Michael Clayton: A legal thriller, Michael Clayton is
a film about the corruption and darkness that characterises the shady entity we call «system».
The content you see in the trailer not - withstanding, War Dogs is another serious
film about corruption.
Not the best social climate to promote
a film about corruption and deadly cops.
Not exact matches
At 8 p.m., Sen. James Sanders and Black Spectrum Theatre Company members host a discussion and
film screening
about corruption allegations against black politicians, titled «Attack on Black Leaders: Corruption or Conspira
corruption allegations against black politicians, titled «Attack on Black Leaders:
Corruption or Conspira
Corruption or Conspiracy?»
This is just a bad
film that tried to say something
about social injustice, the class differences between the rich and the poor, the unfair loss of welfare programs, the inhibiting cost of health insurance that is falsely being blamed on the government when it is the fault of insurance companies why the rates are so high, the hypocrisies of the Gulf War, and the failure of the media to be more responsive in covering all the political
corruption.
The third
film ties very closely with the third
film, as well as being a general thematic capper to the trilogy
about institutional
corruption.
As anyone who knows anything
about LA, its police organization has had long standing problems with
corruption and racism, but the
film never addresses that even though one can see the roots of it in the material.
As the story progresses, the
film also shifts strangely from a riveting exploration of a power couple with a pioneering spirit to a more melodramatic thriller
about corruption and murder.
Helmed by Oren Moverman, it explores the state of the LAPD circa the late»90s but, despite what its title suggests, the
film isn't
about the infamous Rampart scandal — an umbrella term for the widespread
corruption that occurred inside the Division's anti-gang unit (offenses ranged from unprovoked shootings, planting of evidence, narcotics possession, bank robbery, and perjury)-- but instead it's set whilst the events were still current.
Godless was just one of two Bulgarian
films about modern - day crime and
corruption in the post-Soviet state, with the other, Slava (Glory), from Kristina Grozeva and Petar Valchanov, who had impressed with Urok (The Lesson, 2014).
The Ides of March is essentially a
film about the inevitability of
corruption.
It's a
film about police
corruption and partners learning to trust one another and the ways in which unbridled, excess masculinity can serve as a shield against the difficulties of modernity.
One could be forgiven for assuming a
film about political
corruption made in the 1930's could have nothing to say in these more sophisticated times, but that would be to downplay the significance of Frank Capra's classic.
This political comedy
about the exposing of
corruption in Washington was among the top grossing
films of 1939.
Set in the early 1970s, the
film itself resembles a 70s thriller, a time where
films about heists and political
corruption were all the rage.
Both
films are
about media
corruption, with Buscemi playing journalists at opposite ends of the food chain.
The 38 - year - old actor stars in the
film about a New York stockbroker who refuses to cooperate in a large securities fraud case involving
corruption on Wall Street, corporate banking world and mob infiltration.
The
film details the last three months of the life of the director (played here by Massimo Ranieri), when he was completing Salò, writing Petrolio (an exposé
about political
corruption at the highest level), and becoming involved with Pino Pelosi.
(which this
film seems to be aping) were talking
about true crime and
corruption it felt real, this stars Dwayne Johnson.
The
film is not just Elvish and scenery and an awkwardly telepathic Galadriel, but also
about the power of
corruption.
But this is not a
film about political
corruption, it's a
film charting Jane's realisation that what she is doing has far - reaching negative ramifications and whether revealing a newfound caring - sharing side would be too little too late.
She's a strong, female hero in a day and age when such a concept appears to have never had its time, and the
film is a rich, tense thriller
about corruption, manipulation, and identity.
One could argue the tonal disconnect between an act of terrorism and comedy, and yet the injection of some quips and the odd running joke
about a producer obsessed with balls turns out to be one of the
film's greatest weapons, moreso than the overly familiar stench of disdain and dissidence as a poorly planned hostage stunt yields a much more complex discussion
about class structure and the
corruption of the American financial system.
Those who want to know more
about rum - running, bootlegging, and the Green Mountain state might seek out Adam Krakowski's recently published Vermont Prohibition: Teetotalers, Bootleggers and
Corruption or Jay Craven's critically praised independent
film Disappearances.
Eric Brown says forget
about Avatar, we should all go see the Sundance
film, Casino Jack and the United States of Money, a wild tale
about Jack Abramoff, campaign finance, political
corruption, and «sex slaves in the Mariana Islands.»