Sentences with phrase «film anyone of all ages»

The Jungle Book is a solid fun family film filled with comedy and is the type of film anyone of all ages will enjoy.

Not exact matches

This film may seem like a movie that is only full understood by someone over the age of 50, but anyone who enjoys likeable chemistry, a relaxing story, or slice - of - life storytelling, the you may just find yourself enjoying A Walk in the Woods quite a bit.
«Dolphin Tale 2» is a very well - written film that is good for anyone of any age and I had a very good time watching it.
Films that might have fit this putative strand included the charming but overlong Timeless Stories, co-written and directed by Vasilis Raisis (and winner of the Michael Cacoyannis Award for Best Greek Film), a story that follows a couple (played by different actors at different stages of the characters» lives) across the temporal loop of their will - they, won't - they relationship from childhood to middle age and back again — essentially Julio Medem - lite, or Looper rewritten by Richard Curtis; Michalis Giagkounidis's 4 Days, where the young antiheroine watches reruns of Friends, works in an underpatronized café, freaks out her hairy stalker by coming on to him, takes photographs and molests invalids as a means of staving off millennial ennui, and causes ripples in the temporal fold, but the film is as dead as she is, so you hardly notice; Bob Byington's Infinity Baby, which may be a «science - fiction comedy» about a company providing foster parents with infants who never grow up, but is essentially the same kind of lame, unambitious, conformist indie comedy that has characterized U.S. independent cinema for way too long — static, meticulously framed shots in pretentious black and white, amoral yet supposedly lovable characters played deadpan by the usual suspects (Kieran Culkin, Nick Offerman, Megan Mullally, Kevin Corrigan), reciting apparently nihilistic but essentially soft - center dialogue, jangly indie music at the end, and a pretty good, if belated, Dick Cheney joke; and Petter Lennstrand's loveably lo - fi Up in the Sky, shown in the Youth Screen section, about a young girl abandoned by overworked parents at a sinister recycling plant, who is reluctantly adopted by a reconstituted family of misfits and marginalized (mostly puppets) who are secretly building a rocket — it's for anyone who has ever loved the Tintin moon adventures, books with resourceful heroines, narratives with oddball gangs, and the legendary episode of Angel where David Boreanaz turned into a Muppet.
With some 10,000 entries, including hundreds of titles we never covered in our annual guide, this is the perfect companion for anyone who watches TCM or dotes on silent films, European classics, and the golden age of Hollywood.
In the world of the Greek director Yorgos Lanthimos's fifth film (his English - language debut), anyone who isn't married by a certain age gets turned into an animal and released into the wild.
I attended the World Premiere and press conference for Show Dogs a few weeks ago and while I can't recommend the film to anyone over the age of 12, I do believe that children between the ages of four to eleven will have a blast.
She's the oldest of the four and, as anyone familiar with the films of Mizoguchi will attest, life on the streets isn't forgiving of age.
The real laugh is that the film's ostensible moral is to act your age while virtually every joke is stolen from a genre intended for stars and audiences ten - plus years younger than anyone involved, meaning all the sexual insecurity and juvenilia is infected with considerably more than the usual touch of the pathetic.
Much has been made of the film shifting Hollywood's attention toward the middle - aged — meaning, in their terms, anyone 20 or older.
Tony Black revisits Avengers: Age of Ultron one year on to see how it holds up... One of my main outlets is podcasting, and recently I asked online if anyone would like to do a speculative episode of my film show in which we «fix» a broken movie, discussing why it failed and how we -LSB-...]
I wasn't too far removed from the age of the kids in this film at the time it was released, but I don't remember the terminology for a «dork» being something anyone would question, and I certainly never heard of the male sex organ being called a «pinky».
I think anyone of any age can be a film critic.
Again, this kind of film is easy to write off based on a simple description, but it's a genuinely touching, human piece of work that will also speak to anyone who fell in love with film at an early age.
For anyone who has watched the film's trailer or has looked at the cast list and seen the likes of Joan Allen and William H. Macy registered as supporting players, it's doubtful they'll be particularly shocked by the central revelation awaiting the preschool - aged protagonist.
We didn't make his sophisticated, subtle Shop Girl a hit, so he dishes out what he knows, alas, today's American audiences will gobble up greedily: a painful assemblage of distasteful slapstick (not one but two elderly and infirm folks are abused — by the putative hero, no less — in the opening moments of the film alone), cultural stereotyping, and celebrations of idiocy that will try the patience of anyone with a double - digit IQ or age.
The meaning of the film does have a sweet nature about second chances as DuVall described to me on the red carpet, but anyone under the age of 60 might not find the themes here very appealing.
If anyone in America has seen The 100 - Year - Old Man Who Climbed Out a Window and Disappeared, we haven't met them, but at least the makeup branch of the Academy appreciated the simulated aging in the history - spanning film.
Still, what actually matters are the central characters, all of whom bring the necessary charm and pathos to keep the story from veering into the sort of reductive children's films that can not relate to anyone above the age of seven.
It's far from a given that anyone under the age of 30 has even been exposed to the film, and most Xbox owners born before 1980 have at best a casual familiarity with Fantasia.
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