«The fundamental advantage of thin
film comes in the form of the amount of material you need,» says electrical engineer Jeff Britt, chief technology officer of thin - film manufacturer Global Solar Energy in Tucson, Ariz. «These are direct bandgap semiconductors.
The only bright spark in
the film comes in the form of Evan Peters» Quicksilver.
Most of the horror on display in Shults»
film comes in the form of dreams that, while haunting and evocative, are more like asides than part of the narrative.
Our first glimpse of
the film came in the form of a rather cryptic trailer ahead of its world premiere at the Berlin Film Festival.
The truly memorable and most gut - wrenching scenes of
the film come in the form of found - footage (truly found fooage!)
The most disturbing turn in the entire
film came in the form of Peter Dinklage portraying a character that is such an ill - developed caricature that you can't help but want to aggressively ask him, «Why?!»
The second most impressive part of
the film comes in the form of Peter Sarsgaard, who plays xenobiologist Hector Hammond.
The source of hate in
this film comes in the form of Caucasian Canadian males: double their size, earning double wages and living a better life.
Not exact matches
Inspiration
comes in many
forms, such as a sunny day, a good
film or your favorite book.
Mix ground pork, scallions, garlic, soy sauce, salt, wine, sugar, oil, ginger, and pepper with chopsticks
in a medium bowl, stirring
in one direction until it all
comes together and a light
film forms on the sides of bowl, about 20 seconds.
Now MIT engineers have
come up with a stickier solution,
in the
form of a thin, lightweight, rubber - like
film.
They found that the reaction occurs without an energetic push, but the position of the water molecules as they
come in to
form first «puddles» of water that connect into a
film as they grow bigger.
The cool variation
comes in the
form of his drug - addled brother who believes the
film crew that's following him around is documenting his big comeback — when they're really making a documentary on the effects of drug addiction and using his name as former contender to add impact.
Barthes wanted to trace and assemble the inner life of love; Denis's
film turns those inward revelations outward, and lets them loose on the world
in the
form of a hungering, spontaneous, clear - eyed but anxious Juliette Binoche — who delivers the sort of soul - baring performance we've
come to expect, but with a humor and candor rare for even her.
Peter Debruge of Variety also finds it to be a «lumbering, confused, and cacophonous mess,» but, while acknowledging that it's almost impossible to divorce the
film from its production woes, Indiewire's Eric Kohn writes, «It's sloppy and amateurish
in parts, but always reaching for something, often resulting
in a fascinating half -
formed beast working through a lot of baggage: a vanity project about the nature of vanity, centered around one of literature's most famous examples,
in the context of the most famous vanity projects of all time
coming to fruition.
Synopsis: When aspiring
film actor Greg Sestero meets the weird and mysterious Tommy Wiseau
in an acting class, they
form a unique friendship and travel to Hollywood to make their dreams
come true.
I'm not usually one to quote music that was unveiled after the»80s, but with «One», Metallica already addressed the struggles of some sucker
in WWI, so it's only fitting that the song «Hell and Back» be placed
in the context of a discussion of a WWII
film... that
came out about 26 years before they even
formed.
His ode to small pleasures and the simple life
comes in the
form of a simple
film that is a small pleasure.
I really miss John Barry, after his departure from Bond we had to make do with some adequate scores over several years even from David Arnold, then along
came a new Bond
in the
form of Mr Craig and wow DA really found the formula for Bond and composed two truly magnificent scores if only he could have done Skyfall, that said lets give Thomas Newman a chance see the
film with the score then listen to the score as stand alone then we can judge, one thing, I really wish just once they could use John Barry's brilliant 007 theme
in a sequence just for old times sake and as a tribute to the man that gave Bond so much.
Sometimes those few mostly
come in the
form of foreign language
film contenders, but sometimes Cannes blows away even Toronto when it
comes to giving awards season its main contenders.
Annihilation, the upcoming
film from Ex Machina director Alex Garland, is one of my most anticipated movies of 2018 — but audiences
came close to not seeing it
in its intended
form.
On the contrary:
in adapting André Aciman's 2007 novel, Guadagnino and screenwriter James Ivory have produced a
film that simultaneously analyzes and dramatizes issues of sexuality, religious identity, and, once again, privilege — with enough well - read bourgeois lazing about
in the sun to give Michael Haneke hives — and yet without straining against its clearly marked narrative boundaries as a
coming - of - age romance, or exploding its
form as an accessible, fundamentally pleasing upper - middlebrow entertainment.
The
film's most surprising performance, though,
comes in the
form of the unbeatable Sam Rockwell because there is a lot more complexity to despicable cop Dixon than meets the eye.
When Greg Sestero, an aspiring
film actor, meets the weird and mysterious Tommy Wiseau
in an acting class, they
form a unique friendship and travel to Hollywood to make their dreams
come true.
For Letitia Wright, who plays the role of princess Shuri
in the Ryan Coogler - directed
film, that interpretation
came in the
form of a black - and - white embroidered Bibhu Mohapatra gown, picked out with the help of stylist Ade Samuel.
One reason it's hard to find much critical guidance about Hong Kong movies is that most of what's written about them
in English
comes from within the Hong Kong
film industry, which monotonously emphasizes box - office grosses over everything else, and is
in a
form of English that borders on gibberish.
In fact, a lot of the attention directed at the film has come in the form of people criticizing Scott for filling the main cast of a movie set in Egypt with spray - tanned white actor
In fact, a lot of the attention directed at the
film has
come in the form of people criticizing Scott for filling the main cast of a movie set in Egypt with spray - tanned white actor
in the
form of people criticizing Scott for filling the main cast of a movie set
in Egypt with spray - tanned white actor
in Egypt with spray - tanned white actors.
Throughout «Paterson,» Jarmusch breaks the traditional
form of the
film for a poetic interlude, capturing a poem that Paterson is working on by literally putting words that look handwritten up on the screen as Driver reads them
in a manner that makes it sound like he's
coming up with them for the first time.
Rare are the productions that don't require supporting parts to occupy screen space
in some way, shape or
form; only two
films come to mind
in the past several years (that I've reviewed, anyway)
in which a single actor was called upon to carry the entire
film.
While those new additions
come in the
form of talented veteran stars like Christine Baranski, Cheryl Hines, Susan Sarandon, and Peter Gallagher, the
film's decision to shift the focus away from the relationship of its original three women to their tattered bonds with their even worse mothers results
in a disappointingly uneven and scattershot comedy.
The final straw to break this god - awful
film's back
comes in the
form of some nausea - inducing serious romantic developments late
in the movie (does every loser have a hot babe girlfriend?)
His experiences informed The Steel Helmet and numerous other war
films but it was forty years before he put his own story down, first
in the novel The Big Red One, published
in 1980, and then
in the
film that
came out the same year,
in a compromised
form that was partially restored
in 2004.
The lyrical lad of
film - making,
in the
form of Irish writer - director John Carney (who gave us the wonderfully musical drama
in 2007's «Once»), is at it again as he brings the continued inspiration of music and motivation
in the engagingly festive
coming - of - age musical melodrama Sing Street.
Last year two excellent
films came out
in the
form of Lincoln vs. Zero Dark Thirty, both received good word from their respective fans before receptions turned bitter
in January.
One week after La La Land won the Toronto People's Choice Award — a key indicator of a
film's likelihood of securing an Oscar nomination for Best Picture — another major awards season clue has
come to us
in the
form of the DOC NYC's Short List.
This smart and funny
film is a raucous
coming - of - age tale about three teenage girls who
form a punk band
in»80s Stockholm.
Over a year later, one finally
came in the
form Bathsheba Everdene, the fiercely independent heroine at the center of a new
film adaptation of Thomas Hardy's classic novel «Far From the Madding Crowd.»
However when Hitchcock's inspiration
comes in the
form of a particularly gruesome book based on Ed Gein, the media and
film industry begin to question his competence.
This isn't to say that it's the best comedy of the year because it's not but it's not one of the downright awful
films that
came in the
form of studio comedies this year.
In the grand tradition of «Night of the Living Dead» comes a film, from writer - director Jordan Peele, that functions as both frightening horror thriller and racially conscious satire that confronts the dark underbelly of American racism in its more insidious, less obvious form
In the grand tradition of «Night of the Living Dead»
comes a
film, from writer - director Jordan Peele, that functions as both frightening horror thriller and racially conscious satire that confronts the dark underbelly of American racism
in its more insidious, less obvious form
in its more insidious, less obvious
forms.
David Lynch's Mulholland Drive contends that the answer to the eternal struggle between what is real and what is fantasy
comes in the
form of a Keatsian confusion — it's the difference between Adam's dream and Eve rendered flesh, blurred
in the mind of the creator and his audience.A
film is a dream of the director made tangible, a conceit familiar from the fourth wall - breaking
in Ingmar Bergman's Persona (banishing any mystery there might have been regarding the visual references to that
film in Lynch's piece), and a movie's characters therefore become projections of its maker's sublimated longing (clarifying too the auteur's use of wardrobe and colour schemes from Hitchcock's meditation on objectification, Vertigo, as well as those of his first collaboration with inamorata Tippi Hedren, The Birds).
His introduction to the
film industry
came in the
form of
coming of age stoner comedy, Dazed and Confused.
Bob Balaban — the only prominent American actor
in the cast, who plays an American
film producer — reportedly
came up with the initial idea for the
film, and most of the other
forms of inspiration and discipline seem actor related as well.
Both she and the
film express the frustrations and excitement of
coming - of - age
in perfect pop
form.
We are still well over a year away from that release date, but Blumhouse is wasting no time
in working on the marketing and official product tie -
ins that will
come with the new movie, attending the annual Licensing Expo on Las Vegas
in May 2017, where a very early piece of promo art was on display
in the
form of a teaser poster that recalls Carpenter's minimalist approach to the original
film and echoes the team's comments about taking the franchise back to basics.
But this
film, which once again is set
in Havana and follows the celebration of the return of a man who'd been
in exile for 16 years, sounds like it could see him back on top
form, and he does have home court advantage when it
comes to Cannes...
With his latest feature, A Field
in England,
film form comes to the fore.
One of my first introductions to David Sedaris» writing
comes in the
form of something that isn't exactly his writing, but rather a
film based on his writing (specifically, his essay found
in Naked).
This is a silly, fluffy
film with a small amount of charm which
comes in the
form of the enchanting Amanda Seyfried.
Another problem that it faces
comes in the
form of Todd Phillips as the
film's producer.