Not exact matches
Halvorssen produced The Sugar Babies, [68] a
film about human trafficking in the Dominican Republic and the
plight of its migrant farm workers.
None of the characters are called by real names, neither in the
film nor in the script, for reasons that one can only speculate
about, further distancing these characters and their
plights by being impersonal.
The most kindred
film in feeling I can think of would be Bachelor Party and while that early Tom Hanks vehicle played raunch and gender politics purely for laughs, this one wants you to think and feel
about its men and their
plight.
Chronicling the
plight of two particular vessels for the problems of others, the
film ensures every instance of parity is punctuated by constant thematic reinforcement
about their shared
plight.
The lack of action and suspense within the proceedings becomes increasingly problematic as the
film progresses, as the viewer is never entirely given a reason to care
about Tom's
plight - as screenwriter Matthew Aldrich disguises such deficiencies by piling on one complication after another.
It's a credit to the
film's sober, down - to - earth tone that Lars And The Real Girl isn't as insufferably precious as it sounds; everyone onscreen cares enough
about Gosling's
plight to keep the story's basic ridiculousness from seeming too cartoonish.
Then we chat with Kelly Reichardt
about her latest
film, Night Moves, which charts the
plight of three extreme environmentalists.