I am a visual artist /
film art director and fabricator.
Not exact matches
Musk and
film director Jonathan Nolan debuted an inspirational trailer about SpaceX's Falcon Heavy at the
arts and music event.
Iranian
directors made intellectual
films under the decadent and «Westoxicated» shah, and the country's
art - house scene flourished even as the vulgar Film Farsi melodramas also found an audience.
«Noah»
director Darren Arnofsky's previous
films have included the
art - house hits «Black Swan» and «The Wrestler.»
When I made it for a large group of chefs, foodies, nutritionists, dietitians, a marketing maven,
art director and budding
film school student, everyone wanted to know about the recipe and the nutritionist and the dietitian were torn between who was going to get to take the leftovers home.
-- Richard Herskowitz, Artistic
Director, Houston Cinema
Arts Festival & Ashland Independent
film Festival
Adonaijah Owiriwa and Izu Ojukwu's movie, «76» a 2016 Nigerian historical fiction drama
film which stars Ramsey Nouah, Chidi Mokeme, Rita Dominic and Ibinabo Fiberesima, won in five categories, which includes, Best Actress in Drama / TV / Movies (Rita Dominic), Best
Director (Izu Ojukwu), Best
Art Director (Pat Nebo), Best Costume Designer (Pat Egwurube).
Celebrated
film maker and
Director of Creative
Arts, Programmes and Projects at the National Commission on Culture, Mr. Socrate Safo has stated that there is no Juju when it comes to movies.
Mr. Jackson (also known as Sekou Molefi Baako) is an East Elmhurst resident with a long history of community service, including 36 years as Executive
Director of the Queens Library's Langston Hughes Community Library and Cultural Center, a full - service, general circulation library with an extensive reference collection of materials related to African American history and culture, and a cultural
arts program that offers a variety of programming of independent
film video screenings, stage presentations, panel discussions, concerts,
art exhibitions and more.
Name: Jennifer Graham Location: New York City Current Title / Company:
Director of Field Marketing, 20th Century Fox
Filmed Entertainment Educational Background: Bachelor of
Arts, Political Science and Humanities, Providence College
One of the stranger ironies to be found in Hollywood these days is that some of its most resourceful
directors use high - tech wizardry and state - of - the -
art movie technology to make
films that rail against the tyranny of science.
To forestall such questions, and distract us from the
film's core emptiness,
director Paul McGuigan (Gangster No. 1, Wicker Park) and his crew very nearly
art - direct everything into the dirt: The wallpaper in ordinary apartment buildings is a catalogue of optical illusions, and one fleeting overhead shot of a parking lot features an array of vehicles so expertly color - coordinated they could be photoshopped into a Kelly - Moore spread.
The unanimously - praised
film with a modest budget of $ 23 million deservedly won seven Academy Awards, including Best Picture, Best
Director (the first for Spielberg), Best Cinematography (Janusz Kaminski), Best Adapted Screenplay, Best Original Score (John Williams), Best Editing (Michael Kahn), and Best
Art Direction.
No need for an
art director, just roll the
film.
A university professor teaches a class on muses in
art and literature as a means of romancing his female students in this breathtaking new
film from Jose Luis Guerín,
director of the widely heralded In the City of Sylvia.
Editor Billy Weber,
art director Jack Fisk, costume designer Patricia Norris and casting
director Dianne Crittenden sit in for a fascinating commentary, describing the
film's unusual
filming circumstances.
Director Abel Ferrara applies his eccentric vision to the vampire genre with this cerebral «
Art»
film about graduate philosophy student Kathleen Conklin (Lili Taylor), who is bitten by an aggressive female vampire (Annabella Sciorra) and soon spirals into a nightmarish world of blood addiction and existential angst.
Having decided at the age of 14 that he wanted to go into
film as an
art director, he attended the University of Oregon, where he majored in fine
arts.
From Czarist Russia's Moscow
Art Theatre to Hollywood's biggest
film, narrator Gregory Peck joins an A-list of Hollywood stars to take us through the odyssey of two Russian born Hollywood legends: The great acting teacher Michael Chekhov and the amazing
director George Shdanoff.
Announcing that the 1996 - 1997 season of Roseanne would be his last, Goodman limited himself to infrequent appearances on the series, his absences explained away as a by - product of a heart attack suffered by his character at the end of the previous season.After making his 10th appearance on Saturday Night Live (2000), Goodman could be seen playing a red - faced bible salesman in
director Joel Coen's award winning O Brother, Where
Art Thou (2000), and participated in Garry Shandling's
film debut What Planet Are You From?
The Grandmasters stars the
director's frequent collaborator Tony Leung as the legendary martial
arts master who instructed Bruce Lee, and features action sequences choreographed by Yeun Woo - ping (the man behind The Matrix, Kill Bill, Crouching Tiger, Hidden Dragon, and countless other
films).
Gaspar Noé's Climax (detailed below) was the big winner at the
Directors» Fortnight, taking home the
Art Cinema Award, and Lucia's Grace, directed by Gianni Zanasi and starring Alba Rohrwacher as a single working mother struggling to find balance in her life, won the Europa Cinemas Label Award for the section's best European
film.
Probably more than any other filmmaker, his name evokes instant expectations on the part of audiences: at least two or three great chills (and a few more good ones), some striking black comedy, and an eccentric characterization or two in every one of the
director's movies.Originally trained at a technical school, Hitchcock gravitated to movies through
art courses and advertising, and by the mid -»20s he was making his first
films.
An energetic and curiously faithful remake of the 1984
film of the same name starring Kevin Bacon, writer -
director Craig Brewer's Footloose is a virtual cinematic poison pill to anyone irrevocably divorced from any trace memories of adolescent feeling, and further proof that in life but especially
art feeling is stronger than thought.
Review after review has pointed out the faults of Twister
director Jan De Bonts» latest
film — not that it doesn't have some — but you can actually enjoy this movie if you make peace with yourself about the fact that it ain't trying to be
art.
Director, Producer, and Actor Kasi Lemmons had the
film world buzzing in 1997 when her feature - length debut «Eve's Bayou» hit
art - house screens and racked up
film festival awards along the way.
Poor Jannie... I do nt know if the David Self script simply blew or the horror - terror - scare beats were simply missed by inferior directing, but this flat
film really only has a audience comprised of architecture students, and
art directors.
Del Toro's commentary track finishes off the extras and, as expected, is filled with the
director speaking about influences and inspirations for the
film whether from
art or
film history.
Tags 12 years a slave american hustle bafta barkhad abdi best actor best actress best adapted screenplay best
director best
film best original screenplay best supporting actor best supporting actress british academy of
film and television
arts cate blanchett chiwetel ejiofor gravity jennifer lawrence lupita nyong» o oscar oscars philomena rush
Although she had appeared in several
films earlier, Cheng's first starring role in a martial
arts film came, like Hsu Feng's, courtesy of
director King Hu during his short - lived stint with the studio.
Said Focus World touting the feature:» Focus World acquired writer /
director Julia Ducournau's Raw out of Cannes where we fell in love with her bold and original voice and the genre - bending style; Raw is a
film that both hard - core genre fans and
art - house audiences will absolutely love.»
«Memoirs of a Geisha,» however, found the
director cramped by conflicting aspirations of
art -
film stateliness and the old - Hollywood pizzazz of his previous effort — if not the catastrophe that many critics enjoyed declaring it, it was nonetheless a misfire that awkwardly showed up his limitations as a storyteller.
Recognition for Best Cinematography and Best
Art Direction went to «The Last Family,» a particular favorite of the jury and one that had them specifically staying for the Q&A to see from
director Jan P. Matuszyński how he pulled off making the
film.
One of the most prolific
film artists in Hollywood history, the German - born
art director Hans Dreier worked on more than five hundred
films from 1919 to 1951, amassing twenty - three Academy Award nominations and three Oscars.
«A Lost
Art: Brian De Palma» (19:25) sits down the
director with Noah Baumbach to discuss the movie, its influences, and the other
films he made in this era.
SLIFF Executive
Director Cliff Froehlich said, «Dating back to the silent era, women have been vital contributors to
film art, but they have long been underrepresented and underappreciated in the industry.
And, near - miraculously,
director Terry Zwigoff's
film versions of Clowes» graphic novels «Ghost World» (2001, featuring Thora Birch and a pre-stardom Scarlett Johansson) and «
Art School Confidential» (2006) stayed true to the tone, rhythm and sneaky pathos of the Clowes books.
The
Art Directors Guild (ADG) tonight announced winners of its 18th Annual Excellence in Production Design Awards, Presented by Kohler Co., in ten categories of
film, television, commercials and music videos during the black - tie ceremony in the International Ballroom of the Beverly Hilton Hotel in Beverly Hills.
Language: English Genre: Biography / Drama MPAA rating: PG - 13
Director: Nora Ephron Actors: Amy Adams, Meryl Streep, Stanley Tucci Plot: The
film follows Powell, a government employee who decides to cook her way through legendary cook Julia Child's classic cookbook, «Mastering the
Art of French Cooking» in one year's time out of her small Queens kitchen.
For someone who performs so many roles on this
film [writer,
director, producer, composer, editor, production designer,
art director, costume designer, etc.], it seems like the screenwriting aspect gets talked about the least.
As a special TIFF edition of The Seventh
Art Live
Directors Series, we screened Don McKellar «s classic Toronto
film, Last Night, in honour of its 15th anniversary.
Mercedes Cooper ARRAY Mercedes Cooper is the
Director of Marketing at ARRAY, an LA - based
arts collective dedicated to the amplification of
films by people of color and women founded in 2010 by filmmaker Ava DuVernay.
The
Art Directors Guild (ADG, IATSE Local 800) tonight announced winners of its 19th Annual Excellence in Production Design Awards, in eleven categories of
film, television, commercials and music videos during a black - tie ceremony at the International Ballroom of the Beverly Hilton Hotel in Beverly Hills.
Two
films — Pater, by the 79 - year - old French renaissance man Alain Cavalier, and This Is Not a Film, by banned Iranian
director Jafar Panahi and Mojtaba Mirtahmasb — seemed born from the immortal dictum (usually ascribed to Orson Welles) that «the enemy of
art is the absence of limitations.»
Check out some brand new concept
art for the upcoming
film «Thor» by
director Kenneth Branagh (Frankenstein) and starring Natalie Portman (Pride and Prejudice and Zombies), Anthony Hopkins (The Wolfman), Chris Hemsworth (Star Trek), Samuel L. Jackson (The Avengers, Iron Man 2) and Kat Dennings.
A standout in this mini-doc is
art director Tiago Marques Teixeira, who contributes greatly to the look of the
film and establishes unique palettes for the core trio.
She also worked at
Arts Engine in NYC as a documentary
film producer and
Director of the Media That Matters
Film Festival.
The ending in the theatrical release was not well - liked, but a much - better alternate version is included here, along with interviews with
director John Boorman and
art director Anthony Pratt, as well as an audio commentary with
film historians Travis Crawford and Bill Ackerman.
I was thrilled that the trophy for
Director, Motion Picture went to the maker of a different
film, Guillermo Del Toro, for one of my favorites of 2017, the highly imaginative
art house horror The Shape of Water.
Suddenly it makes more sense to campaign to Academy niches — women, old people, populists, Europeans,
directors, actors,
art -
film lovers, traditionalists, whatever — instead of just selling the idea that your movie is «an Academy movie,» whatever that means.