Dorff is stellar and
the film builds some tension but a bit too much required suspension of disbelief, some plot holes, weak dialogue, and two increasingly silly twist endings ultimately sink the piece.
Not exact matches
He
builds tension and allows for a number of wild scenes to seem organic and focused within the world of the
film.
The Interpreter tries to cast itself in the Hitchcockian tradition of Secret Agent and The Man Who Knew Too Much, but apart from the
film's climactic bus sequence and another nicely crafted sequence toward the movie's end, this thriller never visually
builds much
tension or suspense.
Also, the
film does a nice job of
building suspense and
tension.
The
film does use elements from other horror
films, and director George Bowers steadily
builds up the
tension to a surprise final.
It's a decent piece of low - budget
film - making that shows what you can do with artfully
built tension, skilful editing and a handful of shocking moments.
The
film attempts to
build tension throughout the
film to lead up to it's climax.
Rope is a classic picture, one that definitely needs to be seen by genre fans, and it's a
film that steadily
builds up the
tension, in order for the viewer to really get into the story and not turn away.
There's nothing that scary here, but there's some good
tension built up and the zombie kids, while you can probably take one at a time, when they swarm you then they become viable threats, at least for what the
film is trying to accomplish.
The
film uses unique editing techniques to help
build tension for a topic that only appeals to a very niche audience.
We don't really have a sense of what's going to happen next, but when something does happen, the
film builds in intensity and
tension.
THR finds the
film to be «one of the most emotionally realistic disaster movies in recent memory — and certainly one of the most frightening,» and the AV Club's Noel Murray writes, «The Impossible confirms that Bayona is a major talent, with a skill for shooting and constructing sequences that
build tension masterfully.»
Succeeds where so few Hollywood movies even venture - it
builds a believable life, adds just enough nervous laughter to relieve the realistic
tension, and constantly escapes the dumbed - down expectations beaten into us by lesser
films.
These two
films arrive at a crucial time for Europe and the US, when once again border
tensions are
building and misguided leaders scapegoat minorities to feed resentments.
You'll puzzle, you'll think and, as the
film builds towards its climax, you'll realise you're gripping your seat with
tension.
The
film certainly manages to
build tension, but it all too often dissipates.
Close - ups can also help
build tension and rhythm in
film.
One of the most important ways this is done is through
building tension — the emotional strain that the audience feels as the
film builds to a particular moment.
After
building tension and ratcheting up the suspense, Smith shifts focus and spends much of the last third of the
film on Ally and Teddy looking for Wallace with retired, alcoholic cop Guy Lapointe (an unrecognizable Johnny Depp).
Compounded with the question of Boyd's testimony, the search for JT
builds a palpable
tension in the
film that has the potential to be broken at any moment, should Boyd, Owen or Bill tell the truth about their involvement in the tragedies.
It becomes clear pretty fast that this family are the owners of the empty tent at Ian and Sam's campsite, and the
tension begins to
build when rough, crude buddies German (Aaron Pedersen) and Chook (Aaron Glenane) come staggering into the
film, «DANGER» practically written across their foreheads in big red letters.
Director Gary Love and screenwriter Gaby Hull clearly wanted to focus the
film around
building tension, but in doing so they forget to pay anything off.
With very little action, this
film builds almost unbearable
tension by carefully examining some moral questions in a precarious situation that's based on true events.
The girls in the
film really take control of the action and what they do at the end of the movie is worth all the slow
tension building.
The
film holds back from the typical horror tricks and rather
builds on the
tension with dark quiet moments.
There had always been great action sequences in his earlier
films, and Boyle's work continued to show a great feel for
building up
tension and then letting it erupt into a well - choreographed chase or fight.
The
film builds to this
tension - filled finale between Sister Aloysius and Father Flynn, but instead of any real resolution, all the audience gets is the same push - and - pull discussion they just heard 20 minutes ago.
Early viewers claim the original's inventive streak is missing and that the comic stylings of a pair of ghost hunters (Whannel and Angus Sampson) dissipate any
tension the
film manages to
build.
The tracking shots, courtesy of «A Girl Walks Home Alone at Night» cinematographer Lyle Vincent, move almost viper - like to craft the
film's gratifying
tension -
building sequences.
The
film finds ways to keep us glued to the mundane work of reporting and
builds tension as we watch the team poring over newly discovered documents late into the night, decoding them for the various euphemisms used to disguise misconduct as «sick» priests «on leave» were being transferred from parish to parish.
A unique
film with no orchestral score, American Sniper uses intense surround sound to
build tension and evoke...
De Palma's always moving camera keeps us in this world, and the editing of the
film builds maximum
tension throughout.
However the problems with the
film are its inability to
build any real
tension or suspense and what starts with promise fast becomes a typical haunted house stereotypical affair.
Along with the faultless performances, especially from «Chronicle» and «Friday Night Lights» star Michael B Jordan, the device gives the
film a taut edge, leading up to the brilliantly executed recreation of the BART station scene, which is a fine example of
tension -
building, and manages to capture with dreadful relatability the chaos of those panicky moments, and the irrevocability of what occurs.
While its contemplative nature and abrupt ending will definitely puzzle and even frustrate some audience members, the
film's success can be found in its performances and its remarkable ability to quietly
build tension as Reichardt gradually tightens the screws.
McAdams» mix of femininity, intelligence and vulnerability make a perfect foundation for the
tension Craven
builds around her as her character's resourcefulness begets hope, destruction and extreme danger while the
film builds toward an exhilarating, roller - coaster climax.
[notification type =» star»] 87/100 — While its contemplative nature and abrupt ending will definitely puzzle and even frustrate some audience members, the
film's success can be found in its performances and its remarkable ability to quietly
build tension as Reichardt gradually tightens the screws.
Genuine
tension is
built from the moment the women enter the water right up to the very last shot of the
film.
Director Ferenc Torok keeps the dialogue at a minimum, but the hushed conversations among the villagers speak volumes, and the
film effectively
builds tension as more and more secrets come to the surface.
To
build the kind of
tension that makes such a
film as this work, you need more attention to detail and precise craft than Meters is willing to offer.
However, the
film does not
build tension or fear of not being able to see what's going to kill you.
Zaillian seems more interested in getting factual details right than
building any real dramatic
tension or momentum, and the
film never quite reaches takeoff speed, despite the solid work of the acting ensemble (especially William H. Macy as the accountant of Jan's firm).
What Kransinski has fashioned here is a
film that
builds tension and horror through the careful use of images and sound.
He said something to the effect that what he wanted to do was slowly
build the dread and the
tension, rather than explode to 11 in the opening moments and fail to be able to register that kind of suspense for the rest of the
film.
Likewise, Director M. Night Shyamalan employs reflected images to
build tension in his
film Signs.
Janiak's debut
film was all about
tension and
building a couple of characters that are tragically torn apart, which are both perfect
building blocks for a
film like The Craft.
However, when a movie
builds its entire
tension from fear of what might be outside, revealing what's beyond the door can make or break a
film's credibility.
The extended car chase that kicks off the
film becomes downright tedious, setting the stage for a
film that never has a chance to
build any
tension or interest.
That's not to knock the
tension the
film is often able to
build but it never seems truly that hard for Mazur to make his way into the cartel's hands and hearts.
It's a very good
film that
builds the
tension brilliantly.