Sentences with phrase «film and television departments»

Not exact matches

You recall that the SABC, the South African Broadcasting Corporation, the exclusive state monopoly for radio and television, had the night before run an American Defense Department film version of their latest report on «Soviet Military Power,» with Secretary Casper Wineberger issuing dire warnings as animated hammer - and - sickle emblems marched menacingly down the coast of Africa.

He and his coresearcher, Dr. Neil Malamuth, Chair of the Department of Communications at UCLA, believe that the increase in «slasher» films and R - rated violence movies in general («I Was a Teenage Werewolf,» «I Spit on Your Grave,»» Maniac,» «Texas Chainsaw Massacre,» and «The Toolbox Murders») are creating a serious problem in homes where such films are now readily available via cable television and home video.

At various points in his fantastically varied and storied career he wrote position papers on the need of support for a moribund Australian film industry, wrote and directed numerous episodes of such seminal TV shows as Homicide and Division 4 for Crawford Productions, was central in establishing film courses and departments in places such as Canberra and Brisbane (Griffith University), wrote plays and performed poems at Melbourne University and La Mama in the 1960s, directed feature films in the early 1980s (most memorably Ginger Meggs in 1982), made documentaries for the ABC and SBS (The Myth Makers, Images of Australia, The Legend of Fred Paterson, and numerous others), wrote and edited such books as Screenwriting: A Manual and Queensland Images in Film and Television, helmed commercials for a vast array of companies and government bodies, contributed film reviews to ABC radio (and more occasionally TV) across various states (for almost 40 years), wrote for numerous publications including Overland, The Canberra Times, Metro, The Concise Encyclopedia of Documentary Film, The Hobart Mercury, and so much more.

Alexis Garcia is a partner in WME IMG's Global department, where he packages financing and distribution for film and television projects, and consults financier and corporate clients on strategic entertainment and media investments.

You can have individual attention from your literary agent and also have the resources a top literary agency can provide, including full service, in house departments dedicated to accounting, business practices, and to selling the rights of your books to film, television, and in translation.

The panel was moderated by Mari Carmen Ramírez, the Wortham Curator of Latin American Art, and director, International Center for the Arts of the Americas at the MFAH and Chon Noriega, professor, UCLA department of film, television, and digital media, and director, UCLA Chicano Studies Research Center.

Contributors include historian / critic Michael Duncan; critic / professor Christopher Miles (Department of Art, California State University, Long Beach); author / television and film screenwriter, Nevin Schreiner; exhibition curator and SBMA Curator of Contemporary Art, Julie Joyce; and SBMA Director, Larry J. Feinberg.