It would be a very weird way to play to a crowd, but speaking with ESPN's Bill Simmons on Simmons» podcast [via ThePlaylist], Jason Reitman said that his future projects include a film about football and
another film about hockey.
Not exact matches
The upcoming «Friday the 13th» game isn't
about an unlucky Friday as much as it is
about surviving an encounter with Jason Vorhees, the infamous
hockey mask - wearing serial murderer from the
film series of the same name.
A very simple, and yet beautiful
film,
about the life of Doug Glatt (William Scott), a bouncer turned
hockey enforcer.
So in Québec you have comic
films like La Florida [George Mihalka, 1993] or Les Boys [Louis Saïa, 1997], a
film about an amateur
hockey team.
«Life Itself,» Steve James's
film about the life and work of iconic
film critic Roger Ebert, joins «Finding Vivian Maier,» co-director Charlie Siskel (nephew of Gene Siskel, Ebert's co-host on «Siskel & Ebert») and executive producer Jeff Garlin's portrait of the Windy City nanny who was secretly a genius photographer, and «Red Army,» Gabe Polsky's exploration of the
hockey team's rise and fall and how it mirrored that of the Soviet Union, as three of the top contenders eligible for the Best Documentary Oscar shortlist.
By its very nature — it's a Part 2, after all — Goon: Last of the Enforcers may lack some of the invigorating freshness of the first
film, but it was clearly made by people who care
about Doug Glatt and his weird gang of friends, who don't mind getting super dirty for a good laugh, and who clearly have a serious obsession with the sport of
hockey.
Goon (2011): Rude, crude, bawdy and flat - out fun, this Canadian
film about minor league
hockey surprises on every level, delivering a hilarious and fascinating underdog tale.
And though the spectre of the recent suicides of real - life
hockey enforcers Wade Belak, Rick Rypien, and Derek Boogaard (and a remarkable, honourable NEW YORK TIMES article by John Branch
about the culture of enforcers in
hockey) hangs over Goon like a cloud of disquiet, the
film itself is less a celebration of Doug's actions than one of finding a niche in a life and living the hell out of it.