Sentences with phrase «film called the room»

There is a film called The Room (2003) by independently wealthy Tommy Wiseau, someone you've likely never heard about.

In 2003, an independent film called The Room - starring and written, produced, and directed by a mysteriously wealthy social misfit named Tommy Wiseau - made its disastrous debut in Los Angeles.

Not exact matches

With those two films showing potential weaknesses, there is room for a surprise winner like Get Out, the horror film about racism, or the coming - of - age LGBTQ romance Call Me By Your Name, among others.

It's why Steve Young said he didn't work hard enough in the film room, why Fran Tarkenton called him a «pontificator,» why DeSean Jackson tweeted that you can't do great things «with basic people,» and why Gruden benched him.

Sometimes he'd call them into the film room if he didn't like what he saw.

He regrets none of his monotonous days — school, weight room, practice, recruit calls, game film, more reps at 24 - Hour Fitness and training with personal quarterback coach Matt House.

Dr. Robert C. Cantu is on call amid football's concussion crisis: congressional hearings, courthouses, NFL meetings, helmet safety panels, operating rooms, research labs, television studios, film documentaries.

Though sporadically inspired, especially when trying to call back to the magic of filmmaking in «The Room,» Franco's film suggests that it's easier to laugh at a clown than to attempt to understand why they're in the make - up.

If you've ever seen «The Room,» a 2003 feature that's been called one of the worst films of the 21st century, you probably had some burning questions about its leading man, such as: How old is that guy, really?

A WTF film experience like few others, the incomprehensible 2003 melodrama (and unintentional comedy) The Room begs for Mystery Science Theater 3000 cat - calling, a vanity project so bizarrely conceived and ineptly executed that even Edward D. Wood Jr. might disown it.

PH: A few years ago, I was an actor in a film called «Rudyard Kipling's Mark of the Beast,» and while on the set a number of people were talking endlessly and enthusiastically about the Tommy Wiseau film «The Room.»

After inviting every female nominee in the room to join her in standing, McDormand called for more female representation in film stating: «I have two words to say: Inclusion Rider.»

Thoughtful and generous, it's that rare ensemble film that gives its side characters enough room to breathe and grow: Two romantic interests — played by Manchester by the Sea's Lucas Hedges and Call Me by Your Name's Timothée Chalamet, both superb — as well as an upbeat nun (the legendary Lois Smith) stand out in this loving ode to mothers, daughters and the girlhood towns we never fully leave behind.

But the film, which tells the story of how mystery man Tommy Wiseau made what's often been called the worst movie of all time, The Room, has earned mostly positive reviews and was nominated for two Golden Globes, including Best Picture (Comedy or Musical.)

Cera delivers the one natural - seeming performance in the picture, the one that conveys legitimate exasperation for mothers who call him «puppy» and girlfriends who talk on hamburger phones and put abandoned living - room sets on his lawn as some sort of shrine (like the film itself) to fashionable quirk.

The real Getty installed a pay phone in his English mansion so guests wouldn't be able to make long distance calls, and in Ridley Scott's film we see him washing shirts in his hotel room bath so he won't have to pay for dry - cleaning.

Note that I didn't call The Forbidden Room Maddin's «latest film,» for this isn't so much a film as an encyclopedic compendium of cinematic possibilities, a cauldron bubbling over with highly spiced visual and narrative tropes.

The supporting cast — especially Scott, of «Sherlock» fame — all do excellent work (the actors all called in live from a hotel room during the film's real - time shoot), but there isn't so much as a sliver of doubt that the film belongs entirely to Hardy.

Significantly, an aide will interrupt us to call her «to the Green Room,» which highlights the stakes for this film.

To make room for these films they would mostly shut out other films that were actually doing well in the year, films that could be called best by anyone's standards, but they were considered not Oscar - y enough and thus, out they went to make room for films people had not yet seen.

Setting a thriller in one room is a risky decision, and while writer - director Hazeldine creates a gripping sense of claustrophobia, this film feels both contrived and padded out with unnecessary sequences.Eight people are called into...

Well, we talk, but actually, probably, we just released a script, original script, available, THE ROOM, original one, because there was a lot of controversy, agin, I'm sorry for some of you guys in America we call «douchebags» - I've been filming the past 20 years, shame on you who are bashing THE ROOM as well as the actors in THE NEIGHBORS.

There's scant wiggle room even for something that the industry calls «counter-programming,» which is a film released to a market to attract moviegoers who aren't interested in football or Star Wars or whatever other big pop - culture thing is happening.

Octogenarian James Ivory, the acclaimed filmmaker of A Room with a View and Howards End, whose 1987 film Maurice was a landmark in gay cinema, was slated to direct Call Me, but he ended up writing the script and co-producing, handing over the reins to Guadagnino mainly as a result of financial pragmatism (Guadagnino refers to his production as «micro-budget»).

Within two weeks of living in Los Angeles, she found herself hosting games at the Viper Room on the Sunset Strip, or as it's called in the film, The Cobra Lounge.

I did a film called Margaret after that, which actually hasn't been released yet; it's still being worked through, I think in the editing room, and then United 93 was my third job.

Doesn't matter, as in the place of all that stuff about internment camps that so beautifully complicated the 1984 flick is the drama of Mr. Han née Miyagi (Jackie Chan) losing control of his car on a dark and stormy night (because just as every chink knows kung fu, none of them can drive — Han totals a car in the film while it's parked in his living room), thus opening the door for a ragamuffin to come calling like some funked - up changeling.

The Disaster Artist tells the true story of the making of the 2003 cult film The Room, which has been called «The Greatest Bad Movie Ever Made».

They become best friends, roommates and then partners on a film that Tommy has written called The Room, which they both will star in.

Her students are making wikis, VoiceThreads, and Voki avatars; they're commenting on class films in real time using a free chat room site called TodaysMeet; and they're answering questions using their cell phones and the Poll Everywhere site.

Next up is the «Gateway of Realism,» two 6 - by -11-foot, high - resolution mountain landscape images featured in the same room as three vertical screens playing an original, silent video piece called «Harmonium Mountain I.» The short film is a festive, balletic, and at times meditative celebration of the same landscape, reproduced 65 times over in various colors and scattered like sentient confetti.

The first room focuses not just on collectivity, but also on what a wall label calls «connectivity»: artists gathering casually in the 1940s at a cafeteria in Greenwich Village and eventually forming the Club, which met for both social purposes and panel discussions centered on philosophy, music, poetry, literature and film.

The first solo exhibition of her films and photography to be held in the UK, alongside more than 40 photographs relating to what has been called her «Berlin Trilogy» of films (1979 — 84), a screening room will show the short films Superbia — the Pride (1986), Still Moving (2009), and Aloha (2016).

That piece next the film, which is behind in this room called The Dent, which is Basim's perhaps most ambitious film work.

Called 1:1, it served, variously, as exhibition space, film set, studio, dining room, guest apartment, office, tattoo parlor,

Called 1:1, it served, variously, as exhibition space, film set, studio, dining room, guest apartment, office, tattoo parlor, stage, and likely more.

Representative Brad Miller (D - NC) called a for a motion to allow both film crews to remain and document the proceedings, which is open to the public, but this was denied by Republicans in the room.

For instance, she understands that the living room is called the drawing room; knows the words for jeera (cumin), haldi (turmeric) and atta (flour); can talk about cricket; fetch music from Bollywood films; tell stories from the ancient Panchatantra children's fables; and more, the report also noted.