Sentences with phrase «film artists like»

For the most part, the artists came from Castelli and Sonnabend's pre-existing roster (Vito Acconci, John Baldessari, and Lawrence Weiner); the catalog would expand to include over 35 artists, including experimental video and film artists like Peter Campus, Juan Downey, and Hermine Freed.

Not exact matches

Church - sponsored outreach projects — like films or crossover artists performing both religious and secular music — are «strange» in Singapore, he told the Washington Times in February.

In a collaborative art like film - making, artists don't work in isolation.

The 17 - year - old allegations have largely overshadowed the upcoming release of the film, and have led to larger conversations about how audiences should attempt to separate the artist and their art (similarly to Hollywood names like Woody Allen and Bill Cosby).

Most importantly, however, the film has a new site where people can set up their own screenings, and purchase copies of the film along with other stuff like screening kits and UNITE FOR LUNCH American Apparel T - shirts designed by the artist who did the illustrations in the film.

Tim, who has co-written over 400 commercial treatments and music videos with directors including: Wim Wenders, Richard Ayoade and Jonas Ackerlund, for clients and artists such as: Lady Gaga, Honda, and Louis Vuitton, opined that, though he haven't watched Ghanaian movies before, he likes African stories and since he's in Ghana to learn and see how to assist both the needy through Obiba Foundation and people in film - making, he has started watching Ghanaian films.

On the one hand, emotional manipulation has always been at the heart of our cultural artefacts; in fact, we have always lauded the best artists, writers, film - makers, composers and the like for their seamless skills in moving us and enlarging our horizons.

MAC Rick Baker Halloween Makeup Collection 2013 Rick Baker created a new exciting MAC cosmetics Holiday makeup collection for Halloween 2013 the legendary Hollywood special effects makeup artist, who's worked on films like Planet of the Apes, Tropic Thunder and...

There's no denying that when George Clooney wants to be an «artist,» he's more than capable of making some lovely art films, and that's clearly the case here, but there's no valid reason why he should spend his money producing a painstakingly slow travelogue set in the Italian countryside like this and allow it to be disguised as some sort of «thriller.»

Looper is not exactly the film one might expect, it has more sentiment and softness to it than the trailers and ads suggest, but what it mostly is is something that feels firmly like the mark of a movie artist ascending.

He also has the film's only funny lines («I'm the world's first fully functional homicidal artist»), and often sounds more than a little like Liberace.

I could have done without the bad - boy excesses, which always seem like the mark of his immaturity, but the rest of the film comes from a mature and capable artist.

Like the entertainingly bad film that inspired it, «The Disaster Artist» has an appeal all its own, but this time, for reasons its filmmakers actually intended.

Into this season of the Serious Movie, when every other film seems to speak to the troubled times in which we actually live, the fact - based, yet farcical «The Disaster Artist» blows like a fresh breeze, throwing open a window through which we may escape, briefly, from ugly reality.

Find out in this fantastic, rousing film - but remove all fears of the typical teen - pop covered high school musicals from your minds, as the songs in this film are from legendary artists like David Bowie, The Beach Boys, ELO, and The Byrds.

As The Disaster Artist (both the book and the movie) details, he made all sorts of bizarre, incompetent decisions, like shooting his movie on 35 - millimeter and digital film simultaneously at prohibitive expense, building elaborate and pricey sets for locations he could have filmed on for free, and firing crew members without cause at the drop of a hat.

Artist Gary Indiana arrives like a bolt of energy in the middle of the film, discussing the nature of human behavior.

The Alexander of this film seemed more like a tortured artist in a clichéd biopic than a warrior, trying to achieve some grand vision in life.

As I haven't read the Newberry Award - winning Kate DiCamillo novel on which the film is based, hard to know whether to accuse this adaptation of fidelity or whitewash — but at the risk of judging a book by its cover, the artist's rendering of India Opal on the trade paperback hints at the latter by virtue of looking nothing like the Aryan ideal that is Robb.

Goodman known mostly for scene stealing bit parts in Oscar winning pictures like «Argo» or «The Artist» is the real star of the film.

We were told that we didn't have the budget to do miniatures, he was like, «Listen Michael, go and buy six 3D printers and I've got 10 3D printers in the art department, and we'll just print all the miniatures in the film, and then we'll get the scenic artists who are already on the payroll to paint them for us.»

Elsewhere on the list are more recent films and awards season contenders like «The Artist» from The Weinstein Company and «Tinker, Tailor, Soldier, Spy» from Focus Features.

It is much less a film about fashion than a film about an artist with a Roderick Usher - like sensitivity.

But ultimately that's what's great about his filmmaking, and The Raid 2 in particular: Where the first film felt like a gritty, hardcore tribute to the martial artists and films that inspired it, this one blooms more fully, not only feeling like its own entity, but offering much thrills that are significantly more democratic.

His arrival with films like The Living End and The Doom Generation signalled a voice synonymous with the New Queer Cinema movement of the early 1990s that saw gay stories told by gay artists.

A Wrinkle in Time director Ava DuVernay has unveiled the new songs for her upcoming Disney film, which sees groundbreaking female artists like Sia and, yes, the glorious Sade taking center stage right alongside main character Meg Murry.

Although Anderson is a veteran of music videos for artists like Fiona Apple, Aimee Mann and, most recently, Joanna Newsom, Junun marks both his first music documentary and debut documentary film in general.

Like those other films, Gallery is divided into a series of segments highlighting different aspects of the institution: the tour guides explaining a work or an artist; the craftsmen and women building frames, gallery spaces, designing and testing lighting; restorers at work fixing paintings damaged by time; and administrators debating the best ways to persevere the museums brand and grow its audience.

The movie also feels like a throwback to old Hollywood in the same vein as 2012's Best Picture winner, The Artist, and nobody loves a film about showbiz more than showbiz people.

The thrust of this film, though, is not the traditional circus circuit but rather the Oddities, characters on the outskirts who show their humanity: the Bearded Lady (Keala Settle) and Tom Thumb (Sam Humphrey) in addition to the likes of the Strong Man, Dog Boy and a glorious trapeze artist named Anne Wheeler (Zendaya), who is a love interest for Barnum's partner Phillip, played nicely by Zac Efron in his best screen outing in a long while.

Ceremonies like the Art Directors Guild's Awards and the American Cinema Editors» Eddie Awards offer some much - deserved accolades to films and artists that often escape the spotlight at the Academy Awards... and they also offer a way for us to narrow down our Oscars betting pools.

Still, political rivals made hay on social media of the fact that a number of signatories are backers of the left - leaning New Democrats (NDP), including politicians like former Ontario provincial NDP leader Stephen Lewis, artists like film - maker Sarah Polley, and trade union members like Canadian Union of Public Employees president Paul Moist.

«I want to take a moment to talk about the international artists like these award winners, they are such an important part of our community,» Putnam added after announcing the Institute's Global Filmmakers awards winners, that included Iran's Massoud Bakhshi and her Yalda film.

Within a very few years, artists like John Carpenter, John Landis, Steven Spielberg, Joe Dante, Rob Bottin, Rick Baker, Sam Raimi, Brian DePalma, Bob Clark, Dan O'Bannon, Sean S. Cunningham, Wes Craven, Tobe Hooper, Stan Winston, Larry Cohen, and on and on and so on, were working in and reinvigorating the horror genre — many under the tutelage of Roger Corman, still others the initial products of formal film school training, almost all the consequence of a particular movie geekism that would lead inevitably to the first rumblings of jokiness and self - referentiality - as - homage that reached its simultaneous pinnacle and nadir with Craven's Scream.

It makes perfect sense that a child raised on films like Paper Moon and surrounded by artists like Roberts and Curry would make a film like Untogether.

The overall impression that the visual side of the film leaves is something like a series of incredible paintings transferred to film by masterful artists.

Here's an interesting portrait of Howard Berger, a special makeup effects artist who's worked on films like The Chronicles of Narnia and Inglorious Basterds, and the work he does to transform actors into, well, monsters.

It's what a film looks like when it's not directed by an artist.

Of the six features on this set, all but Playtime make their respective American Blu - ray debuts and two appear on disc for the first time in the U.S.. From his debut feature Jour de Fête (1949) to the birth of both M. Hulot and the distinctive Tati directorial approach in his brilliant and loving Monsieur Hulot's Holiday (1953) through the sublime Playtime (1967) to his post-script feature Parade (1974), this set presents the development of an artist who took comedy seriously and sculpted his films like works of kinetic art driven by eccentric engines of personality.

You don't come here to celebrate music; in fact, for a lot of the film's running time, you might wonder if Chazelle even likes music, spending a good portion of the story questioning whether the extent artists chase after the elusive goal of being «one of the greats» is worth the finishing result.

Not since 2011's «The Artist» has one film claimed both the Picture and Director accolades, and like «Birdman,» «Artist» was also a bittersweet love letter to show business and an audacious portrait of a tormented artist in transformArtist» has one film claimed both the Picture and Director accolades, and like «Birdman,» «Artist» was also a bittersweet love letter to show business and an audacious portrait of a tormented artist in transformArtist» was also a bittersweet love letter to show business and an audacious portrait of a tormented artist in transformartist in transformation.

But those who have seen films like Vincente Minnelli's biopic Lust for Life (1956), Robert Altman's Vincent & Theo (1990)-- specifically about the tortured relationship between the two brothers — and Maurice Pialat's Van Gogh (1991), which focuses on the painter's last days, will find little here that adds to our understanding of this brilliant, suffering artist beyond, perhaps, the revelation that there is even any mystery surrounding his death at all.

The egg snatchers seem like such mischievous and anarchistic daredevils that the film at times recalls «Exit Through the Gift Shop,» the documentary on renegade graffiti artist Banksy.

Some give you perspective about what it's like to make a movie from the creative directors and artists, while others discuss the positive and negative fan reaction to the films they love.

The Oscar nominees» luncheon is like an exclusive clubhouse where every member is an outstanding artist and film super-fan.

These young adult movies have seen some impressive names step behind the director chair but Maze Runner finds itself as the feature debut of visual effects artist Wes Ball and there's no doubting the fact that this feels like a first - time effort of someone who can't bring the energy required to keep a film's pulse moving.

James Franco would like to get one thing straight about The Room, the famously bad Tommy Wiseau film the actor examines in the upcoming comedy The Disaster Artist.

He films her like Renaissance artists represented the very young Virgin Mary.

First, the «Invisible Art, Visible Artists» seminar features a conversation with Oscar - nominated editors from films like «Baby Driver,» «Dunkirk,» «The Shape of Water,» and more.

The same guys who like to high five during girl on girl action in Atomic Blonde, skull smashing in Free Fire or the fact that cult classic film The Room gets a big screen treatment by James Franco in The Disaster Artist.