Sentences with phrase «film about human»

It is a title that, at first, may seem unusual for a film about the human body's gradual betrayal of itself, and the effect this has on those who experience it and those who merely bear witness to it.

And love your life,» Krieps explains in the clip, while co-star Leslie Manville adds, «It's a film about human condition and how we all struggle to have something that makes us feel real and have purpose.»

Perry has made a film about human relationships that shies away from flare - ups and shocking twists.

«Her vision left an indelible mark on I Think We're Alone Now, which brings an extraordinarily thought provoking film about human connection to life.

So, idiotic tactics and a chaste film about human carnage - what's to actually like about the dreary mess?

«That such a tender film about the human condition is nominated for an Academy Award — my first film in nearly two decades, and in a year where so many exceptional women are being honored for their work behind - the - camera — humbles me.

It's a film about human nature, personally realized with subtle observations, and how much of this you can relate to will greatly depend on you.

More than just about music and musicians, it is a film about the human condition.

-- a serious, socially responsible film about human suffering.

This is a film about the human side of technology, about the philosophical implications raised by this strange and alluring new digital world we live in.

Halvorssen produced The Sugar Babies, [68] a film about human trafficking in the Dominican Republic and the plight of its migrant farm workers.

Werner Herzog came charging out of the gates with a one - two punch of must see films about the human condition, Cave of Forgotten Dreams and Into the Abyss.

The film is a sequel to the 2015 fantasy film about humans and monsters who lived alongside — and at odds — with each other in ancient China, making $ 390 million.

Not only one of the best romantic films ever made, this is arguably one of the best films about human relationships of all time.

Working in collaboration with communities, artisans, engineers, and nonprofits, Chin has created art in toxic landfills, made animated films about human love and tragedy, and commissioned computer games on the subject of forgotten peoples.

Not exact matches

At the time, O'Connell was working on a poster for a science - fiction and horror film festival featuring John Carpenter's 1988 cult classic «They Live» about aliens living incognito among humans.

It is more about human characters doing whatever it takes under extreme circumstances to stay alive in terms of «action film» techniques.

Another beautifully gritty film about the journey from human degradation to redemption.

Instead, the film would be about a clown who comes riding into town on a donkey; he's with a rather motley circus; he experiences the human failings of the circus people; he encounters Magnus, who wants to dominate and control; he substitutes himself for a poor human - puppet and is killed by Magnus.

Call + Response is a unique film that uncovers the brutal truth about human trafficking.

Germany wary of Russian hackers as elections approach + + + Human rights group voice concern as disappearances in Turkey continue + + + + A film about the forgotten Afro - Italian boxing champion Leone Jacovacci

Meanwhile, we're working on our next film — due for launch in 2018, all about what practical things that can be done from birth onwards to establish, maintain, protect and restore the microbiome for optimal human health.

About the film: Venture under the sea where Ariel, a free - spirited mermaid princess, longs to be part of the human world.

The end of the film made an appeal for viewers to care about the ocean, citing the accidental release of the lion fish coinciding with overfishing in the Caribbean for how we humans can cause great problems with what we see as minor mistakes.

That sounds like an intro to a horror film, but think about it: a whole human being is coming out of her body.

At the cutting edge of research in the life sciences, a team of scientists and animators from Japan has created an astonishing new film about the function of the human heart.

At the time, he was reading about the making of the film 2001: A Space Odyssey, in which spaceship computer HAL 9000 tries to murder its human crewmates.

Other films challenged audiences to confront the role of humans in wildlife extinction, invited viewers to think twice about our seemingly insatiable appetites for food and fuel, and encouraged the adoption of more sustainable ways of life.

Such a strong reaction persuaded Pixar to avoid making uncannily realistic human characters — it has since focused its efforts on films about living toys, curious robots and talking cars to win Academy Awards and moviegoers» hearts.

The research focuses on guiding light through nanometer - thick metal films — about a thousand times thinner than a human hair — to propagate light with plasmon waves, a cumulative electron oscillation.

Excited by this review by Mark Sisson of the forthcoming film In Search Of The Perfect Human Diet Mark also has some interesting stuff to say about the benefits of taking a personal retreat - something I enjoy doing from time to time, and need -LSB-...]

It's a simple story told (but difficult to execute — the film took 4 plus years to make) about the human spirit.

As if you already aren't suspending disbelief watching a film about dinosaurs mingling among humans, there were a lot of other moments of, «that can't happen!!!»

District 9 is an incredibly effective parable about human rights abuses against refugees, while also functioning as a thrilling science - fiction action film.

The film's highlight is the custody - hearing sequence, in which several human celebrities of yesteryear show up as witnesses: Silent film stars Clara Kimball Young and Francis X. Bushman, both of whom reminisce about their career highlights, and former boxing champion Jim Jeffries, who recalls his glory days of the 1890s.

The Potter films have managed to explore hopelessly square human truths — about pedagogy and mentorship, loyalty and betrayal, adolescent rivalry and puppy love — without ever seeming goody - two - shoes about it.

Well the film was wide release, so it makes sense there wasn't an entirety of focus on the specifics, but I still think it would have worked better if it was more like the trailers professed intentions; doco style, with vignettes of alien / human scenes that emphasized and helped explain, not found footage either, like for example, after talking about Wikus in the past tense, it could focus on him for a bit then move on, but it stuck with him, and the film changed gears, I just thought it would have been better to focus on other things, as opposed to dumbing the plot down to one man and his battle against the evil government / corporation, and still stay in the doco style, it could have worked, no?

Glazer puts all this into scenes that play out like a classier version of a science - fiction / horror film — one of those cheesy ones about a monster in human form.

But the fact that it illuminates some real truths about the human condition — without narcissism or self - importance, couched in deceptively straightforward terms — speaks to the best that film can be.

This is a sly and yet oh so whimsical film about love, loneliness, and the human condition.

These are simple but compelling films about people who get in over their heads, who make poor choices consistent with their human flaws and suffer the consequences.

Other films about miniature characters interacting with the human world can be found in Toy Story and Stuart Little.

The Rider is as beautiful of a film about horses as it about humans.

Stories We Tell explores the elusive nature of truth and memory, but at its core is a deeply personal film about how our narratives shape and define us as individuals and families, all interconnecting to paint a profound, funny and poignant picture of the larger human story.

Forget the lack of deep character development and insight into the human condition, that's not what this film ever promised to be about.

It would seem foolish to complain about shallow characterization in a film like this, though in my opinion it should have either actually developed compelling human characters or dwelt less on them.

The film opens with Rav Krushka, the beloved leader of an Orthodox Jewish congregation in London, delivering a sermon about the tricky place human beings occupy in the world, torn between the forces of spiritual good and darkness, but provided by HaShem (God) with free will — i.e., «the power to disobey.»

Gibson has made a big, bold, nightmarishly beautiful film not just about the dawn of the Christian faith, but about the awful tendency of human communities (wherever and whenever in the world they may exist) toward self - preservation, intolerance and mob rule.

As an uberfan of the so - bad - it's - good masterpiece The Room and a solid admirer of The Disaster Artist, The Room co-star Greg Sestero's tell - all book about the making of mysterious vampiric figure Tommy Wiseau's «Tennessee Williams style melodrama as told by an alien who has apparently never seen normal human beings interact» drama - turned - dark - comedy - after - initial - audience - reactions - full - of - howling - laughter, I was a bit reserved in my excitement when I found out that James Franco was going to direct the film adaptation, as well as portraying Wiseau himself.

And, as I said about the previous film, watching Shailene Woodley and Miles Teller in these films only reminds us of how terrific, intimate, and human they were in The Spectacular Now, and how sorely that humanity is lacking here.