Kudos again to Vanderbilt for sticking to the story, and not making
it a film about a woman trying to have a career and a family.
Not exact matches
After determining that I was not just another moralist who wanted to influence
film content, but someone who was genuinely interested in
film, Shurlock relaxed and asked me a question that was very much on his mind: «We are
trying to determine what to do
about a picture in which director Sidney Lumet wants to include a shot of a
woman's bare breasts.
It is a
film about an old
woman with severe dementia
trying to recover from the loss of her husband.
His fourth
film under his 20 - year ban is «an artful, surprising and thrillingly intelligent story
about a few
women trying to make a difference, forging bonds of solidarity in quiet defiance of the repressive, small - minded men in their rural village,» writes L.A. Times critic Justin Chang, who also finds «its insights casually profound.»
This
film asks you to applaud for a despicable
woman and
try to forget
about how she treats the people around her.
Some of these movies include «Popstar: Never Stop Never Stopping,» a comedy
film starring Andy Samberg, which is now in theaters and the longevity of which at the box office remains to be seen; «Central Intelligence,» another comedy which stars Kevin Hart and Dwayne Johnson and which will be released on June 17; and «The Shallows,» a movie
about a
woman trying to escape a shark which stars Blake Lively.
And while only a few saw it, those who did catch Andrei Zyvagintsev «s «Elena» fell head over heels in love with it; a powerful and gripping Russian
film about an elderly
woman trying to secure an inheritance for her son.
Try Campion's controversial
film In The Cut (2003), with Meg Ryan, Mark Ruffalo and Jennifer Jason Leigh, a dark and surprisingly existential thriller
about a
woman who may possibly have encountered a serial killer.
«My Happy Family»: We'll have a longer review on this beautiful
film in a few days, but this movie
about a
woman trying to divorce her family is like if «Krisha» spiked the punch at «My Big Fat Greek Wedding.»
Wendy and Lucy — Oscilloscope Pictures, 80 mins — Kelly Reichert wrote and directed this beautiful
film about a young
women trying to find her way through the difficulties of daily life.
Hepburn's official final
film before entering semi-retirement was Wait Until Dark, Terence Young's lean, nerve - racking adaptation of Frederick Knott's popular stage play
about a newly blind
woman, Susy,
trying to outwit a trio of drug - dealing thugs (played in the
film by Alan Arkin, Richard Crenna, and Jack Weston).
Other titles in this section include: Naomi Kawase's sweet, light and leisurely AN; Tom Geens» COUPLE IN A HOLE,
about a couple living in an underground forest dwelling to be left alone to deal with their mysterious grief; DEPARTURE, Andrew Steggall's delicate first feature
about longing, loneliness and nostalgia for a sense of family that may have never existed; Jacques Audiard's Palme d'Or - winner
about a makeshift family
trying to cement their bonds, DHEEPAN; the World Premiere of Biyi Bandele's FIFTY, a riveting exploration of love and lust, power and rivalry and seduction and infidelity in Lagos; the European Premiere of Maya Newell's documentary GAYBY BABY, following the lives of four Australian children whose parents all happen to be gay; Mark Cousins returns to LFF with his metaphysical essay
film I AM BELFAST, Stig Björkman's documentary INGRID BERGMAN — IN HER OWN WORDS, a treasure trove of Bergman's never - before - seen home movies, personal letters and diary extracts alongside archive footage; Hirokazu Kore - eda's beautiful OUR LITTLE SISTER, focusing on the lives of four young
women related through their late father in provincial Japan; the European Premiere of Mabel Cheung's sweeping Chinese epic based on the true story of Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mystical.
THE SHORT VERSION: 20th Century
Women is a
film about Dorothea, a mother (Annette Bening)
trying to raise her son (Lucas Jade Zumann) as a good man, even though his father (literally) is out of -LSB-...]
But if he's stuck for an idea for his next
film, he could always
try one
about a man and
woman who sometimes have meaningful conversations.
Though their 2014
film,
about a
woman (Marion Cotillard)
trying to save herself from imminent redundancy, is cut from the same careworn cloth as previous features, it's another undeniably sublime and heartbreaking work
about saintly self preservation, the struggles of working class life and the fact that it's often the smallest stories which deal with the biggest and most important ideas.
Perhaps some of these directors wanted to make more
films about women, and were shut down by studios — but the industry power wielded by many of them suggests that if they had really
tried to make more
films about women, they would have succeeded.
But perhaps that was the problem with the
film's marketing plan: It was a straight action
film trying to touch many markets all at once; a
film with a black lead and a majority - black cast, a
film with a
woman in an action role, a
film somewhat
about motherhood and relationships.
In the 1980s, Gilbert directed Educating Rita, which introduced Julie Walters to a wide audience, and Shirley Valentine — both
films about brave and funny
women trying to find themselves by stepping outside their harsh social conditions.
As the
film unfolds, we see Jerry visiting his psychotherapist (Jacki Weaver) where he lies
about taking his pills, and another
woman at work, Lisa (Anna Kendrick), goes
about trying to woo Jerry.
The heavy hand of religious fundamentalism, and its subjugation of
women, is central to «Gett: The Trial of Viviane Ansalem,» an overwhelmingly intense
film about an Orthodox Jewish Israeli
woman trying to get a religious divorce.
No one looks at photos anymore, since everything anyone would want or need to know
about a person can be obtained from an oral swab (
women and men visit a dating booth, where the recently amorous have samples of potential mates tested, and it's where a co-worker (Uma Thurman)
tries to find out more
about «Jerome,» in the
film's clumsy and obligatory romantic subplot), which is helpful.
It's an inoffensive, light - hearted Christmas
film centered around a love story
about a
woman following her ambitions and a man
trying to do good in the world.
In theaters August 22, the
film is
about Dwight McCarthy planing to have his vengeance against the
woman who betrayed him, Ava Lord, while Nancy is
trying to cope with Hartigan's death.
The entire crux of the
film is supposed to be
about one confused young
woman's ability to find happiness amid
trying circumstances and grow up a little.
This sets the stage for a
film about an abusive, domineering man
trying to force a fragile
woman to submit to his will.
In theaters August 22 from TWC - Dimension, the
film is
about Dwight McCarthy planing to have his vengeance against the
woman who betrayed him, Ava Lord, while Nancy is
trying to cope with Hartigan's death.
Still, taking the
film for what it is, she does a terrific job in the role as a
woman that has profoundly changed by witnessing the troubles of veterans, especially in the way the government and media
tried to sweep them under the rug and forget
about them.
Eisenberg's choices in playing Mike without a trace of irony works in the
film's favor, as does Stewart's grittiness and edge as a
woman who refuses to take it lying down when the world is
trying to kill the man she loves, or when he starts cracking up
about the possibility that he might be a robot and not a human being.
One piece that attempted to answer this question was Frances Bodomo's Afronauts (2014), a touching black - and - white
film about a Zambian
woman trying to beat America to the moon in the 1960s.