Sentences with phrase «film by the injustice»

We were inspired to make the film by the injustice happening to Anna's home birth midwife, Agnes Gereb, who had been imprisoned and at the time of filming was under house arrest and facing multiple criminal charges (and even today, four years later, Agnes is still facing multiple charges).

Not exact matches

The Guy Fawkes mast is worn by V, the films protagonist, a man who fought against injustice and in the end (spoiler alert), sacrificed himself for the movement.

Deadpan, the film allows us to register the difference between T'Challa and Erik as an African and an African American — Erik being burdened by the traumas and injustices of American history in a way T'Challa is not.

To an outsider, the rule that forbids a widower from raising a child alone feels like a cruel injustice and despite being made by a relative outsider (Weinstein is Jewish but not Orthodox), the film doesn't linger on outrage.

Miyagawa and Takemitsu contribute once again, and although the first half of the film setting up the pair's flight is a bit rote and conventional (featuring far too many plot devices advanced by one character clandestinely overhearing the conversation of another), the movie gets its blood boiling during the second half, which depicts the injustice of their plight and the rage of Iwashita's family, who want to kill her for her shameful misdeed.

The film centers on a beautiful, strong - willed woman, who, frustrated by ongoing injustice at home, leaves the United States after meeting Jude, an American doctor who runs a remote medical mission within the Ottoman Empire — a world both exotic and dangerous, and on the brink of what is about to become the first World War.

In a year that has been marked by women's solidarity and greater awareness of injustices towards women, it means a lot for our film to be recognized.

Ford was the brother of Yance Ford, the director of this film, which is the story of how a tragic loss followed by an injustice can ripple outward for decades, a shock wave that never stops reshaping a family.

This last is best exemplified by the «Delirium» section featuring Christian Slater as Joe's beloved dying father and it is remarkably affecting, showing von Trier's astonishing ability to manipulate the tone of his films and still remain coherent: here he is completely un-ironic, completely serious, employing no sly wink, only a finely channeled fury at fate, and perhaps God, for the unbelievable injustice and indignity of death.

Journalism, which is the film's central focus, should seek out and bring to light the injustices perpetrated or aided by the systems within the public trust.