Written and directed by David Ayers of TRAINING DAY fame, it makes an edgy, gritty, and engrossing
film about cops, played by Michael Pena and Jake Gyllenhaal, who are neither corrupt, as in TRAINING DAY, nor of the rogue variety that are out for their own brand of... Read More»
The film about cop Al Pacino investigating a serial killer targeting gay men was controversial upon its release, and its reputation remains contentious.
The French Connection is heralded as one of the greatest thrillers ever made, and certainly ranks among the very best when it comes to
films about cops and criminals, regardless of the subject matter.
Not exact matches
On Twitter, the most polarizing thing
about Three Billboards is how the
film handles his racist -
cop character, but do Oscars voters agree?
Ahead of the UN Climate Change Conference (
COP 23) next week, Meat Free Monday has released a short
film about a huge contributor to climate change that is often left out of conference discussions — animal agriculture.
Ahead of the UN Climate Change Conference (
COP 23) next week, Meat Free Monday has released a short
film about a -LSB-...]
I've heard grumblings
about Willis on set and much like
Cop Out, also written by the same filmmakers here, he caused reshoots and unplanned scenes while
filming.
Veteran director Walter Hill helms this graphic novel adaptation
about New Orleans (or, going by the
film, Crescent City - NOLA's nickname) hitman James «Jimmy Bobo» Bonomo (Sylvester Stallone) who teams up with greenhorn D.C.
cop Taylor Kwon (Sung Kang) to bring down the killers of their respective partners.
Wong Kar - Wai's movie
about two love - struck
cops is
filmed in impressionistic splashes of motion and color.
The
film is a messy crime comedy
about criminals and corrupt
cops in the American Southwest, and Michael Peña plays a particularly nasty policeman in Alburqueque.
We never learn anything
about Harry's past as a husband and father, and intuit only a few traces of his background as a
cop and a former alcoholic, but we discover a great deal
about his emotional life in relation to his friends and former colleagues, which is all the
film really cares
about.
«A street - racing blockbuster
about traffic
cops» is one of the more endearing action -
film premises in recent memory, and in terms of conceptual scale alone it seems a refreshing rejoinder to the genre's rather exhausting penchant for maximalism.
However, it's somewhat unusual for a buddy
cop film to make these tropes textual, not as meta - commentary but solely to be upfront
about going through the motions of «story» and «character development.»
What I'm not so fond of is the
cop - out ultimately taken by the filmmakers, who can't seem to follow through on their promisingly metaphysical premise (let alone the theme of obsessive love), electing instead to eliminate all ambiguity — now would be the time to dig up that gift - wrapped box I told you
about earlier — which reduces the
film, in the end, to little more than a cheap, if rather expensive - looking, joke.
And when I was watching that short
film in 2010, at no point did I wish it would last
about 88 more minutes, use a tired Ghostbusters plot device, and have a leading role for Paul Blart, mall
cop.
Anyone who was a fan of the «Naked Gun» movies is in for a treat - there are definitely undertones of NG «blundering good
cops»
about this
film.
Triple 9 is an overfilled sandwich of
cop vs criminal underworld thrillers - it is
about four
films in one, and is never a boring watch though at times it can make for a confusing one.
On another level, the
film is an overly glossy, ostensibly intellectual but deliberately trite mass - market romance (from the screenplay written by Pierce)
about a reporter and a movie star falling in love while she shadows him on the set of yet another movie (in which he plays a
cop along side Brad Pitt) for a magazine fluff piece profile she's writing.
The Saskatchewan team behind the horror - comedy Wolf
Cop take part in CineCoup's weekly challenges as they attempt to gain attention and fan votes on their
film's two - minute trailer using social media platforms — to find out more
about this wicked little flick just click here.
The
film seems to be
about a bunch of different characters that have had different troubles with the law in the 1970s, centering on two brothers, one a convict and the other a
cop.
The
film is well - made and benefits from a very strong cast, but it's both overly worthy and rather pushy
about its perspective.Immigration
cop Max (Ford)...
To get you in the mood, check out this horror comedy short
film titled Bundle of Nerves
about two friendly local
cops from the Willowbrook police department battling a slime - sucking monster.
The
film is based on the novel by Don Winslow
about a team of corrupt NYPD
cops.
The original 1974 The Taking of Pelham 1 2 3 is a kind of blue collar cult
film, a smartly done crime thriller
about smart crooks, a smart transit
cop and a battle of wits over the hijacking of a subway car and the ransoming of the passenger.
Perhaps the peakiest peak in a
film full of»em: Walter Matthau's transit
cop, pleading for cooperation from the spectacularly apoplectic Dick O'Neill as the head of transit operations, protests that all he cares
about is saving lives.
It would be easy to expect the
film to be
about race, given the setup in the trailer and the premise of a bigoted Irish
cop working with an African - American, but this
film can not be so easily pigeon - holed, and ends up being far more of a character study (albeit an uproariously funny one) of Gleeson's character.
That's a question posed by a lovelorn
cop in Wong Kar - wai's 1994
film Chungking Express, and in a sense that line is a snapshot of what Wong's
films are all
about.
The
film sees the first astronauts on Mars
about to leave the red planet, but just like a
cop on his last day of retirement, all the human waste is
about to hit the fan.
Not the best social climate to promote a
film about corruption and deadly
cops.
And I think what bothered Cukor was that the
film was disturbing and blasphemous, as well as the fact I had recently won it for a little fucking documentary
about two
cops.»
Three Billboards got something very right
about women's rage, but it also got something very wrong
about race — no small matter for a
film set in Missouri in 2017 that features an openly racist
cop who dances around the n - word and has tortured a black man in police custody.
21 Jump Street Rated R for crude and sexual content, pervasive language, drug material, teen drinking and some violence Available on DVD and Blu - ray If you would have told me in January that one of the best
films of the year come June would be a rehash of the old Johnny Depp TV show
about cops who undercover in high school, I would have called you an idiot.
Next we get Beverly Hills
Cop: The Phenomenon Begins, a new 29 - minute and 11 - second documentary
about the
film.
It's a
film about family, specifically the kind of family where everyone is a
cop.
Yet, after acknowledging that it was an inspiration, the two
films should be seen as separate entities, since much of what makes City on Fire work (character development, yin and yang
cop - robber themes, and a romantic subplot) are not to be found with the 1992 American
film, and what people liked
about Reservoir Dogs (smart and savvy writing, sassy interplay among characters, and some brutally graphic violence) aren't really the strengths of the Hong Kong original.
10:00 pm No edition of the IFFR is complete without a second - tier Takashi Miike
film, and this year it was The Mole Song: Undercover Agent Reiji, a not - all - that - funny, very broad comedy
about an inept beat
cop who is recruited to infiltrate a yakuza gang.
Jerzy Skolimowski describes his next
film, 11 Minutes, as a «catastrophic thriller,» suggesting that the Polish director's bit part in Joss Whedon's The Avengers was time well spent... The cast for John Hillcoat's Triple Nine, a thriller
about crooked Los Angeles
cops planning a robbery, includes Woody Harrelson, Casey Affleck, Chiwetel Ejiofor, Kate Winslet, Aaron Paul, and Michael Peña... Mohsen Makhmalbaf lives!
When I first saw previews for this
film, I couldn't help but get excited
about the strong cast of solid actors involved, and likewise it's been a while since a decent
cop thriller was released.
As a huge Batman nerd, I'm a bit biased to this
film, but how can you deny that powerful stories
about a marathon runner, a boy with cancer, a
cop, and wealthy guy who dresses up and visits sick kids at hospitals isn't heart - warming and inspiring.
Is Verhoeven's RoboCop an entertaining
film with more layers than most viewers expected from a story
about a cyborg
cop?
The
film isn't
about racism per se, though when mostly white
cops detain mostly African - American suspects, it is often an implication.
There are a lot of big, attention - getting
films in 2012, and one that I forget
about once in a while is Gangster Squad, the
film in which Zombieland director Ruben Fleischer follows the efforts of a squad of LA
cops (Josh Brolin, Ryan Gosling, Nick Nolte, Giovanni Ribisi, Anthony Mackie) to stop the incursion of organized crime into LA, led by Sean Penn as famed mob boss Mickey Cohen.
I saw
films with stories
about finding happiness even with cancer (Me and Earl and the Dying Girl), the struggles of addiction (I Smile Back), transgender women in Los Angeles (Tangerine), post-apocalyptic love triangles (Z for Zachariah), a teenage girl's sexual awakening (The Diary of a Teenage Girl), relationships between interviewer and interviewee (End of the Tour, True Story), washed up Olympians (The Bronze), two kids who go for a joy ride (
Cop Car), psychological studies (The Stanford Prison Experiment), lesbian lovers coming - of - age (The Summer of Sangaile), being a single parent (People, Places, Things), and geeky kids learning how to grow up (Dope).
The
film is
about an ex-con pursued by
cops and killers as he sets out to avenge his brother's death.
The new
film was set in present day and follows a determined L.A. police officer who sets out to reveal the truth
about the brutal murders of innocent people by one of her fellow
cops.
Woody Harrelson took a beating as well, THR saying this
about his new
film Rampart: «The sheer repetitiveness of his evil dissipates whatever fascination this dirty
cop provokes.»
Q: The
film is very much
about taking sides: white against black, husband against wife, parent against child,
cop against citizen, Man railing against God.
Watch him take a trip to our
film closet, where he sings the praises of Sophia Loren and Marcello Mastroianni in Ettore Scola's A Special Day,
cops to never having seen Robert Altman's 3 Women, and talks
about his own role in the rehabilitation of Michael Curtiz's The Breaking Point and Luis García Berlanga's The Executioner.
George Miller's
film is an outrageous exploiter drawing intelligently on everything from Death Race 2000 to Straw Dogs for its JG Ballard - ish story
about a future where
cops and Hell's Angels stage protracted guerrilla warfare around what's left of a hapless civilian population.
OPENING THIS WEEK Kam's Kapsules: Weekly Previews That Make Choosing a Film Fun by Kam Williams For movies opening November 2, 2007 BIG BUDGET
FILMS American Gangster (R for nudity, sexuality, profanity, violence and pervasive drug content) Oscar - winners Denzel Washington and Russell Crowe square off in this mob saga, set in the Seventies,
about the efforts of a rogue
cop to bring down a drug lord who's been smuggling heroin to Harlem in the coffins of soldiers who died in Vietnam.