The Jungle Book is a solid fun family film filled with comedy and is the type of
film anyone of all ages will enjoy.
Not exact matches
This
film may seem like a movie that is only full understood by someone over the
age of 50, but
anyone who enjoys likeable chemistry, a relaxing story, or slice -
of - life storytelling, the you may just find yourself enjoying A Walk in the Woods quite a bit.
«Dolphin Tale 2» is a very well - written
film that is good for
anyone of any
age and I had a very good time watching it.
Films that might have fit this putative strand included the charming but overlong Timeless Stories, co-written and directed by Vasilis Raisis (and winner
of the Michael Cacoyannis Award for Best Greek
Film), a story that follows a couple (played by different actors at different stages
of the characters» lives) across the temporal loop
of their will - they, won't - they relationship from childhood to middle
age and back again — essentially Julio Medem - lite, or Looper rewritten by Richard Curtis; Michalis Giagkounidis's 4 Days, where the young antiheroine watches reruns
of Friends, works in an underpatronized café, freaks out her hairy stalker by coming on to him, takes photographs and molests invalids as a means
of staving off millennial ennui, and causes ripples in the temporal fold, but the
film is as dead as she is, so you hardly notice; Bob Byington's Infinity Baby, which may be a «science - fiction comedy» about a company providing foster parents with infants who never grow up, but is essentially the same kind
of lame, unambitious, conformist indie comedy that has characterized U.S. independent cinema for way too long — static, meticulously framed shots in pretentious black and white, amoral yet supposedly lovable characters played deadpan by the usual suspects (Kieran Culkin, Nick Offerman, Megan Mullally, Kevin Corrigan), reciting apparently nihilistic but essentially soft - center dialogue, jangly indie music at the end, and a pretty good, if belated, Dick Cheney joke; and Petter Lennstrand's loveably lo - fi Up in the Sky, shown in the Youth Screen section, about a young girl abandoned by overworked parents at a sinister recycling plant, who is reluctantly adopted by a reconstituted family
of misfits and marginalized (mostly puppets) who are secretly building a rocket — it's for
anyone who has ever loved the Tintin moon adventures, books with resourceful heroines, narratives with oddball gangs, and the legendary episode
of Angel where David Boreanaz turned into a Muppet.
With some 10,000 entries, including hundreds
of titles we never covered in our annual guide, this is the perfect companion for
anyone who watches TCM or dotes on silent
films, European classics, and the golden
age of Hollywood.
In the world
of the Greek director Yorgos Lanthimos's fifth
film (his English - language debut),
anyone who isn't married by a certain
age gets turned into an animal and released into the wild.
I attended the World Premiere and press conference for Show Dogs a few weeks ago and while I can't recommend the
film to
anyone over the
age of 12, I do believe that children between the
ages of four to eleven will have a blast.
She's the oldest
of the four and, as
anyone familiar with the
films of Mizoguchi will attest, life on the streets isn't forgiving
of age.
The real laugh is that the
film's ostensible moral is to act your
age while virtually every joke is stolen from a genre intended for stars and audiences ten - plus years younger than
anyone involved, meaning all the sexual insecurity and juvenilia is infected with considerably more than the usual touch
of the pathetic.
Much has been made
of the
film shifting Hollywood's attention toward the middle -
aged — meaning, in their terms,
anyone 20 or older.
Tony Black revisits Avengers:
Age of Ultron one year on to see how it holds up... One
of my main outlets is podcasting, and recently I asked online if
anyone would like to do a speculative episode
of my
film show in which we «fix» a broken movie, discussing why it failed and how we -LSB-...]
I wasn't too far removed from the
age of the kids in this
film at the time it was released, but I don't remember the terminology for a «dork» being something
anyone would question, and I certainly never heard
of the male sex organ being called a «pinky».
I think
anyone of any
age can be a
film critic.
Again, this kind
of film is easy to write off based on a simple description, but it's a genuinely touching, human piece
of work that will also speak to
anyone who fell in love with
film at an early
age.
For
anyone who has watched the
film's trailer or has looked at the cast list and seen the likes
of Joan Allen and William H. Macy registered as supporting players, it's doubtful they'll be particularly shocked by the central revelation awaiting the preschool -
aged protagonist.
We didn't make his sophisticated, subtle Shop Girl a hit, so he dishes out what he knows, alas, today's American audiences will gobble up greedily: a painful assemblage
of distasteful slapstick (not one but two elderly and infirm folks are abused — by the putative hero, no less — in the opening moments
of the
film alone), cultural stereotyping, and celebrations
of idiocy that will try the patience
of anyone with a double - digit IQ or
age.
The meaning
of the
film does have a sweet nature about second chances as DuVall described to me on the red carpet, but
anyone under the
age of 60 might not find the themes here very appealing.
If
anyone in America has seen The 100 - Year - Old Man Who Climbed Out a Window and Disappeared, we haven't met them, but at least the makeup branch
of the Academy appreciated the simulated
aging in the history - spanning
film.
Still, what actually matters are the central characters, all
of whom bring the necessary charm and pathos to keep the story from veering into the sort
of reductive children's
films that can not relate to
anyone above the
age of seven.
It's far from a given that
anyone under the
age of 30 has even been exposed to the
film, and most Xbox owners born before 1980 have at best a casual familiarity with Fantasia.