Sentences with phrase «film about the porn»

Fury of the Fist and the Golden Fleece: Danny Trejo, Jason London and Cynthia Rothrock star in this action film about a porn star from the 1970s who must try to stop a 1980s conspiracy to inject estrogen into meat that will emasculate men.

Not exact matches

«New York doesn't have a revenge porn law because our politicians are doing nothing about it,» Goldberg says elsewhere in the film.

Luke Wilson will star this fall in The Middle Men, a film about the pioneering geeks who made it possible to buy porn online.

So perhaps Ms. Peeters» film can tell us some things about us as well — it does not hesitate, after all, to move its camera from the harassing men onto the various soft - porn advertisements that also haunt the streets of Brussels, and ask the old - fashioned feminist question, one which Ms. Brown's magazine actively mocked and undermined, «How can we be respected when images like this are displayed and circulated?»

The government's proposal will not ban violent pornography that doesn't include penetration (and it's important to remember we're only talking about hardcore porn, not normal films, documentaries, or art).

Former home secretary Jacqui Smith, who claimed on expenses for two adult films watched by her husband, is making a documentary about the porn industry.

When most people think about horror movies these days they think about the traditional slasher film or the recent (and grotesquely named) «torture porn» genre.

Second, after the first big twist about a half - hour into the film, you might think you're in for an icky, misogynist torture porn, and momentarily wish to leave the theater.

His sophomore feature Boogie Nights (1997), about the adult film industry in the late 1970s (partially inspired by the life of porno star John Holmes) is a surprisingly vibrant, funny, and at times quite warm story of a dysfunctional filmmaking family, with Burt Reynolds as a quiet but firm director Dad and Julianne Moore as the porn star surrogate mother to the company's teen stars Rollergirl (Heather Graham) and Dirk Diggler (Mark Wahlberg), the «natural» from the suburbs who is quickly recruited.

Since then, Gordon - Levitt revealed that the title of the film which also stars Scarlett Johansson, Tony Danza, Julianne Moore and Brie Larson has been changed to simply Don Jon, because it's not just about the lead characters struggle with porn addiction.

Robert Pattinson, Robert De Niro and Rachel Weisz were slated to star in the French auteur's film, based on a 2007 Playboy article called «Boosting The Big Tuna» by Hillel Levin about a bunch of regular criminals who accidentally rob a porn store backed by Chicago mafia boss Tony Accardo.

Baker lives around the corner from Donut Time and, having made films about other disenfranchised groups — Chinese immigrant food delivery men in «Take Out,» Manhattan street hustlers in «Prince of Broadway» and down - and - out porn actors in «Starlet» — he was curious about his own neighborhood.

In a youth film culture that has embraced increasingly violent and sadistic horror films, especially those that linger on acts of inhuman brutality and excruciatingly endured mutilations (quite accurately dubbed «torture porn»), what's not to like about a film about a silent butcher who bludgeons the passengers of a late - night subway ride, preps the carcasses like slaughtered cattle and hangs them like sides of beef?

It sparked in me some questions: Why don't we talk about film and mainstream porn in the same spaces — or, at least, why don't they exist in similar, or more adjacent, aesthetic and cultural spaces?

Director Eli Roth, torture porn king, made a huge splash in the indie circuit with this outrageously gory and torture - ridden horror film about three Americans traveling through Europe.

Beneath the shock horror elements, torture porn mentality and horror movie clichés, Funny Games, a film about a couple and their young son held hostage by two sadistic and deceptively passive young men, is a dramatic rendition on the bloodthirsty, violence obsessed film audience.

The oddest thing about the film is the lack of any true sex - appeal or sexuality in the movie, especially considering that it's about a porn actress.

Set in the 1970s, more about the film features two male leads — played respectively by Russell Crowe and Ryan Gosling — who are thrust into a conspiracy when they are hired to solve the mystery of a missing porn actress.

We're talking about Hammer Films, the organization that brought us such cheesy, guilty pleasure,»50s era creepshow treats as Horror of Dracula and Revenge of Frankenstein, only to find itself increasingly less relevant as a horror film factory in an emerging era of schlock, gore and torture porn.

Recently The Onion did a small skit about the latest car - porn film Fast & Furious 5, taking the usual pot - shot at the action extravaganza by claiming the script was written by a small child obsessed with explosions.

Some of our favorite artists - who - make - splash represented in the show include Digi - Feminist Leah Schrager, storyteller and socially conscious artist Olive Allen, and lets not forget Lobster - Porn performance artist Rebecca Goyette and her collaborative film about Trump and his golden showers.

Burns and Steiner have selected two short videos to be screened with Community Action Center: Kajsa Dahlberg's Female Fist (2006), a film shot with the lens cap left on the camera while Dahlberg interviewed Copenhagen's queer feminist community about the possibility of making a porn film in the lesbian activist scene there, and Paul Mpagi Sepuya's Subject - Object Proof no. 3 (Nico, smelling)(2009), which explores the relationships and negotiations between artist, sitter / subject, and viewer.

The films» titles, for the most part, evince the filmmaker's punk rock approach: Pig Death Machine (2013), Scumrock (2002), Fame Whore (1997), Hippy Porn (1991), My Degeneration (1989)... (Although, Terminal USA (1993), also on view, is an almost hour - long film about an unconventional Japanese - American family, screened widely on public television upon its release.)

videos (Catherine Yass), one who writes long texts - in a totally predictable attempt to shock they are about a porn film - on large canvases (Fiona Banner) to no apparent purpose, and a so - called installationist (Liam Gillick) who could write the definitive text on pretentiousness.

In the show's catalogue, Rist describes the work as «a porn film for women or a porn film I would like,» and nothing about Pickelporno objectifies women, at least not in the way mainstream porn does.

The film's desaturated, grubby poster made it look exactly like the torture - porn movies that were already out of vogue at that point, but the film itself is something different — an intimate character drama about two friends stuck in a backwoods cabin, where something unearthly is stalking them, and gradually making itself known.