Satellite composite image of Antarctica, showing the largest know ice cap ever at Earth's South Pole And now about the Polar Bears, those stories and the «documentary»
film about the death of a polar bear are not factual.
A film about the death of the Soviet dictator and the confusion that followed?
«Calvary» is a serious comedy, a funny drama, a ruminative film about life and a lively
film about death.
The only thing Moretti achieves with Mia Madre is something that was most likely unintended: he managed to make
a film about the death of a parent that inspired nothing but complete indifference.
Once again, the filmmakers were given free reign to create a short
film about death in all its many forms and the results are at turns shocking, hilarious, vile, surprising, beautiful, reprehensible, poignant, disturbing, but most of all, mind - melting fun.
This is probably the nicest, sweetest, most wholesome
film about death ever.
Reassuring us that his upcoming Charles Manson - related film will be exactly as tasteful and restrained as we'd expect a Quentin Tarantino movie based on a real - life mass murder to be, Sony has confirmed that the director's upcoming
film about the deaths of Sharon Tate and four others at the hands of the Manson Family...
Not exact matches
When Philando Castile was shot by police during a routine roadside stop in Minneapolis, and his
death was
filmed by his girlfriend Lavish Reynolds as her daughter sat in the back seat, the footage helped galvanize protests
about police violence against blacks in the U.S.
So let's say this movie is
about a woman whose life was shaped by love of her father; the making of the
film Mary Poppins (as well as the writing of the book) is
about her coming to terms with the truth
about personal love and
death and all that.
Perhaps it was inevitable that a
film would be made
about the life and
death of Oscar Arnulfo Romero.
Item: regardless of the mistake
about the cat identity, the
film clearly invites us to judge Llewyn poorly for abandoning the second cat, to associate that with his abandoning these two children to
death or fatherlessness, and to see the hitting of the cat as a sign of his sin, and of how the one child will be wounded for life by it.
(CNN)- The
deaths of the U.S. ambassador and three other Americans amid protests against a
film that denigrates Islam has sparked global discussion and debate
about whether there is a line between free speech and hate speech and, if so, where it lies.
CNN: Reaction to anti-Islam
film fuels debate on free speech versus hate speech The
deaths of the U.S. ambassador and three other Americans amid protests against a
film that denigrates Islam has sparked global discussion and debate
about whether there is a line between free speech and hate speech and, if so, where it lies.
This is my favorite quote of the chapter... maybe even the whole book: «If we're more opposed, for instance, to what we take to be «bad language» and nude scenes and
films about gay people than we are to people being blown up, starved to
death, deprived of life - saving medicine, or tortured, our offendedness is out of whack.»
Certainly more could be said
about the limited viewpoint of the
film, how it seemed to unquestioningly reinforce the meaning of Phelps
death as a sacrifice for our freedom.
The new
film flags up Jeremy Corbyn's past comments
about Osama Bin Laden's
death being a «tragedy».
It reminds me of the conversation in the
film Clerks
about independent contractors on the
Death Star.
Sick to
Death is a
film in the works
about the mismanagement of thyroid disease in the standard health care model.
Brittany Murphy was warned several times before her
death about husband Simon Monjack's alleged fraudulent activities, but she reportedly Brittany Murphy, the bubbly, free - spirited actress who appeared in such
films as Clueless and 8 Mile, died Sunday, apparently of natural
I don't necessarily know if this
film had something to do with Shelby's
death, but hey, as this
film about a murder disguised as an accident taught me, not every tragedy is a freak accident or a mere coincidence.
The character has no franchise potential, as the
film opens with an epilogue - as - prologue
about Poe's
death, but maybe Cusack and his director, V for Vendetta's James McTeigue, were still hoping for that same kind of pithy, indelible hero.
This is not to insinuate that Haneke betrays any insincerity towards his characters, but one wonders how he might have conceived and shot a
film about a lowly working - class couple dealing with encroaching
death in a tiny one - room apartment.
I realize there is a need for a suspension of disbelief when it comes to watching a movie
about giant mutated animals having a go at civilization, but it's hard to emotionally invest in a
film when its leading man is this impervious to
death.
But while that
film hit every clichéd note you'd expect, despite its good intentions and great ensemble cast, «Other People» breathes new life into the formulaic, dark comedy
about death.
Death rears its head as something even Avengers might legitimately fear, but it says a lot
about this
film that one mid-ranking character actually dies twice, and the options for resurrection by the end are almost too multitudinous to get your head around.
It isn't a
film about drawing out their
deaths; it's
about patience and psychological torment, and it certainly made people rethink their choices in real estate.
It's far more than a
film about drug addiction - Trainspotting is
about life,
death and finding your place in the world.
Francis Ford Coppola's gang
film is as moony
about death as «One From the Heart» was over romance; the
film is unremitting in its morbid sentimentality, running its teenage characters through a masochistic gamut of beatings, killings, burnings, and suicides.
But one could easily build on the questions raised in the
film and have some very encouraging conversations
about faith and the answers that God has provided to us through Jesus» life,
death, and resurrection.
It lets us care
about Harold, to root for his happiness, and to worry
about his possible
death; no mean feat considering the liabilities presented by the
film's «deeper» side.
Maybe this is a
film that shouldn't have been made at all since questions
about Reeve's
death remain unanswered to this day.
Colourful and fast - moving, this animated
film mines myths around the Mexican Day of the Dead to create a children's story
about death.
The 2018 Academy Award nominations also include another transgender entry in the Best Foreign Language
Film category with the Chilean / German co-production, A Fantastic Woman, a
film about a trans woman who faces transphobia while mourning her lover's
death.
It's bullshit,» said Sutherland, who starred alongside Julie Christie in the 1972
film about a couple struggling to deal with the accidental
death of their young daughter.
HollywoodNews.com: Eminem shared the screen with Brittany Murphy in his
film «8 Mile,» and now the rapper is opening up
about the
death of his co-star in the latest issue of Vibe.
While we're no stranger to the idea of shock
deaths in movies and TV series — our favorite characters being killed off gives fans something to talk
about — the sheer scale of what happens at the end of Infinity War, and the Russo brothers decision to leave the ball in Thanos» court, is unprecedented when it comes to a
film franchise of this scale.
Phil Ring and Jonathan Smith from TT games talk
about playing with huge licensed
film franchises in the video game sphere, as well as making dark themes and
death safe...
A year later, he returns to Sundance with his Ain't Them Bodies Saints costar, Rooney Mara, and their director, David Lowery, in a
film about a haunted romance that extends beyond
death (as all romances do).
It's a
film about grieving and
death, but very heartfelt and humorous because it's
about how comedy and getting into trouble can be a fun way of letting go and alleviating the pain.
Sirk's
film introduces the two women in the following sequence as they're driving home after a Manhattan shopping excursion (with Barbara Rush as Joyce), just before they arrive to hear
about Dr Phillips»
death.
Akin to a children's novel (the sort where the shadow of
death fuzzily looms),
About Time turns into a successfully sentimental family
film in the literal sense of the term.
Its conclusion an ejaculation of complicated genre reversals and confirmations,
Death Proof is a
film about courtship, untimely intoxication, bad decisions, and testosterone as a literal elixir taken like a shot of Jaeger when you need to seal a deal.
The man only wants to make movies — but to make a
film, in China,
about the mother of a man sentenced to
death, is an act of courage.
Writer - director Peter Hedges («
About a Boy» scribe) carved out the darkly humorous
film based on his own mother's
death.
Sam's sudden reappearance in their lives is further complicated by the onset of the soldier's post-traumatic stress, but gone are the heavy - handed lines
about the nature of good, evil, and
death from Bier's
film.
Unexpected nods for dark horse «Extremely Loud and Incredibly Close,»
about a son's search for meaning in his father's
death, include both a supporting actor and best
film nomination.
While the
film is able to sell audiences on the idea of teen
death matches, its description
about the curious futuristic world in which such events are heavily promoted leaves much background to be desired.
Horror
films in general belong to the sensualists, but that's doubly true of
films about the vampire myth, which mingle sex and
death into seductive entrancement.
To which I would add that there seemed to be far less objection when, only last year, the Palme d'Or went to another meditative
film about nature,
death, and possible afterlives — Apichatpong Weerasethakul's Uncle Boonmee Who Can Recall His Past Lives — perhaps because there is no right - wing Buddhist conspiracy suspected of plotting to undermine Western democracy as we know it.
Knowing Martin Scorsese was a fan of Jean Renoir's India - set The River, we asked him to record an introduction when we first released it in 2004 (since then, he even included it in his Criterion Top 10, calling it «a
film without a real story that is all
about the rhythm of existence, the cycles of birth and
death and regeneration, and the transitory beauty of the world»).