Sentences with phrase «film and television rights»

In almost all publishing contracts, the film and television rights are reserved to the author rather than the publishing house.

I'd be interested in learning more about making contacts for film and television rights.

Not exact matches

Pinsky and Riess are right — film and television are where many Americans absorb their values, for good or ill.

The offer comes from a California promoter and film producer named Bill Sargent, who has bid $ 400 million for five - year television rights to the Super Bowl and the playoff games that precede it.

Such rights granted shall include the exclusive right to publish, manage and maximise revenue from my content on various online platforms (YouTube, Facebook, Instagram and so on) and to sell licenses for the use of the Content on platforms such as television, film and digital productions.

Jerry Day, television / film producer and personal rights crusader, wants you to know the empowering truth — there are specific actions... Read More»

Though he has provided a strong role model and has proved that there is a place for Native American actors outside the Western genre, he considers himself neither a spokesperson for Native rights, nor a great trail blazer paving the way for other Native American actors in film and television.

Not only is Alcon Entertainment remaking the film, they also have secured the television and gaming rights.

Feeling a bit like an extended episode of the fun and beautiful television show, the film Winnie the Pooh hits all the right emotional chords delivering some of the best smiles and giggles seen in an animated film this year.

Dawn replaces Wyatt with Matt Reeves, who after years of toiling in B - movies (e.g.. Under Siege 2: Dark Territory) and television (he created the WB college drama «Felicity»), began commanding feature film respect with both his lucrative no - name 2008 monster movie Cloverfield and the acclaimed but poorly - attended Let Me In, a 2010 remake of the Swedish vampire film Let the Right One In.

The political stuff is laid on a little too thick at times via Samuel L. Jackson's radical right - wing television host, and therefore not as effective, but it's worth noting that director Jose Padilha (best known for the «Elite Squad» films) hasn't shied away from making his «RoboCop» actually be about something other than a man in a cool robotic suit.

Her role in the film could not have come at a better time when we're fighting tooth and nail for transgender rights and for transgender representation on film and television.

She's also a frequent radio and television guest commenting on topics ranging from intellectual property in fashion and garment industry workers» rights to the deplorable shortage of decent female superhero films.

Unlike the overwhelming Toronto International Film Festival that is held right in the heart of Canada's biggest city and has grown ever more cumbersome to negotiate over the years, this brainchild of billionaire entrepreneur Sheila Johnson, a co-founder of Black Entertainment Television, a film producer («Lee Daniels» The Butler») and former Sundance Institute board member, has maintained a relaxed and easy - to - navigate vibe — complete with free shuttles to nearby venues outside of the Salamander.

Last month, news broke that Legendary had closed a deal for the television and film rights to Frank Herbert's seminal science fiction novel, Dune.

Warner Bros. - based Alcon Entertainment is wrapping negotiations for the film, television and ancillary franchise rights to produce prequels and sequels to Ridley Scott's 1982 cult classic.

Alcon Entertainment acquired the film, television and ancillary franchise rights to «Blade Runner» in 2011 from the late producer Bud Yorkin as well as Cynthia Sikes Yorkin with the intent to produce prequels and sequels to the iconic science - fiction thriller.

SEMA President and CEO Chris Kersting (left) and co-host Adrienne Janic (right) officially congratulated the inaugural SEMA Battle of the Builders winner Kyle Tucker (center) of Detroit Speed during filming for the television special.

We pursue a wide range of subsidiary rights for our clients, including film, television, translation and other forms of media.

Unfortunately, international rights are not only a tremendous source of revenue for rights holders, they're also a rather large bargaining chip when it comes to negotiating with television stations, streaming services, and film venues.

Rights Available: Foreign language translation, dramatic television / film adaptation, commercial tie - in, and merchandising rRights Available: Foreign language translation, dramatic television / film adaptation, commercial tie - in, and merchandising rightsrights.

This includes publishing house acquisitions staff, independent or small imprint staff, literary agents, literary managers, film and television producers, game producers, online content providers, and anyone else who can offer authors either representation or a contract for some or all of a given book's content rights.»

For eleven years, Bill was a dramatic rights agent for books to film and television at William Morris in New York.

Most recently, No Time for Goodbye has been optioned for television in France, and in 2012, Trust Your Eyes was the object of a film rights bidding war between Universal and Warner Bros..

FILM, TELEVISION AND PERFORMANCE RIGHTS We work with a variety of co-agents to represent rights for our books in film, TV and performaFILM, TELEVISION AND PERFORMANCE RIGHTS We work with a variety of co-agents to represent rights for our books in film, TV and performanAND PERFORMANCE RIGHTS We work with a variety of co-agents to represent rights for our books in film, TV and perforRIGHTS We work with a variety of co-agents to represent rights for our books in film, TV and perforrights for our books in film, TV and performafilm, TV and performanand performance.

And if your goal is to get to a more traditional publishing model, or if you want to negotiate rights to your work for other media such as film and television, an agent is (eventually) a muAnd if your goal is to get to a more traditional publishing model, or if you want to negotiate rights to your work for other media such as film and television, an agent is (eventually) a muand television, an agent is (eventually) a must.

Today marks the beginning of The London Book Fair, the largest spring publishing event, a place for publishers and literary agents from all around the world to meet, and to negotiate rights to new books, film and television scripts, and various sorts of digital content.

For the American book publishing industry, the Frankfurt Book Fair is predominantly a trade fair, that is, a professional meeting place for publishers, editors, librarians, book subsidiary rights managers, publishers international sales representatives, booksellers, agents, film, television and video game producers, publishing technology experts, authors and many others who are involved in the creation and sale of books and the licensing of book content in all its many forms.

The sales of a book's various subsidiary rights — from paperback to film, theater or television; from foreign and translation to merchandising — can create additional streams of income for the author.

To find literary agent who has a good amount of knowledge about the book publishing market and is an expert on modern publishing contracts and practices related to television, film, or foreign rights is a challenge.

«We went from talking about the Kindle to Amazon creating a whole film and television production arm, right?

This one - stop marketplace is the new hub for rights sales negotiation and distribution of content, both adult and children's, across all formats, including print, digital, audio, film, and television.

Leenastiina Kakko, an agent for Rights & Brands in Finland, told Publishing Perspectives that selling television and film rights «is becoming more and more important — think Netflix unRights & Brands in Finland, told Publishing Perspectives that selling television and film rights «is becoming more and more important — think Netflix unrights «is becoming more and more important — think Netflix und HBO.

If after the initial publication, someone should wish to produce large type copies (for the poorly - sighted), or take up film or television rights, or reprint it under their own imprint, or wishes to publish a copy in translation, there are (in some cases very lucrative) fees to be discussed and paid.

You can have individual attention from your literary agent and also have the resources a top literary agency can provide, including full service, in house departments dedicated to accounting, business practices, and to selling the rights of your books to film, television, and in translation.

Her hats have been featured in print advertisements for United Colors of Benetton, on television in The Cosby Show, and in the Spike Lee film, Do the Right Thing.

STEVE MCQUEEN T Magazine, Oct. 25, 2015 (published Oct. 12 online) In «The Boundless Artistry of Steve McQueen» by Wyatt Mason, British artist and filmmaker Steve McQueen discusses how he finds the right medium for each of his ideas, including short art films which are the foundation of his practice, feature films («Twelve Years a Slave»), and television (his forthcoming HBO mini-series «Codes of Conduct»).

His work also includes transactional and litigation matters involving film and television financing, domestic and international television and film distribution, literary options, contract interpretation, copyrights and trademarks, idea submissions, «shopping agreements,» net profit and royalty accountings, television syndication, musical rights and licensing, and rights of publicity.

Rights clearance including errors and omissions clearance for film and television and other media properties.

His practice focuses on all aspects of the entertainment industry, representing clients in the film, television and music industries in matters involving accounting and profit participation claims, copyright and trademark disputes, right of publicity, idea submissions, breach of contract, defamation, employment and insurance.

Her recent work includes representation of an Academy Award - nominated director in litigation over documentary film rights; dismissal on summary judgment of a $ 30 million art fraud complaint; representation of a shareholder in a business dissolution; and dismissal of a contempt motion against an Internet Protocol Television (IPTV) provider.

SingularDTV (S - DTV), a first - of - its - kind Blockchain entertainment studio, is partnering with venture production studio ConsenSys to build a smart contract - based rights management platform for film and television on the Ethereum Blockchain.

Netflix is the premium streaming service for films and television shows, and even though its primary competitors are doing just fine in their own right, there's almost no way for them to close the distance with this media behemoth.

A smart contract rights management platform for film and television will be developed by SingularDTV based on ConsenSys» Ujo Music rights management prototype.