Sentences with phrase «film archive in»

With 100 Years of Olympic Films: 1912 - 2012, the distributor achieves a new milestone with what we might call the «film archive in a box.»

Also in 1996, Akerman directed what might be described as her penultimate attempt at a «commercial» feature film, the light romantic fantasy Un divan à New York (A Couch in New York), starring William Hurt and Juliette Binoche, which despite its star power sat on the shelf for a while, before opening quietly at Anthology film Archives in Manhattan in November, 1997.

Enthralled by the evocative power of obscure old film footage, Bill Morrison began haunting film archives in search of raw material for his avant - garde short films... read more

Not exact matches

Hulu already benefits from its close relationship with major networks — Walt Disney's ABC, Comcast's NBCUniversal, 21st Century Fox, and Time Warner all own stakes in Hulu — that give the streaming site access to its deep library of archived TV and film content.

The nitrate work print of the film — which was never shown in public — was given by Cinemazero to one of Italy's major film archives, the Cineteca del Friuli in nearby Gemona, before being transferred to the George Eastman House in order to be preserved with a grant from the National Film Preservation Foundation.

I'm not filming sleep, nudity, watching movies, reading or checking social media feeds or private messages but basically everything else is getting rolled on so there may be scrutiny from others who might scrub through the archives and I judge me in the future for something that happened in the past.

Eleanor Garnier reports in a Daily Politics film with archive of Boris Johnson, Margaret Thatcher, Tony Blair, Alex Salmond and Nigel Farage.

In a Daily Politics film, Eleanor Garnier looked into the archives and heard from former Mayor of London Ken Livingstone and journalist Steve Richards on how conferences have changed over the years, and why delegates keep going.

In a Daily Politics film, Giles Dilnot looks into the archives at how some big names decided to call it a day, with some of Westminster's more memorable departures.

We intend that this space will include not only objects, pieces of engineering, documents and images, but also large - scale projections of archive films; the stories of Jodrell Bank's role in the space race and discoveries out in space.

New nanoparticle - based films that are more than 80 times thinner than a human hair may help to fill this need by providing materials that can holographically archive more than 1000 times more data than a DVD in a 10 - by -10-centimeter piece of film.

Mattioli investigates the relationship between silence and sound in her work, creating a large archive of personal film footage that she assembles for commissioned projects in music, art and fashion.

Dating is a stage of romantic relationships in humans whereby two people meet socially with the aim of each assessing the other's suitability as a A lost film is a feature or short film that is no longer known to exist in any studio archives, private collections, or public archives, such as the

In HOOKED ON HOLLYWOOD, Maltin opens up his vast and illustrious personal archive to take readers on a fascinating journey through film history.

DICK DINMAN SALUTES GARY COOPER»S BLU «THE HANGING TREE»: Producer / host Dick Dinman and Warner Home Video's Senior Vice President of Classic and Theatrical Marketing George Feltenstein celebrate the Warner Archive's lustrously restored Blu - ray release of THE HANGING TREE one of legendary superstar Gary Cooper's most unjustly forgotten masterworks and actress Joan Leslie (who at the tender age of 16 costarred with Cooper in SERGEANT YORK) and acclaimed director Michael Anderson (who directed Cooper's final two films) regale Dick with their praise of Cooper's uniquely invisible acting technique.

DICK DINMAN & EDDIE MULLER DISPENSE A DOUBLE DOSE OF DANA: The Warner Archive has just released on Blu - ray legendary director Fritz Lang's last two American - made edge - of - your - seat thrillers WHILE THE CITY SLEEPS and BEYOND A REASONABLE DOUBT in their original wide screen SuperScope incarnations and popular film noir author and TCM host Eddie Muller rejoins producer / host Dick Dinman as they both salute the unjustly underrated star of both films, Dana Andrews.

After circulating for years in poor, public - domain prints, the film has been reissued by Kino (Blu - ray; $ 29.95; DVD, $ 24.95; not rated) in a high - definition transfer taken from a print restored by the Academy Film Archive.

Looking back through our archives, we've never written a review for this film — the company took our headline about a previous trailer from 2016 and put it in this trailer.

In total, the festival will show 238 fiction and documentary features, including 16 world premieres, 8 international premieres, 40 European premieres and 11 Archive films including 5 Restoration world premieres.

Dark Passage (Blu - ray) Release date: May 24 Details: 1947, Warner Archive Collection Rated: Not rated The lowdown: Humphrey Bogart and Lauren Bacall star in this film noir thriller about an escaped convict framed for murder and the woman who believes in his innocence.

Art accompanying story in printed newspaper (not available in this archive): Men in Black film still / Contact film still.

SPECIAL CITATION «to the UCLA Film and Television Archives for its long - lived and heroic work in film preservation, restoration, and resurrection, including its recent rehabilitation of rehearsal and test footage from Charles Laughton's Night of the Hunter.

Combining penetrating on - camera interviews and never - before - seen still and archival motion picture footage with the testimony of Warhol's bewilderingly vast body of work itself, the film will be the first to exploit in depth the immense Warhol archives at the Andy Warhol Museum in Pittsburgh.

Those cult fans will love Warner Archive's DVD, which presents the film in its original theatrical aspect ratio.

Archive Collection has Frank Tashlin's «Susan Slept Here»; Kino has three films this week: Ray Milland's «Panic in Year Zero,» John Frankenheimer's «The Holcroft Covenant,» and Samba Gadjigo and Jason Silverman's documentary «Sembene!»

Glastonbury (15) Running time: 135 min *** Julian Temple's loving documentary may at first appear to be aimed at the sort of music fan who prefers Glasto streamed live to their TV.But this collection of archive and commissioned footage from 36 years of England's greatest music festival is likely to appeal more to diehard fans than non-festival-goers, since it revels in precisely the eccentricities that makes the armchair people dive for cover.Most of this film is a structureless, rambling celebration of Glastonbury's boozy, hedonistic, liberated, political and frequently bonkers character rather than of the actual music: great if you were at the party, presumably less great if you weren't.

The Parallels film can be found in our video archive and we have added the HD screencaptures in our gallery.

Altman is more engaging on «Imagining Images,» an archive featurette in which he freely discusses his influences, including Persona, and confirms that Images was conceived and shot in the same improvisational style as many of his other films, even if it feels more hermetic and controlled.

After a number of archival film elements were scanned at 4K resolution at Warner Bros.» in - house Motion Picture Imaging lab in Burbank, the original camera negative of the film came to light, providing the basis for the majority of the restoration — that is, until the negative's inferior final reel necessitated dipping into another archive altogether.

This film has never been released before on DVD, so another notch in the belt for Warner Archive, who continues to deliver films like this to their fans.

Or it could become a snapshot of a particular cultural era for the archives, but, nah, this film is much too lacking in depth for that.

The idea that the fate of this little racehorse that could (and ultimately, even the idea that the horse is an underdog is a bit of a cheat, since Seabiscuit's lineage was sterling — less «underdog» than «underachiever») galvanized a nation reeling under the Great Depression is the only idea that remains in the film, seized by Ross as an opportunity to insert archive stills of the period — complete with voice - over from historian David McCullough — to lend his horse opera the sort of gravitas he's not able to provide through narrative.

I guess its the very vivid and explicit recreation of the black mass that is still the most shocking and compelling part of the film (along with the amazing atonal choral soundtrack from the anonymous library archive of CAM) and the committed performance of exploitation queen, Helga Line (best remembered for her role in Paul Naschy's Horror Rises From The Tomb).

As part of the BFI's major UK - wide Black Star season the BFI Southbank is currently home to the Separate Cinema Exhibition, showcasing original film posters loaned from the most extensive private holdings of African - American film memorabilia in the world, The Separate Cinema Archive.

Two thoughts I hope you can comment on: the Maori culture in the past would preserve the ritual tattooing of their chieftains by preserving their heads after death — the idea of a permanent archive and the furtherance of an oral storytelling tradition that film represents for us in modernity.

Starting Sunday, Jan. 18, the UCLA Film & Television Archive presents the film series, «The Greatest Showman: Cecil B. DeMille,» at the Billy Wilder Theater in Westwood Village.

You can't book in advance — all the tickets for Open Day films are FREE and distributed in person on the day from 11 am (but see below for how to book for Archive and Projection tours and the family workshop).

This is not a film that was in need of restoration, thanks to fine stewardship of the Sony archive under the able leadership of Grover Crisp, and it shows: crisp and clean with rich black and white

Poor integration of live action and archive footage jars early in the film, when Giamatti appears alone on - screen in what must have been a chaotic scene, 30 yards from the motorcade.

His work is seen in Destination Unknown, which blends intimate testimony with immersive archive to bring the stories of twelve Holocaust survivors to the screen.The film creates a seamless mosaic of first - hand accounts, rare archive from the time, and family Super 8 footage from after the war.

The IFI Irish Film Archive holds over 30,000 cans of film and footage and IFI International, with the support of Culture Ireland, creates over 100 Irish film programmes for festivals and cultural organisations in 50 countries worldwide each year.

Art accompanying story in printed newspaper (not available in this archive): Have Plenty and Mr. Jealousy film stills.

Wolfen (Warner Archive, Blu - ray)-- The werewolf movie was revived and reworked with a vengeance in 1981 andWolfen, adapted from the Whitley Strieber novel and directed by Michael Wadleigh (his first feature since the epic concert film Woodstock), was a far more radical take on the genre than either An American Werewolf in Londonor The Howling, though not as popular as either.

I expect many more posters for this film, as West has a history of getting a lot of key - art for his films (see also, House of the Devil and The Innkeepers in the Rowthree poster archives.)

The film juxtaposes intimate behind - the - scenes access, rich archives and history, engaging character driven stories, and dance performances shot in North America, Europe and Japan.

Supplements include an alternate version of the song «Rahadlakum» (in B&W) from the archives, an audio - only deleted song, two excerpts from the TV series MGM Parade about the film, the 1955 short The Battle of Gettysburg and Tex Avery cartoon The First Bad Men, and trailers from the film and the earlier 1944 version of the musical.

Other titles in this section include: Naomi Kawase's sweet, light and leisurely AN; Tom Geens» COUPLE IN A HOLE, about a couple living in an underground forest dwelling to be left alone to deal with their mysterious grief; DEPARTURE, Andrew Steggall's delicate first feature about longing, loneliness and nostalgia for a sense of family that may have never existed; Jacques Audiard's Palme d'Or - winner about a makeshift family trying to cement their bonds, DHEEPAN; the World Premiere of Biyi Bandele's FIFTY, a riveting exploration of love and lust, power and rivalry and seduction and infidelity in Lagos; the European Premiere of Maya Newell's documentary GAYBY BABY, following the lives of four Australian children whose parents all happen to be gay; Mark Cousins returns to LFF with his metaphysical essay film I AM BELFAST, Stig Björkman's documentary INGRID BERGMAN — IN HER OWN WORDS, a treasure trove of Bergman's never - before - seen home movies, personal letters and diary extracts alongside archive footage; Hirokazu Kore - eda's beautiful OUR LITTLE SISTER, focusing on the lives of four young women related through their late father in provincial Japan; the European Premiere of Mabel Cheung's sweeping Chinese epic based on the true story of Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mysticain this section include: Naomi Kawase's sweet, light and leisurely AN; Tom Geens» COUPLE IN A HOLE, about a couple living in an underground forest dwelling to be left alone to deal with their mysterious grief; DEPARTURE, Andrew Steggall's delicate first feature about longing, loneliness and nostalgia for a sense of family that may have never existed; Jacques Audiard's Palme d'Or - winner about a makeshift family trying to cement their bonds, DHEEPAN; the World Premiere of Biyi Bandele's FIFTY, a riveting exploration of love and lust, power and rivalry and seduction and infidelity in Lagos; the European Premiere of Maya Newell's documentary GAYBY BABY, following the lives of four Australian children whose parents all happen to be gay; Mark Cousins returns to LFF with his metaphysical essay film I AM BELFAST, Stig Björkman's documentary INGRID BERGMAN — IN HER OWN WORDS, a treasure trove of Bergman's never - before - seen home movies, personal letters and diary extracts alongside archive footage; Hirokazu Kore - eda's beautiful OUR LITTLE SISTER, focusing on the lives of four young women related through their late father in provincial Japan; the European Premiere of Mabel Cheung's sweeping Chinese epic based on the true story of Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mysticaIN A HOLE, about a couple living in an underground forest dwelling to be left alone to deal with their mysterious grief; DEPARTURE, Andrew Steggall's delicate first feature about longing, loneliness and nostalgia for a sense of family that may have never existed; Jacques Audiard's Palme d'Or - winner about a makeshift family trying to cement their bonds, DHEEPAN; the World Premiere of Biyi Bandele's FIFTY, a riveting exploration of love and lust, power and rivalry and seduction and infidelity in Lagos; the European Premiere of Maya Newell's documentary GAYBY BABY, following the lives of four Australian children whose parents all happen to be gay; Mark Cousins returns to LFF with his metaphysical essay film I AM BELFAST, Stig Björkman's documentary INGRID BERGMAN — IN HER OWN WORDS, a treasure trove of Bergman's never - before - seen home movies, personal letters and diary extracts alongside archive footage; Hirokazu Kore - eda's beautiful OUR LITTLE SISTER, focusing on the lives of four young women related through their late father in provincial Japan; the European Premiere of Mabel Cheung's sweeping Chinese epic based on the true story of Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mysticain an underground forest dwelling to be left alone to deal with their mysterious grief; DEPARTURE, Andrew Steggall's delicate first feature about longing, loneliness and nostalgia for a sense of family that may have never existed; Jacques Audiard's Palme d'Or - winner about a makeshift family trying to cement their bonds, DHEEPAN; the World Premiere of Biyi Bandele's FIFTY, a riveting exploration of love and lust, power and rivalry and seduction and infidelity in Lagos; the European Premiere of Maya Newell's documentary GAYBY BABY, following the lives of four Australian children whose parents all happen to be gay; Mark Cousins returns to LFF with his metaphysical essay film I AM BELFAST, Stig Björkman's documentary INGRID BERGMAN — IN HER OWN WORDS, a treasure trove of Bergman's never - before - seen home movies, personal letters and diary extracts alongside archive footage; Hirokazu Kore - eda's beautiful OUR LITTLE SISTER, focusing on the lives of four young women related through their late father in provincial Japan; the European Premiere of Mabel Cheung's sweeping Chinese epic based on the true story of Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mysticain Lagos; the European Premiere of Maya Newell's documentary GAYBY BABY, following the lives of four Australian children whose parents all happen to be gay; Mark Cousins returns to LFF with his metaphysical essay film I AM BELFAST, Stig Björkman's documentary INGRID BERGMAN — IN HER OWN WORDS, a treasure trove of Bergman's never - before - seen home movies, personal letters and diary extracts alongside archive footage; Hirokazu Kore - eda's beautiful OUR LITTLE SISTER, focusing on the lives of four young women related through their late father in provincial Japan; the European Premiere of Mabel Cheung's sweeping Chinese epic based on the true story of Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mysticaIN HER OWN WORDS, a treasure trove of Bergman's never - before - seen home movies, personal letters and diary extracts alongside archive footage; Hirokazu Kore - eda's beautiful OUR LITTLE SISTER, focusing on the lives of four young women related through their late father in provincial Japan; the European Premiere of Mabel Cheung's sweeping Chinese epic based on the true story of Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mysticain provincial Japan; the European Premiere of Mabel Cheung's sweeping Chinese epic based on the true story of Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mysticain a tale of love, loss, memory and the mystical.

We're negotiating for films from UCLA Film & Television Archive, George Eastman House, Museum of Modern Art, the British Film Institute, the National Museum of African American History Culture, the Tyler Texas Black Film Collection at SMU and private collectors — we're calling in all favors.

He originally rose to power as the kingpin of Fantasy Records in Berkeley, so it's fitting that Berkeley's Pacific Film Archive and the Berkeley Film Foundation take a look back with three of his films.

Ernst Lubitsch's masterpiece screens in Madison this weekend in a festival showcasing films recently restored by the UCLA Film & Television Archive.