Sentences with phrase «film art director»

I am a visual artist / film art director and fabricator.

Not exact matches

Musk and film director Jonathan Nolan debuted an inspirational trailer about SpaceX's Falcon Heavy at the arts and music event.
Iranian directors made intellectual films under the decadent and «Westoxicated» shah, and the country's art - house scene flourished even as the vulgar Film Farsi melodramas also found an audience.
«Noah» director Darren Arnofsky's previous films have included the art - house hits «Black Swan» and «The Wrestler.»
When I made it for a large group of chefs, foodies, nutritionists, dietitians, a marketing maven, art director and budding film school student, everyone wanted to know about the recipe and the nutritionist and the dietitian were torn between who was going to get to take the leftovers home.
-- Richard Herskowitz, Artistic Director, Houston Cinema Arts Festival & Ashland Independent film Festival
Adonaijah Owiriwa and Izu Ojukwu's movie, «76» a 2016 Nigerian historical fiction drama film which stars Ramsey Nouah, Chidi Mokeme, Rita Dominic and Ibinabo Fiberesima, won in five categories, which includes, Best Actress in Drama / TV / Movies (Rita Dominic), Best Director (Izu Ojukwu), Best Art Director (Pat Nebo), Best Costume Designer (Pat Egwurube).
Celebrated film maker and Director of Creative Arts, Programmes and Projects at the National Commission on Culture, Mr. Socrate Safo has stated that there is no Juju when it comes to movies.
Mr. Jackson (also known as Sekou Molefi Baako) is an East Elmhurst resident with a long history of community service, including 36 years as Executive Director of the Queens Library's Langston Hughes Community Library and Cultural Center, a full - service, general circulation library with an extensive reference collection of materials related to African American history and culture, and a cultural arts program that offers a variety of programming of independent film video screenings, stage presentations, panel discussions, concerts, art exhibitions and more.
Name: Jennifer Graham Location: New York City Current Title / Company: Director of Field Marketing, 20th Century Fox Filmed Entertainment Educational Background: Bachelor of Arts, Political Science and Humanities, Providence College
One of the stranger ironies to be found in Hollywood these days is that some of its most resourceful directors use high - tech wizardry and state - of - the - art movie technology to make films that rail against the tyranny of science.
To forestall such questions, and distract us from the film's core emptiness, director Paul McGuigan (Gangster No. 1, Wicker Park) and his crew very nearly art - direct everything into the dirt: The wallpaper in ordinary apartment buildings is a catalogue of optical illusions, and one fleeting overhead shot of a parking lot features an array of vehicles so expertly color - coordinated they could be photoshopped into a Kelly - Moore spread.
The unanimously - praised film with a modest budget of $ 23 million deservedly won seven Academy Awards, including Best Picture, Best Director (the first for Spielberg), Best Cinematography (Janusz Kaminski), Best Adapted Screenplay, Best Original Score (John Williams), Best Editing (Michael Kahn), and Best Art Direction.
No need for an art director, just roll the film.
A university professor teaches a class on muses in art and literature as a means of romancing his female students in this breathtaking new film from Jose Luis Guerín, director of the widely heralded In the City of Sylvia.
Editor Billy Weber, art director Jack Fisk, costume designer Patricia Norris and casting director Dianne Crittenden sit in for a fascinating commentary, describing the film's unusual filming circumstances.
Director Abel Ferrara applies his eccentric vision to the vampire genre with this cerebral «Art» film about graduate philosophy student Kathleen Conklin (Lili Taylor), who is bitten by an aggressive female vampire (Annabella Sciorra) and soon spirals into a nightmarish world of blood addiction and existential angst.
Having decided at the age of 14 that he wanted to go into film as an art director, he attended the University of Oregon, where he majored in fine arts.
From Czarist Russia's Moscow Art Theatre to Hollywood's biggest film, narrator Gregory Peck joins an A-list of Hollywood stars to take us through the odyssey of two Russian born Hollywood legends: The great acting teacher Michael Chekhov and the amazing director George Shdanoff.
Announcing that the 1996 - 1997 season of Roseanne would be his last, Goodman limited himself to infrequent appearances on the series, his absences explained away as a by - product of a heart attack suffered by his character at the end of the previous season.After making his 10th appearance on Saturday Night Live (2000), Goodman could be seen playing a red - faced bible salesman in director Joel Coen's award winning O Brother, Where Art Thou (2000), and participated in Garry Shandling's film debut What Planet Are You From?
The Grandmasters stars the director's frequent collaborator Tony Leung as the legendary martial arts master who instructed Bruce Lee, and features action sequences choreographed by Yeun Woo - ping (the man behind The Matrix, Kill Bill, Crouching Tiger, Hidden Dragon, and countless other films).
Gaspar Noé's Climax (detailed below) was the big winner at the Directors» Fortnight, taking home the Art Cinema Award, and Lucia's Grace, directed by Gianni Zanasi and starring Alba Rohrwacher as a single working mother struggling to find balance in her life, won the Europa Cinemas Label Award for the section's best European film.
Probably more than any other filmmaker, his name evokes instant expectations on the part of audiences: at least two or three great chills (and a few more good ones), some striking black comedy, and an eccentric characterization or two in every one of the director's movies.Originally trained at a technical school, Hitchcock gravitated to movies through art courses and advertising, and by the mid -»20s he was making his first films.
An energetic and curiously faithful remake of the 1984 film of the same name starring Kevin Bacon, writer - director Craig Brewer's Footloose is a virtual cinematic poison pill to anyone irrevocably divorced from any trace memories of adolescent feeling, and further proof that in life but especially art feeling is stronger than thought.
Review after review has pointed out the faults of Twister director Jan De Bonts» latest film — not that it doesn't have some — but you can actually enjoy this movie if you make peace with yourself about the fact that it ain't trying to be art.
Director, Producer, and Actor Kasi Lemmons had the film world buzzing in 1997 when her feature - length debut «Eve's Bayou» hit art - house screens and racked up film festival awards along the way.
Poor Jannie... I do nt know if the David Self script simply blew or the horror - terror - scare beats were simply missed by inferior directing, but this flat film really only has a audience comprised of architecture students, and art directors.
Del Toro's commentary track finishes off the extras and, as expected, is filled with the director speaking about influences and inspirations for the film whether from art or film history.
Tags 12 years a slave american hustle bafta barkhad abdi best actor best actress best adapted screenplay best director best film best original screenplay best supporting actor best supporting actress british academy of film and television arts cate blanchett chiwetel ejiofor gravity jennifer lawrence lupita nyong» o oscar oscars philomena rush
Although she had appeared in several films earlier, Cheng's first starring role in a martial arts film came, like Hsu Feng's, courtesy of director King Hu during his short - lived stint with the studio.
Said Focus World touting the feature:» Focus World acquired writer / director Julia Ducournau's Raw out of Cannes where we fell in love with her bold and original voice and the genre - bending style; Raw is a film that both hard - core genre fans and art - house audiences will absolutely love.»
«Memoirs of a Geisha,» however, found the director cramped by conflicting aspirations of art - film stateliness and the old - Hollywood pizzazz of his previous effort — if not the catastrophe that many critics enjoyed declaring it, it was nonetheless a misfire that awkwardly showed up his limitations as a storyteller.
Recognition for Best Cinematography and Best Art Direction went to «The Last Family,» a particular favorite of the jury and one that had them specifically staying for the Q&A to see from director Jan P. Matuszyński how he pulled off making the film.
One of the most prolific film artists in Hollywood history, the German - born art director Hans Dreier worked on more than five hundred films from 1919 to 1951, amassing twenty - three Academy Award nominations and three Oscars.
«A Lost Art: Brian De Palma» (19:25) sits down the director with Noah Baumbach to discuss the movie, its influences, and the other films he made in this era.
SLIFF Executive Director Cliff Froehlich said, «Dating back to the silent era, women have been vital contributors to film art, but they have long been underrepresented and underappreciated in the industry.
And, near - miraculously, director Terry Zwigoff's film versions of Clowes» graphic novels «Ghost World» (2001, featuring Thora Birch and a pre-stardom Scarlett Johansson) and «Art School Confidential» (2006) stayed true to the tone, rhythm and sneaky pathos of the Clowes books.
The Art Directors Guild (ADG) tonight announced winners of its 18th Annual Excellence in Production Design Awards, Presented by Kohler Co., in ten categories of film, television, commercials and music videos during the black - tie ceremony in the International Ballroom of the Beverly Hilton Hotel in Beverly Hills.
Language: English Genre: Biography / Drama MPAA rating: PG - 13 Director: Nora Ephron Actors: Amy Adams, Meryl Streep, Stanley Tucci Plot: The film follows Powell, a government employee who decides to cook her way through legendary cook Julia Child's classic cookbook, «Mastering the Art of French Cooking» in one year's time out of her small Queens kitchen.
For someone who performs so many roles on this film [writer, director, producer, composer, editor, production designer, art director, costume designer, etc.], it seems like the screenwriting aspect gets talked about the least.
As a special TIFF edition of The Seventh Art Live Directors Series, we screened Don McKellar «s classic Toronto film, Last Night, in honour of its 15th anniversary.
Mercedes Cooper ARRAY Mercedes Cooper is the Director of Marketing at ARRAY, an LA - based arts collective dedicated to the amplification of films by people of color and women founded in 2010 by filmmaker Ava DuVernay.
The Art Directors Guild (ADG, IATSE Local 800) tonight announced winners of its 19th Annual Excellence in Production Design Awards, in eleven categories of film, television, commercials and music videos during a black - tie ceremony at the International Ballroom of the Beverly Hilton Hotel in Beverly Hills.
Two films — Pater, by the 79 - year - old French renaissance man Alain Cavalier, and This Is Not a Film, by banned Iranian director Jafar Panahi and Mojtaba Mirtahmasb — seemed born from the immortal dictum (usually ascribed to Orson Welles) that «the enemy of art is the absence of limitations.»
Check out some brand new concept art for the upcoming film «Thor» by director Kenneth Branagh (Frankenstein) and starring Natalie Portman (Pride and Prejudice and Zombies), Anthony Hopkins (The Wolfman), Chris Hemsworth (Star Trek), Samuel L. Jackson (The Avengers, Iron Man 2) and Kat Dennings.
A standout in this mini-doc is art director Tiago Marques Teixeira, who contributes greatly to the look of the film and establishes unique palettes for the core trio.
She also worked at Arts Engine in NYC as a documentary film producer and Director of the Media That Matters Film Festival.
The ending in the theatrical release was not well - liked, but a much - better alternate version is included here, along with interviews with director John Boorman and art director Anthony Pratt, as well as an audio commentary with film historians Travis Crawford and Bill Ackerman.
I was thrilled that the trophy for Director, Motion Picture went to the maker of a different film, Guillermo Del Toro, for one of my favorites of 2017, the highly imaginative art house horror The Shape of Water.
Suddenly it makes more sense to campaign to Academy niches — women, old people, populists, Europeans, directors, actors, art - film lovers, traditionalists, whatever — instead of just selling the idea that your movie is «an Academy movie,» whatever that means.
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