Sentences with phrase «film archivist»

This unique production, created by film archivist and restoration guru Robert Gitt (who eschews a director credit in favor of: «Rushes selected and presented by Robert Gitt in collaboration with Nancy Mysel»), is composed almost entirely of outtakes and production footage from the film.

Rupert Evans stars as David, a film archivist who's just moved into a Victorian house with his family when he begins catching glimpses of a shadowy figure.

I'm a terrible film archivist.

Film programmer at the Hollywood Theatre in Portland, Oregon (the Indiana Jones of film archivists) Dan Halsted, presents the only known 35 mm print of this martial arts masterpiece!

Not exact matches

For the past five years, Lawrence Livermore National Laboratory (LLNL) weapon physicist Greg Spriggs and a crack team of film experts, archivists and software developers have been on a mission to hunt down, scan, reanalyze and declassify these decomposing films.

The team collaborated with colleagues at Los Alamos National Laboratory (LANL), working closely with its archivist Alan Carr to gain access to the test films in LANL's vault.

James J. Sullos Jr., the President of Edgar Rice Burroughs, Inc., and Cathy Wilbanks, the Archivist of Edgar Rice Burroughs, Inc., answered some questions about how Burroughs» novel A Princess of Mars was transformed into the film John Carter.

Disney's approach to restoration was witchcraft in those early days of the format: Regarding celluloid as a transitory delivery system for animation, Disney archivists (somehow) managed to leach the image of film grain without harming fine detail.

Extras: New audio commentary featuring jazz and film critic Gary Giddins, music and cultural critic Gene Seymour, and musician and bandleader Vince Giordano; new introduction by Giddins; new interview with musician and pianist Michael Feinstein; four new video essays by authors and archivists James Layton and David Pierce on the development and making of «King of Jazz»; deleted scenes and alternate opening - title sequence; «All Americans,» a 1929 short film featuring a version of the «Melting Pot» number that was restaged for the finale of «King of Jazz»; «I Know Everybody and Everybody's Racket,» a 1933 short film featuring Paul Whiteman and His Orchestra; two Oswald the Lucky Rabbit cartoons from 1930, featuring music and animation from «King of Jazz.»

This is supposed to be an exploration into preserved Republic Pictures films, one of the legendary «poverty row» studios, with a Paramount Archivist showing selected scenes from their westerns, cliff - hangers, serials and early work from John Wayne, Allan Dwan and Anthony Mann.

But whenever the film focuses on the central late - in - love romance between Julia Louis - Dreyfus «masseuse and James Gandolfini «s TV archivist, it soars; the pair share heaps of chemistry, and Holofcener is as insightful as ever about the genuine difficulties that can get in the way of relationships.

Also included are two interview segments: Beyond Beyond the 7th Door, also with Benedikt, Rockwood, and Corupe, which speaks to each subject separately and covers what they're doing nowadays (including a moment from Rockwood explaining to the interviewer about the process of acting that must be seen to be believed), and The King of Cayenne, which separately interviews Canadian writer and radio personality Jaymz Bee and video archivist Ed Conroy about street performer Ben Kerr, who appears in the film.

Assistant director Terry Sanders, film critic F. X. Feeney, archivist Robert Gitt and author Preston Neal Jones are gathered to provide commentary and the disc offers the original 40 - minute documentary «The Making of Night of the Hunter,» a video interview with Laughton biographer Simon Callow, an archival interview with cinematographer Stanley Cortez, a 15 - minute episode of the BBC show Moving Pictures about the film and a clip from The Ed Sullivan Show with Shelly Winters and Peter Graves performing a scene that was cut from the film among the wealth of supplements.

In a spirit of cinematic dialogue with her three London exhibitions this Spring, Tacita Dean has invited Los Angeles - based curator and archivist Mark Toscano to select and present three programmes of 16 mm films by various artists, each one engaging with one of the themes of her exhibitions.

Participants: artist and poet Etel Adnan; artist Maria Thereza Alves; artist Korakrit Arunanondchai; artist Ed Atkins; conservationist Jonathan Baillie; architect Alessandro Bava; writer and media activist Franco «Bifo» Berardi; designer Irma Boom; Founder of The Whole Earth Catalog and Co-Founder of The Long Now Foundation, Stewart Brand; artist James Bridle; EDGE Foundation founder John Brockman; philosopher Federico Campagna; artist Heman Chong; martist Yve Laris Cohen; odel and actress Lily Cole; neuroscientist Molly Crockett; philosopher Helena Cronin; film - maker Adam Curtis; artist Jesse Darling; artist Benedict Drew; artist and poet Jimmie Durham; mathematician Marcus du Sautoy; palaeontologist Richard Fortey; agriculturalist and biodiversity archivist Cary Fowler; artists Gilbert & George; cultural critic and queer theorist Jack Halberstam; artist Susan Hiller; artist and designer Marguerite Humeau; choreographer Mette Ingvartsen; environmental social scientist Jennifer Jacquet; biologist and author Steve Jones; former Royal Navy Rear Admiral Nick Lambert; speculative designer Lisa Ma; biologist Georgina Mace; physicist Chiara Marletto; film - maker Sandy McLeod; artist and activist Gustav Metzger; artist Katja Novitskova; artist Trevor Paglen; artist Cornelia Parker; artist Hetain Patel; anthropologist Elizabeth Povinelli; evolutionary ornithologist Richard Prum; design writer Alice Rawsthorn; astrophysicist Martin Rees; Professor, Operational Research, Jonathan Rosenhead; artist Jeremy Shaw; artist Shimabuku; film - maker Eyal Sivan; writer Adam Thirlwell; environmental lawyer James Thornton; musician and sound recordist Chris Watson; artist Cerith Wyn Evans and artist Anna Zett.

Noon: Kate Dollenmayer Kate Dollenmayer is a filmmaker and the Audiovisual Archivist at the Wende Museum in Culver City, which collects and preserves art, artifacts, archives, films, and personal histories from Cold War — era Eastern Europe and the Soviet Union relating to the period 1945 — 1991.

is a filmmaker and the Audiovisual Archivist at the Wende Museum in Culver City, which collects and preserves art, artifacts, archives, films, and personal histories from Cold War — era Eastern Europe and the Soviet Union relating to the period 1945 — 1991.

He has spent decades working as an author, editor, publisher, performer, emcee of live events, director of theatrical productions, producer of films and television programs, record label executive, university professor, nonprofit poetry organization administrator, and archivist; he is the founder / artistic director of the Bowery Poetry Club.

Barba's film gives voice to a local scientist and an archivist who communicates their rescue plans to anchor the island.

Studio Olafur Eliasson, Berlin, comprises architects, craftsmen, specialised technicians, archivists, administrators, art historians, web and graphic designers, film - makers, and cooks.

David Vaughan was the archivist of the Merce Cunningham Dance Company, author of Merce Cunningham / 65 Years and Frederick Ashton and His Ballets, and was the dance historian in residence of the Jerome Robbins Dance Division from 2012 onward, holding monthly screenings of his favourite dance films and videos.

Curated by Matthew Higgs, Director of White Columns, New York and author and film - maker Jon Savage with archivist Johan Kugelberg, True Faith is centred on four decades» worth of extraordinary contemporary works from artists including Julian Schnabel, Jeremy Deller, Liam Gillick, Mark Leckey, Glenn Brown and Slater Bradley, all directly inspired by the two groups.

Assistant Curator of Prints and Illustrated Books; Sarah Meister, curator, department of photography; Michelle Elligott, museum archivist; Anne Morra, associate curator, and Sally Berger, assistant curator, department of film; and Paulina Pobocha, curatorial assistant, department of painting and sculpture.

The Gantt Center's Progeny Two exhibition offers a surprising collection of collaborative works generated by both creative mothers and their artistic sons: one pair is award - winning photographer and archivist, Deborah Willis and her son, noted photographer, Hank Willis Thomas, and the other is sculptor - furniture designer / conceptual artist, Fo Wilson and her son, film and video director Dayo (Dayo Harewood).

In addition, he advises film and video makers as an independent moving image archivist and preservationist.

Remapping social and cultural territories, Turner Prize - winning artist Jeremy Deller (born 1966) has alternately taken on the roles of artistic producer, publisher, film - maker, collaborator, curator, parade organizer and cultural archivist.

An archivist is someone who assembles, catalogues, preserves, edits, manages and appraises specific forms of records, such as manuscripts, electronic records, websites, photographs, maps, films, sound recordings, artwork and historical items.

PROFESSIONAL SUMMARY Art Buyer, Photo Researcher, Photo Editor, Rights & Clearances Coordinator and Archivist in all media: digital, print, broadcast, film.