Not exact matches
The
film's leading lady was former silent star and future cult - figure Louise Brooks, the hauntingly beautiful leading lady of G.W. Pabst's Diary of a Lost Girl and Pandora's Box,
here making her last
film appearance.
Though Stiller lacks Dern's dynamic range at conveying frustration and wonder in a single sentence, he's still a fine avatar for his creator, whose
appearances here are amusingly limited to aspirational magazine photos of a
film director who took off and became his best self as Brad went into neutral.
There's a lot of cameo
appearances in the
film that McDonagh drops in
here and there to remind you of his distinctive vision for the
film and every single one of them works.
So no great surprise
here that The Lincoln Lawyer turns out to be superior piece of crime storytelling with some characters clearly designed for recurring roles (in other novels and perhaps other
films should this one do well) while others are designated for showy guest
appearances as larger - than - life evildoers or tough - guy eccentrics.
The novelty attraction
here is Owen Wilson, making his first screen
appearance since his suicide attempt — although this picture was
filmed and wrapped long before that unhappy event.
The artist never makes an
appearance here, however, as the video relies solely on
film clips which contain spoilers and may give away the entire
film to a perceptive observer.
Much like many of its predecessors, its themes about family are obviously stated but
here, those lines hit harder considering that this
film marks the final onscreen
appearance of Paul Walker, who tragically died during production.
Much like many of its predecessors, its themes about family are obviously stated but
here, those lines hit harder considering that this
film marks the final onscreen
appearance of Paul...
Eastwood's
appearance is clearly the biggest attraction
here, which was
filmed in between the Sergio Leone «Dollars» trilogy.
And, despite what I'm sure was against Worthington's wishes (he spoke out very negatively about an
appearance in the first
film), Bubo the owl makes another
appearance here.
Starring Helen Mirren, decease Aaron Paul and the late Alan Rickman (making one of his last
appearances here), the
film explores drone strikes from military and political perspectives.
There are quite a few cameo
appearances from many stars, but none of them really cracks as sharp as warranted given their time and talent, and Brooks casting of Andie McDowell, who I have liked in other
films, doesn't quite feel right
here.
He's a figure of great notoriety, and has been represented in
film several times previous to the Richardson version, including the 1906 silent
film The Story of the Kelly Gang and a 1960 Australian television version starring Ken Goodlet as Kelly, who makes an
appearance as a supporting character
here (amidst a healthy mix of other Australian character actors, including Bill Hunter and Frank Thring).
Granted, great portions of the
film have a lively, razor - sharp
appearance here (all it takes is a decent light source other than the moon's natural luminescence), but the real saving grace of this presentation is the lossless audio.
Making one of his first
film appearances, «L.A. Law» actor Corbin Bernsen unrecognizably plays a dim - witted gas station attendant, qualifying him as the second most famous person seen
here.
Abuse of Weakness: No
film festival is complete without an
appearance by Isabelle Huppert,
here starring in Catherine Breillat «s latest sinister tale.
Alfre Woodard appears in a fine cameo as hardscrabble detective Pope, her
appearance here with Sinise all but announcing the kind of middlebrow gleam to which the
film aspires.
Helms is pitch perfect
here, with many great one - liners and displaying that same, spot - on comedic timing and delivery as Chase showcased in the «Vacation» franchise
films (Chase and Beverly D'Angelo do make welcome, but brief
appearances late in the movie.)
The
film even misses an opportunity to do something interesting by getting Edgar Ramírez to reprise his lead role of Roberto Duran for the character's brief
appearance here.
Here, we explore Gandolfini's most poignant
film appearances, ranked by their dissimilarity to Tony Soprano, that remind us how mesmerizing he is every time he's on screen.
The supporting cast is mostly restricted to the background, but character actors such as Angus Sampson (also known for playing the ghost - hunting Tucker in the Insidious
films) and Eamon Farren (who made a splash as the disturbing Richard Horne in last year's Twin Peaks: The Return) do get to make some fun
appearances here.
While the pace is slowed and the characterizations enjoy some challenging obstacles, Deathly Hallows remains a tremendously engaging fantasy
film, with a few comedic beats from Grint that bring laughs, a show - stopping midsection where the team infiltrates the Ministry of Magic (production designer Stuart Craig outdoes himself
here) after downing some Polyjuice Potion, an animated sojourn that explains the origin of the titular elements, and a revival of romantic business with an
appearance from Ginny Weasley (Bonnie Wright).
His groundbreaking and controversial career — with
film credits such as THE BELLBOY (1960) and THE NUTTY PROFESSOR (1963) in addition to edgy standup material — is considered
here in interviews with
film luminaries such as Martin Scorsese and Jonathan Rosenbaum, alongside
appearances by Jean - Luc Godard and Louis Malle.
The format of shorts with endless title and copyright
appearances doesn't trump a single documentary and they're more geared at people who haven't yet seen the
film, but these valuable vignettes are still easy to enjoy
here.
Four video posters of Amy Adams, Jake Gyllenhaal, Michael Shannon and Aaron Taylor - Johnson from Tom Ford's Nocturnal Animals are
here just as the
film's festival
appearances hit high gear, meaning a trailer for the November thriller is just around the corner.
Comedy, in fact, was a genre that eluded Portman (who also takes one of her first executive producer credits
here), save for an oft - cited 2006 «Saturday Night Live»
appearance and aspects of
films as diverse as Garden State and Mr. Magorium's Wonder Emporium.
The love triangle is such an afterthought, and has for all four movies, that its inclusion
here seems begrudging and obligatory — much like the brief
appearances of characters from other
films, including those played by Woody Harrelson, Elizabeth Banks, Jeffrey Wright and the late, much - missed Philip Seymour Hoffman, who show up to briefly orbit Katniss, get maybe a few lines, and duck out.
In short, a complete void of extras would surely have been worse than what's
here, but it's a slap in the face to put so little effort in rounding up supplements for what is likely to be the
film's last
appearance on DVD for a long time.
Given how brief his
appearance is
here, you realize quickly how integral Stanley Tucci's sleazy television personality has been to the enjoyment of these
films; he shows up all too briefly.
The
film features a large cast with brief
appearances by Halle Berry, Anna Paquin, plus a host of shoutouts for various mutants from the comics who don't play major roles
here.
We get a few of them
here but due to the way the
film is structured they have brief
appearances in Llewyn's life.
Does this
film need to include all of the superheroes that make
appearances here, especially when the climax only depends upon three of the 11 superheroes that the
film includes?
The video above was
filmed during its two - day
appearance here.