This year's Academy Award nominees in the animated feature
film category take audiences everywhere from Afghanistan to the mind of an infant desperately waging a war against puppies.
Not exact matches
Wednesday, Sundance announced the 58
films eligible for awards in four
categories that will play the 2011 festival,
taking place January 20 - 30.
The
film, nominated in 10
categories,
took home 7 Oscars, including two for Cuaron: Best Director and Best
Film Editing.
I missed that prediction, instead going for «Extremis,» the other Netflix
film, mostly because it was my favorite of the two, and I believed Netflix would
take the
category.
Of all the
films that
took home golden statues, American Sniper and The Hunger Games: Mockingjay Part 1 tied for the most wins, each scoring 5 separate
categories.
«Big Short» not only snuck into the Best Picture
category but it earned McKay a Best Director nod, an Adapted Screenplay nomination (shared with Charles Randolph) and the
film took an Editing slot as well.
For our final edition, we
take a look at all nine of the Best Picture nominees — a group that includes some of the finest
films nominated in this
category in some time, and some of the most forgettable.
Nominated for an Academy Award in the Best Documentary
category, the
film focuses primarily on the coach and on three youngsters whose fortunes he
took a particular interest in: Chavis, Money and O.C..
There was one a
film trilogy, featuring outstanding special effects and a central performance from Andy Serkis, that failed twice in an Oscar
category before finally
taking home the prize on the third try.
Oscar commentators and political pundits
took umbrage at the
film being shut out of most
categories, especially Best Director, even though it was nominated for Best Picture.
The Australian actress made a point of thanking every other person who was also nominated in her
category, and
took the opportunity to insist that
films with a strong female cast make money.
This ought to be chapter three in a series of prediction entries no longer than the amount of time it
takes the orchestra to cut off the acceptance speeches of the winners in the short
film categories.
Why a person is nominated for a supporting actor or actress Oscar often has a lot to do with riding coattails, which probably explains why it
takes so long for awards prognosticators to pin down the nominees in these two
categories: It's all about waiting to see which
films catch fire at the box office — or on the blogosphere, where most Oscar campaigns seem to be launched nowadays.
Notably, the top
films in both the narrative and documentary
categories differ from the ones that
took home the grand jury prizes, which singled out «I don't feel at home in this world anymore» and «Dina» in the American
categories.
«It
took enormous creative courage and guts to make this
film,» said Margaret Sixel in accepting the Academy Award for best editing for Mad Max: Fury Road, becoming the 12th woman to win the Oscar in the
category.
Critics
took the
film and it was nominated in the Academy
category which disqualifies animated
films from ever getting the type of due they might deserve.
The premiere will
take place just a few hours after the Oscar nominations are announced, with the
film - and its star DiCaprio - widely expected to pick up nods in several
categories.
Determined by a smaller committee, this
category can be relied upon to celebrate the underdog; no
film has ever
taken this prize in addition to the Best
Film award.
Pro: While action
films typically
take the two sound awards, a musical (a best picture nominee at that) can upset in this
category.
Prior to their Oscar wins in respective
categories, 12 Years a Slave
took best feature, Matthew McConaughey
took best actor for Dallas Buyers Club, Cate Blanchett won best actress for Blue Jasmine, Jared Leto
took the best supporting actor trophy for Dallas Buyers Club, Lupita Nyong» o won best supporting actress for 12 Years a Slave as well as the
film's screenwriter John Ridley for best screenplay.
This much, at least, we know: Who Framed Roger Rabbit belongs to that
category of slick and ironic and star - studded Hollywood
film that
takes as its subject Hollywood and moviemaking and life in Los Angeles, like A Star Is Born or Sunset Boulevard or Singin» in the Rain, like Barton Fink or Boogie Nights or The Player.
In the last two years, wins in key
categories at the Indie Spirits have also synced with the Oscars: At the 2014 ceremony, 12 Years a Slave
took best feature, Matthew McConaughey
took best actor for Dallas Buyers Club, Cate Blanchett won best actress for Blue Jasmine, Jared Leto
took the best supporting actor trophy for Dallas Buyers Club, Lupita Nyong» o won best supporting actress for 12 Years a Slave as well as the
film's screenwriter John Ridley for best screenplay.
The caustic, darkly comic ballbuster Three Billboards Outside Ebbing, Missouri walked away from the Globes with trophies in four of the six
categories it was nominated in, and the most awards of any feature
film of the night: The movie
took the Best Motion Picture — Drama) prize, stars Sam Rockwell and Frances McDormand both
took home acting awards in their
categories, and director Martin McDonagh won for his screenplay.
All signs point to a win for him in this
category — he
took the Directors Guild of America prize — even if the Best Picture prospects for his
film remain suspenseful.
While its cast, from its talented young leads to a never - better Ben Kingsley as Méliès, was regrettably snubbed, the
film vied for Best Picture, Director, and Adapted Screenplay honors and likely wound up the runner - up in the first two of those
categories to The Artist, a kindred French production which
took its love for early cinema in a drastically different direction (full - on emulation) to nonetheless comparably delightful results.
But still, but still... the
films nominated for major
categories are almost always worth
taking a look at.
What and where - Michelle Monaghan and Chris O'Donnell will read the noms: The SAG Award nominations in five
film and eight television
categories will
take place at 6 a.m. PT / 9 a.m. ET on Thursday, Dec. 17.
How far the
film's benchmark - defining pedigree will
take it beyond the technical
categories remains the million - dollar question, but it's safe to say that the honors the Academy bestows on the
film on Sunday will also encompass this one.
Darkest Hour «s Bruno Delbonnel is a four - time Oscar nominee and lensing a
film that has risen month to month in all top of the line
categories so he's to be
taken very seriously as a contender.
And while we did love seeing Sylvester Stallone
take home his first trophy since his one and only Golden Globe nomination for «Rocky» 40 years ago, there were admittedly few major surprises across the
film categories.
The Great Gatsby dominated the
film categories, while Redfern Now
took the top gong in the television prizes at the Australian Academy of Cinema and Television Arts awards
Melancholia, a beautiful
film about the end of the world, was nominated in seven
categories and
took home three awards including the coveted award for European
Film 2011.
The Mexican director, whose previous
films include Children of Men and Harry Potter and the Prisoner of Azkaban, has so far won the Best Director prize at both the BAFTA and Directors Guild of America awards — strong indicators that he's set to
take this
category at the Oscars.
At the 2018 Oscars, his latest
film project Dear Basketball
took home gold in the Animated Short
Film category.
• Kris wrapped up 2009 with his
take on the year's best
films, also offering his own preferred nominees and winners in a range of
categories.
The stellar work on Her might just be too understated to
take the win, and more contemporary
films aren't usually successful in this
category so American Hustle seems like a long shot as well.
It has the advantage of being the one movie that is truly like no other nominee in any
category — seriously, a black and white silent
film in 2011, that
takes balls of steel to make — and most importantly, it's being distributed by the Weinstein Company, and if anyone can turn a
film like this into an Oscar winner, it's Harvey Scissorhands.
Elsewhere, Greta Gerwig's Lady Bird also did well (despite Gerwig herself losing out on a Best Director nomination in a male - centric
category), as Saoirse Ronan won Best Actress, Musical Or Comedy, and the
film took home the trophy in its
category.
We're going with Mary J. Blige, who has become a standout in her first awards season as a representative of her daring
film Mudbound; Octavia Spencer, a former winner who is both well - liked and part of a
film industry voters seem to love; and Holly Hunter, perhaps the biggest underdog in this
category, but a four - time nominee who proved with her surprise nomination for Thirteen in 2004 that, when Oscar voters are given the chance to notice her, they'll
take it.
The Annie Awards, known for predicting the next animated
film to
take home an Academy Award, honor excellence and achievement in animation, with a total of 36
categories including Best Feature, Best Feature — Independent, Production Design, Character Animation, and Effects Animation to Storyboarding, Writing, Music, Editing and Voice Acting.
Speaking on the process of movie selection and shortlisting, Emirati writer and filmmaker Manal Bin Amro, said: «The main challenge was the large number of entries received from many countries and filmmakers, and also the multitude of excellent
films in terms of production, content and cinematic creativity, which created a deep discussion to sincerely try to come up with unbiased and fair results based on a comprehensive cinematic vision that
takes into consideration the general approach and
categories of the competition.»
This is where the shortlisted entrants in each
category come together at the BFI, watch their
films on the big screen, and find out who is
taking home the first, second and third - place prizes.