The exhibition features OZ magazine (London 1967 - 1973) including posters, correspondence and
film by contributors including Richard Neville, Martin Sharp, Robert Whitaker, Germaine Greer, Philippe Mora and Jim Anderson.
Black Panther: The Gradebook is the ratings of newly released
films by the contributors and fans of We Live Entertainment.
Disaster Artist: The Gradebook is the ratings of newly released
films by the contributors and fans of We Live Entertainment.
Star Wars: The Last Jedi: The Gradebook is the ratings of newly released
films by the contributors and fans of We Live Entertainment.
Not exact matches
By Robert Levine,
contributor Consumers who recently purchased Warner Brothers» final Harry Potter
film on DVD...
WBEN
contributor Michael Caputo, an East Aurora based political and PR consultant, spent 15 hours being interviewed
by a
film crew for the...
Welcome 2016 with one last look back at the best releases of 2015, as seen
by the Parallax View
contributors and a few notable Seattle - based
film critics.
Northern Playlist
contributor Nikola Grozdanovic saw both parts, and found it «a remarkably well made relationship
film,» using a «Rashomon «- like conceit cunningly across a «multi-layered, organically paced, delicate and quite often hilarious screenplay,» with a «perfect ensemble cast» led
by Jessica Chastain and James McAvoy, with Isabelle Huppert, Ciaran Hinds, Bill Hader, Viola Davis, William Hurt and Jess Weixler among those in support.
The first time I made a year - end list for Scanners, I did it
by suggesting double - bills of 2006
films with older
films (much like what
contributors to The Auteurs did this year).
Our team — comprised of associates,
contributors, editors, graphic artists, web techs, and interns — collaborate on daily content aimed at bringing attention to
films made
by women — including small «indies» and foreign language
films — and thereby celebrating their accomplishments in the entertainment industry.
She is the host Black Tomatoes — a brand new
film review show on Black Hollywood Live owned
by Emmy Winner Maria Menounos and also a freelance to
contributor on NPR's Weekend All Things Considered.
Despite cinematographer Shelly Johnson's admirable attempts to ape Janusz Kaminski's lighting style — covered up
by the color grading, which A.V. Club
contributor Adam Nayman likened to camouflage meant to hide the fact that anyone had put any effort into this movie — this basically looks and moves like an over-heated fan
film, and Montiel's tin - eared use of country music doesn't make it seem any less amateurish.
0:00 — «Street Fighter II Opening Theme»
by Alph Lyra 0:25 — Intro, Non Street Fighter segment (Dishonored, The Last Story, PlayStation All - Stars Battle Royale) 15:17 — Intermission - «Theme of Ryu»
by Alph Lyra 16:13 — Street Fighter, Street Fighter II and its many editions, the live - action
films 30:50 — Intermission - «Theme of M.Bison»
by Alph Lyra 31:50 — Street Fighter III, Street Fighter IV and the competitive scene 42:13 — Intermission - «Theme of Cammy»
by Alph Lyra 43:13 — Interview with Cross Counter Asia video producer / Tough Cookie owner / prominent Singapore FGC
contributor Yongde 1:24:42 — Intermission — «Theme of Guile»
by Alph Lyra (which goes with everything) 1:25:50 — Miscellaneous Street Fighter stuff, Hong Kong SF comics 1:33:44 — Outro — «True Ending Theme»
by Alph Lyra
Enjoy the
film on 35 mm next Wednesday, and in the meantime, see it featured below in our 2013 video essay «Blue Christmas,» written and narrated
by longtime Criterion
contributor Michael Koresky.
Here's the full list of 142
films that featured on our
contributors» ballots: (Disclaimer: Luc Besson's Lucy didn't get a single vote - I just like this image of Scarlett sorting through stuff) 71 1001 Grams 12 Years a Slave 20,000 Days on Earth 22 Jump Street 52 Tuesdays A Girl at my Door A Most Violent Year A Most Wanted Man A Touch of Sin Aberdeen Alleluia American Sniper Birdman Black Coal, Thin Ice Blind Blue Ruin Boyhood Calvary Captain America: The Winter Soldier Casa Grande Chef Citizenfour Climbing to Spring Cold in July Danger 5 Dawn of the Planet of the Apes Der Samurai Duke of Burgundy Edge of Tomorrow Electric Boogaloo Enemy Fandry Force Majeure Frank Free Fall From What is Before Giovanni's Island Gone Girl Goodbye to Language Guardians of the Galaxy Haemoo Han Gong - ju Hard to be a God Horse Money Housebound Ida Inherent Vice Interstellar It Follows Jauja Jigarthanda Jodorowsky's Dune John Wick Killers Lady Maiko Les Combattants Leviathan Li'l Quinquin Life Itself Like Father Like Son Locke Love and Terror on the Howling Plains of Nowhere Magical Girl Maidan Man From Reno Melbourne Memphis Mommy National Gallery New World Nightcrawler Norte, The End of History Nymphomaniac Of Good Report Only Lovers Left Alive Over Your Dead Body Pale Moon Peaky Blinders Pride R100 Red Army Seven Weeks Sils Maria Snowpiercer Song of the Sea Sorrow and Joy Spring Stand
By Me Doraemon Starred Up Starry Eyes Stray Dogs Texas Chain Saw Massacre The Act of Killing The Babadook The Dam Keeper The Double The Editor The Grand Budapest Hotel The Great Beauty The Great Passage The Guest The Hobbit The Internet's Own Boy The Kingdom of Dreams and Madness The Lego Movie The Missing Picture The One I Love The Overnighters The Penguins of Madagascar The Raid 2 The Sacrament The Second Game The Secret Life of Walter Mitty The Snow White Murder Case The Tale of the Princess Kaguya The Terror Live The Tribe The Wind Rises The Wolf of Wall Street The Wonders The World of Kanako These Final Hours They Came Together Tokyo Tribe Tusk Two Days, One Night Under the Skin Wadjda We Are The Best!
Interview: Producer Sue Maslin on The Dressmaker
By Senior
Contributor Lesley Coffin While just hitting US theaters now, the team behind the Australian
film The Dressmaker already had reason to celebrate when the
film hit theaters last year (after premiering at Toronto).
The IFMCA was originally formed in the late 1990s as the now - defunct «ÄúFilm Music Critics Jury «Äù
by editor and journalist Mikael Carlsson, a regular
contributor to filmmusicradio.com and filmmusicmag.com, and the owner of the Swedish independent
film music label MovieScore Media.
Digital editor Violet Lucca sat down with senior editor Nicolas Rapold, contributing editor and New York Film Festival Selection Committee Member Amy Taubin, and regular
contributor Nick Pinkerton to discuss the top 20
films as determined
by our annual critics» poll.
The End: The
Films of 2017 • The best
films of the year, with cases made for each
by the magazine's
contributors (bonuses here), plus personal selections that didn't crack the top 20 • Top 20 Unreleased
Films, Personal Bests, and Editors» Picks • Two essays on a year of horror (s),
by Laura Kern (expanded for online) and Violet Lucca
Before they were given credit for being objects of great importance — and in many instances, all - importance —
film actors were in no way distinguished
by their salaries from other
contributors to the filmmaking process.
Membership in AWFJ is open
by invitation to female
film critics and female
film journalists (including editors) in the United States, Canada, the UK and Australia, who maintain a professional status, either staff or as a regular freelance
contributor, with outlets that meet the following specifications: print publications must have a circulation of 50,000 or higher; broadcast viewer / listener averages must be 50,000 or higher per month; online unique viewers must average 20,000 or higher per month.
The End: The
Films of 2016 • The best
films of the year, with arguments for each
by the magazine's
contributors • Top 20 Unreleased
Films, Personal Bests, and Staff Picks • Year - in - review essays
by Nicolas Rapold and Michael Koresky • Avant - garde, documentary, animation, and East Asian lists
by Dennis Lim, Eric Hynes, David Filipi, and Tony Rayns
A always been the case, Row Three staff and
contributors along with a few a regular reader or two provide a tiny capsule, a postcard if you will, of all the
films that they saw at the festival, accompanied
by an identifier - tag: [BEST], [LOVED], [LIKED], [DISLIKED], [DISAPPOINTED], [FELL ASLEEP], [WALKED OUT], [HATED] and [WORST].
As has always been the case, regular Row Three
contributors along with a few readers provide a tiny capsule, a postcard if you will, of all the
films that they saw at the festival, accompanied
by an identifier - tag: [BEST], [LOVED], [LIKED], [DISLIKED], [DISAPPOINTED], [FELL ASLEEP], [WALKED OUT], [HATED] and [WORST].
To celebrate our first anniversary, we pay tribute to the
film that inspired the name with archival pieces
by our
contributors.
(The twenty best
films of the decade were determined
by polling all the major and continuing
contributors to Reverse Shot in the publication's history.)
The twenty best
films of this decade were determined
by polling all the major and continuing
contributors to Reverse Shot in the publication's history.
FC Editor - in - Chief Nicolas Rapold is joined
by Justin Chang,
film critic for the Los Angeles Times; Mara Gourd - Mercado, general director of Montreal doc-fest RIDM; and Eric Hynes, FC
contributor and
film programmer at the Museum of the Moving Image.
Both filmmakers were key
contributors to the original saga — Heyman produced all eight of the «Harry Potter»
films, while Yates helmed the final four installments — and now they're dedicated to bringing to life a new extension of that beloved mythology, this time set in 1920 America, with a screenplay
by a first - time screenwriter, «Harry Potter» author J.K. Rowling herself.
Record
Contributors: Aparna Nancherla Björk Bon Iver Bryce Dessner CHVRCHES (with
film clip directed
by Kristen Stewart) Common Dr. Willie Parker Dream Hampton Elliott Smith Estelle Feist Foo Fighters Heather McGhee Helado Negro Janeane Garofalo Jenny Slate John Legend Jon Brion Laurie Anderson Margaret Atwood Margaret Cho Mary J Blige Mary Lattimore Matt Berninger Meg Baird Mitski Nico Muhly Pete Holmes Sarah Silverman Sharon Van Etten Sleater - Kinney St. Vincent Tig Notaro Zach Galifianakis
There is currently a crowd funding campaign ongoing at Indiegogo to help raise the funds to make the
film happen in exchange for some killer perks, including being featured in the
film itself, getting a Michael Myers mask signed
by Tony Moran, or a special $ 10 raffle - style perk in which a lucky
contributor's name will be drawn at the end of the campaign and they will actually be put in a scene playing a neighbor who gets killed
by Michael Myers.
Amnesty International UK hosts the British
film premiere of Taking Root: The Vision of Wangari Maathai at the Human Rights Action Centre in London on 28 May 2009: for details, click here The
film will be followed
by a question and answer session with Wangari Maathai; filmmaker, Lisa Merton; and director of the International Institute for Environment and Development (and openDemocracy
contributor), Camilla Toulmin For more information on Wangari Maathai's work, see the website of the Green Belt MovementNonetheless, the farmers were unhappy.
A postscript picks up the story with
films by one of the show's
contributors, Stan VanDerBeek.
The selection of
contributors was made
by panels of students, divided between the specialisms of painting, sculpture, and performance /
film.
International artists such as Urs Fischer, Carston Höller, Olafur Eliasson, and experimental filmmaker Kenneth Anger contributed mobile art yurts or
films; musicians like Cat Power, Beck, Giorgio Moroder, Patti Smith, Charlotte Gainsbourg, Twin Shadow, and Thurston Moore provided live music, a food «happening»
by Rirkrit Tiravanija, and marching bands Kansas City, are amouhg the few
contributors.
A lineup of distinguished
contributors, speakers, musicians and performers presents a «live magazine» of true stories accompanied
by photography,
film and original music.
The couple's accomplishments - as patrons, philanthropists and political activists who lived and worked along a Paris - Houston - New York axis - is told in lively texts and remembrances
by contributors such as the artist Dorothea Tanning, architect Renzo Piano,
film scholar Gerald O'Grady, architectural historian Stephen Fox, curators Bertrand Davezac and Walter Hopps, and Africanist Kristina Van Dyke.
Not screened since 1972, the 33 - minute
film is introduced
by Bill Horrigan, a
contributor to The Films of Andy Warhol Catalogue Raisonné Volume II (The Andy Warhol
Film Project, Whitney Museum of American Art), followed
by a conversation with Warhol collaborator Billy Name.