Sentences with phrase «film as a point of departure»

Taking this film as its point of departure, the exhibition deploys a body of work from the early 1970s, which has recently been acquired for the Leeds collection.

Not exact matches

Mixing pop culture with elements of Surrealism, French artist Pauline Curnier Jardin's theatrical films take history or myth as their points of departure and use improvisation, excessive characters and strange forms to create a «patchwork narration».

Also taking a critique of popular culture as her point of departure, Glasgow - based Rachel Maclean's hyper - saturated videos unfold narratives through characters — often played by the artist — that quote classic films such as The Wizard of Oz but also draw from horror movies, talent shows and TV advertising.

Drawing on the use of elliptical conversations in the 1961 film Last Year at Marienbad by Alain Resnais as a point of departure, the exhibition features works of art that utilize various cinematic conventions, such as editing, character development, narrative, mise - en - scène and montage, to reveal how our understanding of reality is often mediated by those very cinematic techniques.

Byrne represented Ireland at the 2007 Venice Biennale, where he showed 1984 & Beyond, a film that takes as its point of departure a Playboy article that featured a roundtable discussion with twelve science fiction writers.

Using as a point of departure a small but charged set of historical and popular archival images, film clips, writings, and music, they will share their insights on the ideas and themes embedded in these objects and ephemera.

Marked out by work details - cum - titles that name component parts of the films such as «pinky print devil ears», this exhibition takes heavy metals as its point of departure.

Filmed at the Michael Davis Stained Glass workshop in Long Island City, New York, objects from this session were later given a mirrored surface as part of the artist's Total Reflective Abstraction series of works that took as their point of departure a conversation between Buckminster Fuller and Isamu Noguchi.

Conner's A MOVIE (1958) serves as the point of departure for a trio of earlier films that laid the foundation for a cameraless cinema.