The film challenges notions of right and wrong, what is just and what is legal, particularly when it comes to the motives of the town ambitious District Attorney, Danny Buck Davidson, as well as both celebrating and exploding stereotypes of small - town life.
Not exact matches
Just as Jackson Pollock stretched the definition of painting and broke away from previous conventions, Malick is
challenging the mainstream
notion which defines
film and more importantly, he offers a comfort to our suffering.
The only thing I can console myself is the
notion that maybe this was a
challenge made to himself, to rush a
film in record time and feel his way through it in the editing process as a counter to his laborious practice.
Indeed, the
notion of these documentaries as belonging to a particular genre is
challenged the most by French and Japanese
films that borrow narrative techniques from their coinciding «new waves.»
The trailer also won't erase skepticism toward Wright's assertion that the
film will
challenge «preconceived
notions» by being «multiracial,» since it basically just shows a bunch of white people playing dress - up.
Through a vibrant programme of exhibitions,
films, events, talks, and debates, the ICA
challenges perceived
notions and stimulates debate, experimentation, creativity, and exchange with visitors.
Smithee's is a peculiar story dear to the
film industry's imaginary, but as employed in I Am Not a Flopper, it poses a
challenge to the
notion of allegedly bad
films and, more specifically, to what is made visible — or not — in the greater production of works of art.
Known for using batik in costumed dioramas that explore race and colonialism, Yinka Shonibare MBE (RA) also employs painting, sculpture, photography, and
film in work that disrupts and
challenges our
notions of cultural identity.
Known for using batik in costumed dioramas that explore race and colonialism, Yinka Shonibare MBE also employs painting, sculpture, photography, and
film in work that disrupts and
challenges our
notions of cultural identity.
«[Cindy Sherman] skilfully weaves together images from our collective consciousness — borrowing from the worlds of
film, fashion and art history to reveal the infinite malleability of identity and to
challenge our preconceived
notions of photography» Gabriel Ritter, the Nancy and Tim Hanley Assistant Curator of Contemporary Art, Dallas Museum of Art.
In this set of current exhibitions,
film's presence
challenges the very
notion of itself — cinematic structures and concepts of distribution are subverted.