Sentences with phrase «film came in the form»

«The fundamental advantage of thin film comes in the form of the amount of material you need,» says electrical engineer Jeff Britt, chief technology officer of thin - film manufacturer Global Solar Energy in Tucson, Ariz. «These are direct bandgap semiconductors.
The only bright spark in the film comes in the form of Evan Peters» Quicksilver.
Most of the horror on display in Shults» film comes in the form of dreams that, while haunting and evocative, are more like asides than part of the narrative.
Our first glimpse of the film came in the form of a rather cryptic trailer ahead of its world premiere at the Berlin Film Festival.
The truly memorable and most gut - wrenching scenes of the film come in the form of found - footage (truly found fooage!)
The most disturbing turn in the entire film came in the form of Peter Dinklage portraying a character that is such an ill - developed caricature that you can't help but want to aggressively ask him, «Why?!»
The second most impressive part of the film comes in the form of Peter Sarsgaard, who plays xenobiologist Hector Hammond.
The source of hate in this film comes in the form of Caucasian Canadian males: double their size, earning double wages and living a better life.

Not exact matches

Inspiration comes in many forms, such as a sunny day, a good film or your favorite book.
Mix ground pork, scallions, garlic, soy sauce, salt, wine, sugar, oil, ginger, and pepper with chopsticks in a medium bowl, stirring in one direction until it all comes together and a light film forms on the sides of bowl, about 20 seconds.
Now MIT engineers have come up with a stickier solution, in the form of a thin, lightweight, rubber - like film.
They found that the reaction occurs without an energetic push, but the position of the water molecules as they come in to form first «puddles» of water that connect into a film as they grow bigger.
The cool variation comes in the form of his drug - addled brother who believes the film crew that's following him around is documenting his big comeback — when they're really making a documentary on the effects of drug addiction and using his name as former contender to add impact.
Barthes wanted to trace and assemble the inner life of love; Denis's film turns those inward revelations outward, and lets them loose on the world in the form of a hungering, spontaneous, clear - eyed but anxious Juliette Binoche — who delivers the sort of soul - baring performance we've come to expect, but with a humor and candor rare for even her.
Peter Debruge of Variety also finds it to be a «lumbering, confused, and cacophonous mess,» but, while acknowledging that it's almost impossible to divorce the film from its production woes, Indiewire's Eric Kohn writes, «It's sloppy and amateurish in parts, but always reaching for something, often resulting in a fascinating half - formed beast working through a lot of baggage: a vanity project about the nature of vanity, centered around one of literature's most famous examples, in the context of the most famous vanity projects of all time coming to fruition.
Synopsis: When aspiring film actor Greg Sestero meets the weird and mysterious Tommy Wiseau in an acting class, they form a unique friendship and travel to Hollywood to make their dreams come true.
I'm not usually one to quote music that was unveiled after the»80s, but with «One», Metallica already addressed the struggles of some sucker in WWI, so it's only fitting that the song «Hell and Back» be placed in the context of a discussion of a WWII film... that came out about 26 years before they even formed.
His ode to small pleasures and the simple life comes in the form of a simple film that is a small pleasure.
I really miss John Barry, after his departure from Bond we had to make do with some adequate scores over several years even from David Arnold, then along came a new Bond in the form of Mr Craig and wow DA really found the formula for Bond and composed two truly magnificent scores if only he could have done Skyfall, that said lets give Thomas Newman a chance see the film with the score then listen to the score as stand alone then we can judge, one thing, I really wish just once they could use John Barry's brilliant 007 theme in a sequence just for old times sake and as a tribute to the man that gave Bond so much.
Sometimes those few mostly come in the form of foreign language film contenders, but sometimes Cannes blows away even Toronto when it comes to giving awards season its main contenders.
Annihilation, the upcoming film from Ex Machina director Alex Garland, is one of my most anticipated movies of 2018 — but audiences came close to not seeing it in its intended form.
On the contrary: in adapting André Aciman's 2007 novel, Guadagnino and screenwriter James Ivory have produced a film that simultaneously analyzes and dramatizes issues of sexuality, religious identity, and, once again, privilege — with enough well - read bourgeois lazing about in the sun to give Michael Haneke hives — and yet without straining against its clearly marked narrative boundaries as a coming - of - age romance, or exploding its form as an accessible, fundamentally pleasing upper - middlebrow entertainment.
The film's most surprising performance, though, comes in the form of the unbeatable Sam Rockwell because there is a lot more complexity to despicable cop Dixon than meets the eye.
When Greg Sestero, an aspiring film actor, meets the weird and mysterious Tommy Wiseau in an acting class, they form a unique friendship and travel to Hollywood to make their dreams come true.
For Letitia Wright, who plays the role of princess Shuri in the Ryan Coogler - directed film, that interpretation came in the form of a black - and - white embroidered Bibhu Mohapatra gown, picked out with the help of stylist Ade Samuel.
One reason it's hard to find much critical guidance about Hong Kong movies is that most of what's written about them in English comes from within the Hong Kong film industry, which monotonously emphasizes box - office grosses over everything else, and is in a form of English that borders on gibberish.
In fact, a lot of the attention directed at the film has come in the form of people criticizing Scott for filling the main cast of a movie set in Egypt with spray - tanned white actorIn fact, a lot of the attention directed at the film has come in the form of people criticizing Scott for filling the main cast of a movie set in Egypt with spray - tanned white actorin the form of people criticizing Scott for filling the main cast of a movie set in Egypt with spray - tanned white actorin Egypt with spray - tanned white actors.
Throughout «Paterson,» Jarmusch breaks the traditional form of the film for a poetic interlude, capturing a poem that Paterson is working on by literally putting words that look handwritten up on the screen as Driver reads them in a manner that makes it sound like he's coming up with them for the first time.
Rare are the productions that don't require supporting parts to occupy screen space in some way, shape or form; only two films come to mind in the past several years (that I've reviewed, anyway) in which a single actor was called upon to carry the entire film.
While those new additions come in the form of talented veteran stars like Christine Baranski, Cheryl Hines, Susan Sarandon, and Peter Gallagher, the film's decision to shift the focus away from the relationship of its original three women to their tattered bonds with their even worse mothers results in a disappointingly uneven and scattershot comedy.
The final straw to break this god - awful film's back comes in the form of some nausea - inducing serious romantic developments late in the movie (does every loser have a hot babe girlfriend?)
His experiences informed The Steel Helmet and numerous other war films but it was forty years before he put his own story down, first in the novel The Big Red One, published in 1980, and then in the film that came out the same year, in a compromised form that was partially restored in 2004.
The lyrical lad of film - making, in the form of Irish writer - director John Carney (who gave us the wonderfully musical drama in 2007's «Once»), is at it again as he brings the continued inspiration of music and motivation in the engagingly festive coming - of - age musical melodrama Sing Street.
Last year two excellent films came out in the form of Lincoln vs. Zero Dark Thirty, both received good word from their respective fans before receptions turned bitter in January.
One week after La La Land won the Toronto People's Choice Award — a key indicator of a film's likelihood of securing an Oscar nomination for Best Picture — another major awards season clue has come to us in the form of the DOC NYC's Short List.
This smart and funny film is a raucous coming - of - age tale about three teenage girls who form a punk band in»80s Stockholm.
Over a year later, one finally came in the form Bathsheba Everdene, the fiercely independent heroine at the center of a new film adaptation of Thomas Hardy's classic novel «Far From the Madding Crowd.»
However when Hitchcock's inspiration comes in the form of a particularly gruesome book based on Ed Gein, the media and film industry begin to question his competence.
This isn't to say that it's the best comedy of the year because it's not but it's not one of the downright awful films that came in the form of studio comedies this year.
In the grand tradition of «Night of the Living Dead» comes a film, from writer - director Jordan Peele, that functions as both frightening horror thriller and racially conscious satire that confronts the dark underbelly of American racism in its more insidious, less obvious formIn the grand tradition of «Night of the Living Dead» comes a film, from writer - director Jordan Peele, that functions as both frightening horror thriller and racially conscious satire that confronts the dark underbelly of American racism in its more insidious, less obvious formin its more insidious, less obvious forms.
David Lynch's Mulholland Drive contends that the answer to the eternal struggle between what is real and what is fantasy comes in the form of a Keatsian confusion — it's the difference between Adam's dream and Eve rendered flesh, blurred in the mind of the creator and his audience.A film is a dream of the director made tangible, a conceit familiar from the fourth wall - breaking in Ingmar Bergman's Persona (banishing any mystery there might have been regarding the visual references to that film in Lynch's piece), and a movie's characters therefore become projections of its maker's sublimated longing (clarifying too the auteur's use of wardrobe and colour schemes from Hitchcock's meditation on objectification, Vertigo, as well as those of his first collaboration with inamorata Tippi Hedren, The Birds).
His introduction to the film industry came in the form of coming of age stoner comedy, Dazed and Confused.
Bob Balaban — the only prominent American actor in the cast, who plays an American film producer — reportedly came up with the initial idea for the film, and most of the other forms of inspiration and discipline seem actor related as well.
Both she and the film express the frustrations and excitement of coming - of - age in perfect pop form.
We are still well over a year away from that release date, but Blumhouse is wasting no time in working on the marketing and official product tie - ins that will come with the new movie, attending the annual Licensing Expo on Las Vegas in May 2017, where a very early piece of promo art was on display in the form of a teaser poster that recalls Carpenter's minimalist approach to the original film and echoes the team's comments about taking the franchise back to basics.
But this film, which once again is set in Havana and follows the celebration of the return of a man who'd been in exile for 16 years, sounds like it could see him back on top form, and he does have home court advantage when it comes to Cannes...
With his latest feature, A Field in England, film form comes to the fore.
One of my first introductions to David Sedaris» writing comes in the form of something that isn't exactly his writing, but rather a film based on his writing (specifically, his essay found in Naked).
This is a silly, fluffy film with a small amount of charm which comes in the form of the enchanting Amanda Seyfried.
Another problem that it faces comes in the form of Todd Phillips as the film's producer.
a b c d e f g h i j k l m n o p q r s t u v w x y z