I remember seeing Michael Haneke doing this Hollywood Reporter roundtable with Judd Apatow and thinking, «How'd he get there off the back of
a film about euthanasia?»
Not exact matches
I did like though, that even though the
film tackles a controversial subject (
euthanasia), Ramon is selfish
about it in that he's fighting only for HIS personal right to die with dignity instead of becoming the champion for a cause.
Roy Grundmann who is Associate professor of Film Studies and also expert on Michael Haneke's
films wrote
about euthanasia in Amour: «Haneke submits the more provocative claim that such a choice, even when fueled by radical compassion and even in the arena of romantic love, is never completely altruistic.»
The abundant clips illustrate
films directing hate at Poles, Jews, and the English,
films that support lies
about the war, and a pernicious propaganda melodrama
about the Reich's program of «compassionate»
euthanasia.