This is not just
a film about family drama, it is family drama, but through a lens that allows us to see clearly how difficult loss is as well as the guilt that can go with it.
Perhaps Jarecki could have completely discarded the facts of the Durst story and made a stronger
film about family drama and possible insanity but the fact is that his subject matter ended his true story in such an unusual way that it doesn't necessarily support a dramatic retelling.
Not exact matches
Ramin Bahrani has enjoyed the praise of critics for each of his first three
films (Man Push Cart 71, Chop Shop 83, Goodbye Solo 89), so expectations were high for his latest, an Iowa farm - set
drama about a
family's struggles with each other and the American Dream.
It Comes at Night: Director Trey Edward Schults follows his acclaimed
drama «Krisha» with a horror
film about an isolated
family battling an unnatural force.
Curtis's free - floating anxieties are intended to connect up with our fears
about the collapsing economy,
about the safety of the world and our
families, but Nichols never loses sight of the small - scale human
dramas at the
film's core
«The Artist,» the charming
film about Hollywood's transition from silent movies to talkies, and the
family drama «The Descendants» were catapulted to front - runner Oscar status Sunday night with an armful of Golden Globes to their names as the awards...
Early on, the
film seems to be shaping up as a moderately absorbing
drama about a close - knit
family coping in adversity.
At the Sundance
Film Festival premiere of her latest
film Wilson, in which she stars opposite Woody Harrelson in a
drama about broken
families, Laura...
A sensitive
drama about a hidden subculture, this
film is sometimes difficult to watch as its naturalistic approach reveals chilling details
about a Turkish
family living in Austria.
OPENING THIS WEEK Kam's Kapsules: Weekly Previews That Make Choosing a Film Fun by Kam Williams For movies opening December 7, 2007 BIG BUDGET
FILMS Atonement (R for profanity, sexuality and disturbing war images) Decades - spanning romance
drama, opening in England in 1935,
about the budding relationship between a rich girl (Keira Knightley) and the son (James McAvoy) of her
family's maid aborted when he is falsely accused of a crime by her jealous younger sister (Saoirse Ronan).
Had the
film been just
about Jackson and his
family's inability to function, Home of the Brave might have stood a chance at being a worthwhile
drama for people who aren't already in
families of war veterans.
Winner of Best Picture Awards at numerous international
film festivals including Sydney, Berlin and Fajr in its native Iran, as well as the Academy Award for Best Foreign
Film, the
film is an intimate
drama about conflict within and between two
families of vastly different social and economic standings.
The
film includes a passionate romance of a couple that can make you believe the scene involving sex in a tiny phone booth, a rehash of the 1991 arrest of mafia chieftain John Gotti, and a
family drama about a young man who makes too few visits to his mother and kid brother to impress them even though he offers them an envelope filled with more cash than they could make in five years.
But the
film heads from this starting point not into another exploration of arrested development, but instead into a wistful
family drama about two grown brothers who've never fully recovered from the loss of their father, and their surviving parent, a woman whose life has been stripped of wonder.
For this latest episode of Film Club, A.A. Dowd and Ignatiy Vishnevetsky return to Farmhouse Tavern to talk
about three excellent smaller
films in theaters or coming soon to them: Richard Linklater's»80s campus comedy Everybody Wants Some, now in theaters everywhere; the smart, moving
family drama Louder Than Bombs, which opened in select theaters today and will expand in the coming weeks; and the forthcoming punk - rock thriller Green Room, which begins its theatrical release next week.
And finally, a word
about White God (4 *, no cert, 121 mins), a wonderfully eccentric Hungarian
film that starts out like a dark
family drama and turns into a full - blown horror
film.
It must be said right off the bat that Tenenbaums isn't quite as unconventional as Anderson's first two
films, for this one can comfortably be described in a simple manner; it's
about the
dramas within a
family, and the story leads to expectedly sweet messages of love and togetherness.
Shults takes what on the surface is just another indie
drama about family dysfunction, but he seems to have filmmaking instincts in his bones, even for his first feature, that it is no surprise the
film received the Grand Jury Award and Audience Award in the narrative feature competition at the 2015 SXSW
Film Festival.
What I like the most
about The Conjuring is that it's part horror
film, part
family drama.
Over the last few years, though, Hollywood has started breaking from its annual tradition of dumping their stragglers in the winter graveyard and saving their best
films for the warmer months, and while 2011's early
film slate still contains its share of obvious duds, the studios have seen fit to bring us plenty of movies worth getting excited
about, from animated and / or
family - friendly fare to comedies,
dramas, and action.
Director Adam Smith's feature
film debut
about a close - knit criminal
family of Irish Travelers is a relatively low - key
drama that never quite gets off the ground.
In the Society's most prestigious category, the Buried Treasure, the nominees are: DAVE MADE A MAZE, a unique adventure
film about a frustrated artist and his creation; the compelling documentary THE DEATH AND LIFE OF MARSHA P. JOHNSON,
about an icon of the queer and trans movements; Dee Rees» MUDBOUND, a story of 2
families working the same land in 40s Mississippi; PATTI CAKE$, whose eponymous white lead dreams of being a rapper; the latest from the Dardennes brothers, psychological
drama THE UNKNOWN GIRL; and WINDOW HORSES, an animiated
film based on a graphic novel written by its Asian - Canadian director.
In fact, throughout the
drama we barely learn anything
about the
family and ultimately besides a few mediocre performances they come across as boringly generic and uninteresting which is unfortunately the
films downfall.
While the
film exhibits wit and provides a number of hearty laughs, at its core it's a serious
drama about life, hope,
family, friendship, taking chances and following dreams.