London Has Fallen, the probably unnecessary sequel to Olympus Has Fallen, is
a film about destruction that has faced its fair share of disasters, like losing its director before a replacement eventually rose.
Not exact matches
On the surface, the
films — and their fire - breathing, unrelenting force of
destruction — are
about a monster that devours cities.
And what
about all that action - movie
destruction, the open and obvious reason the
film exists?
The
film's villain, Oscar Isaac's Apocalypse, looks to be a powerful and more than worthy opponent to the X-Men, who will surely bring
about a great deal of
destruction.
Part of the
film seems to be
about the white man's guilt over the
destruction of the aboriginal culture.
Not only is it good for the bottom line (audiences hunger for
films with characters they can relate to, and with themes that touch on hope rather than mere despair and
destruction), but it can lead to a change in the conversations
about our future.»
Even the capture of Joanna and Peeta, and the
destruction of District 12 is something we hear
about, rather than see, and therefore any groundswell moment of change is something we never feel and this is perhaps the
film's biggest missed opportunity.
Moriarty (Jared Harris) and the rationale (or, better, the lack thereof) of his plan are the best things
about this sequel, which broadens the scope of the first
film to have Holmes (Robert Downey Jr.) and Watson (Jude Law) traverse Europe by train, horse (Holmes is forced upon a miniature one, since he sees the larger ones as «dangerous at both ends and uncomfortable in the middle»), ship, and foot — fighting, outrunning bullets, and witnessing or causing general
destruction as they go.
OPENING THIS WEEK Kam's Kapsules: Weekly Previews That Make Choosing a Film Fun by Kam Williams For movies opening May 1, 2009 BIG BUDGET
FILMS Battle for Terra (PG for violence and mature themes) Animated sci - fi adventure
about the peaceful inhabitants of a distant planet who face annihilation when desperate human invaders declare war in the wake of the
destruction of Earth.
In her latest
film, «Night Moves,» a ragtag triumvirate of determined activists - cum - eco-terrorists, played by Jesse Eisenberg, Dakota Fanning, and Peter Sarsgaard, decide to make a grand statement
about over-consumption and the
destruction of natural resources by blowing up a hydroelectric dam on the Oregon river near where they live.
It's rare to see a
film that asks open ended & existential questions
about death, evolution, genetics, humanity's true nature, & our mutually assured self -
destruction.
Well this
film is pretty much all
about the
destruction Superman and his battle with Zod caused.
But more than
about a boy becoming a man, Giuseppe Tornatore's
film is also
about the power of perception, and how most flippant of nasty speculations can send someone toward
destruction.
What it does is what most of the Toho
films were
about, Godzilla — the good monster — defending us against bad monsters, with battle scenes that feature maximum
destruction.
Shin Gojira (Shin Godzilla, Hideaki Anno & Shinji Higuchi, 2016) A
film of immense beauty and fierce intelligence
about creation, evolution,
destruction, logistics and problem solving.
The army actually causes most of the
destruction - part of the
film's ham - handed message
about who the real monster is - and frankly, we've seen that kind of thing in too many better movies.
As most zombie
films go, a lot rides on how the movie displays the chaos and
destruction, and that is one of the coolest things
about this
film.
In May, The New York Times ran an engaging article entitled An Artwork Turns to Mush, All According to Plan
about artist James Grashow and Olympia Stone's
film The Cardboard Bernini documenting the artist at work on a massive sculpture that «embraces its own
destruction.»
The message
about coral's impending
destruction seemed a natural extension of that
film.