture.

The first track features an entertaining discussion between writer / director David Goyer and co-stars Jessica Biel and Ryan Reynolds about the making of the film.

And how he is determined not to let his worthy film be defined by that case, lest it detract from his mission to use Turner's story as a catalyst for discussion on the turbulence between blacks and whites that has roiled major cities across the country this year.

One of their latest featurettes is a roundtable discussion between the four young actors who star in the film as soldiers: Jack Lowden, Fionn Whitehead, Tom Glynn - Carney, and Harry Styles.

With fairly cursory critical discussions, perpetual plot synopses, and adjective - driven lauding («an acidulous commentary on class» or «a masterclass in film acting,» to name a couple) in place of detail - driven social criticism, Forshaw has placed himself between a Brighton Rock (1947) and a Kill List (2011), casting his historical net too wide for anything more than introductory textual assessment.

Debates between isolationism and intervention abound throughout the film, as do discussions about the treatment of people of color, such as the political agenda of Killmonger that is closely tied to racial inequality.

• Menken & Friends: 25 Years of Musical Inspiration — Get a front - row seat for an intimate discussion between legendary music composers from classic and future Disney films, including Alan Menken («Beauty and the Beast,» «Aladdin»), Stephen Schwartz («The Hunchback of Notre Dame,» «Pocahontas»), Kristen Anderson - Lopez («Frozen,» Disney's upcoming «Gigantic»), Robert Lopez («Frozen,» Disney's upcoming «Gigantic») and Lin - Manuel Miranda (Disney's upcoming «Moana»).

It is, though, perfectly in line with the film's willingness to tackle a topic as divisive and ripe for discussion as the interplay between police brutality and race.

The first commentary features only Wright and Simon Pegg in a discussion that mainly focuses on the production aspects of the film, while the second commentary leaves a lot more room for joking around between the film's five main characters.

One could argue the tonal disconnect between an act of terrorism and comedy, and yet the injection of some quips and the odd running joke about a producer obsessed with balls turns out to be one of the film's greatest weapons, moreso than the overly familiar stench of disdain and dissidence as a poorly planned hostage stunt yields a much more complex discussion about class structure and the corruption of the American financial system.

A starter activity for students to explore connections between images and this leads into discussion on censorship in art, film, music and literature.

Running over two days, BAF Game will feature talks, discussions, screenings and workshops led by industry experts exploring the overlaps between the worlds of video games, animation and film.

This was the questions that all artists where asking after the premier of Rainer's first film in New York, marking the beginning of a fruitful and exciting discussion on the relationship between dance and film.

In the NYTimes, Martha Schwendener reports: «The show at the Parrish, «All the More Real: Portrayals of Intimacy and Empathy,» stems from discussions between Mr. Fischl and Ms. Falkenberg, who met when Mr. Fischl saw a film at the museum about the strategies artists use to elicit responses from viewers.

The film has a 55 minute run time and will followed by a discussion between Pat O'Neill and independent curator Tina Kukielski.

A discussion between the artists and French art historian Élisabeth Lebovici followed each film, with some of the primary concerns being non-hierarchical production (in film, and in Pauline Oliveros» music), the camera as active participant in a performance that couldn't exist without it, and opacity as resistance against the aggressive act of understanding.

He did not complete another film until The Cedar Bar (2002), an exploration of the heated discussions between artists and critic Clement Greenberg that took place in the heyday of Abstract Expressionism.

Amrhein: We hope that, in between shows, we can have panel discussions, poetry readings, film screenings, and performances.

A discussion of female madness or monstrosity in lawyer films necessitates an exploration of the links between madness, monstrosity, gender, and legal discourse.

Borrego Springs, CA About Blog The Borrego Springs Film Festival goal is to provide a viable venue for independent film makers to display their work and to provide discussion panels encouraging interaction between the artists and the viewing audience exploring the complex world of film making.