Sentences with phrase «film about loneliness»

The Francos, meanwhile, end up with a film about loneliness and loyalty, a sweet takeaway but nowhere near as disquieting as the reality of Wiseau's psychological barricading (undiagnosed though it may be).
What follows is a confronting and challenging film about loneliness and belonging.
ShameShame is a film about loneliness and how sex is used as an outlet for it.

Not exact matches

This is a sly and yet oh so whimsical film about love, loneliness, and the human condition.
They could never show and tell how the humanistic artist could still admire Stalin's brand of brutality and communism (which she did even though the film tries to smooth that over by never saying an ill word about its untouchable heroine), and it also failed to show how Frida's work captured the universal loneliness and pain she was suffering from.
Reviewing the film for The Times, Justin Chang wrote: «One of the best things about «Stronger,» which Green directed from a script by John Pollono, is that it doesn't shy away from, much less attempt to stifle, the anger, despair and terrible loneliness that Bauman experienced during his long, painful rehabilitation.
This middle section of the film concludes with a kind of slow - motion dance, as the six brothers sing about loneliness on the farm while listlessly doing their chores (the axe chops and wood saws of which provide rhythmic punctuation to the song, «Lonesome Polecat»).
Other titles in this section include: Naomi Kawase's sweet, light and leisurely AN; Tom Geens» COUPLE IN A HOLE, about a couple living in an underground forest dwelling to be left alone to deal with their mysterious grief; DEPARTURE, Andrew Steggall's delicate first feature about longing, loneliness and nostalgia for a sense of family that may have never existed; Jacques Audiard's Palme d'Or - winner about a makeshift family trying to cement their bonds, DHEEPAN; the World Premiere of Biyi Bandele's FIFTY, a riveting exploration of love and lust, power and rivalry and seduction and infidelity in Lagos; the European Premiere of Maya Newell's documentary GAYBY BABY, following the lives of four Australian children whose parents all happen to be gay; Mark Cousins returns to LFF with his metaphysical essay film I AM BELFAST, Stig Björkman's documentary INGRID BERGMAN — IN HER OWN WORDS, a treasure trove of Bergman's never - before - seen home movies, personal letters and diary extracts alongside archive footage; Hirokazu Kore - eda's beautiful OUR LITTLE SISTER, focusing on the lives of four young women related through their late father in provincial Japan; the European Premiere of Mabel Cheung's sweeping Chinese epic based on the true story of Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mystical.
Her new film is as much about second chances, migrant working conditions and the cultural divide between Anglos and Latinos as it is about the loneliness of the long - distance runner.
I have long waited to see a film about migration that would opt to be optimistic and life - asserting whilst not swerving away from showing the difficulty of choices and the existential loneliness.
Haigh said all his films have been about «contemporary loneliness and absence,» and «Lean on Pete» continues the theme.
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